Hallam Foe: This Is My Story

Excellent and spot on movie. Not only is this so well directed and acted, it has a difficult story to tell and convinces us 100% time. It is certainly in part the performance of Jamie Bell that helps us take this story of a peeping tom hero on board so effortlessly, but because everything else also buzzes so authentically, we can only conclude that , for once, we have a superb script. I didn't notice one word of dialogue that jarred and this when we have such taboo items up for discussion and for the doing of! Bell as mentioned is excellent but so are all the cast and because I do mean all we have to conclude that Mr Mackenzie has a rare actor directing skill. Sophia Myles is also well worthy of mention, and seems capable of disarming changes that always seem likely to catch one off guard. Funny, affecting, stimulating, sexy, stylish and not a little alarming. Do not miss this movie.

The seventeen year-old Hallam Foe (Jamie Bell) is a weird teenager that misses his mother that committed suicide, drowning in a lake nearby their house in Edinburgh after an overdose of sleeping pills. Hallam spends his spare time peeping the locals and blames his stepmother Verity Foe (Claire Forlani), accusing her of killing his mother. After a discussion with his father Julius Foe (Ciarán Hinds), Hallam sneaks out from his house and travels to London, where he sees Kate Breck (Sophia Myles) and becomes obsessed for her because of her resemblance with his mother. Kate hires Hallam to work in the kitchen of the hotel where she works and they have a strange romance, while Hallam reaches his maturity through the hardest way.

"Hallam Foe" is a surprisingly great and stylish little movie with an original and erotic romance with Oedipus complex, obsession and voyeurism. The enjoyable story is funny, sexy and dramatic and the characters are well developed with great performances and chemistry of Jamie Bell and Sophia Myles. My vote is eight.

Title (Brazil): Not Available

Excellent performances, including a beautiful one by the city of Edinburgh, are what make this erratic movie worth seeing. Jamie Bell is very endearing, and demonstrates a wide emotional range (compare and contrast dull American actors like Ryan Phillippe and Matt Damon). He's well supported by, amongst others, Sophia Myles, Jamie Sives, that wonderful old stager Maurice Roeves and, in an splendid cameo, Ewan Bremner.

The story loses itself in unconvincing melodrama towards the end, which is a pity. Up till then it's an eccentric, entertainingly wayward affair, with a sparky script, good photography and lively editing.

Hallam Foe is so self-consciously a left field British Indie, at times it seems close to self-parody. The result is a film that strives hard to be a departure, but spoils its early promise.

The film is about an adolescent, Hallam Foe, in a Scots upper middle-class dysfunctional family (wife recently dead, the husband having replaced her with his young English lover) on a remote Scottish estate. The early scenes are full of an atmosphere of unknown menace and lurid danger, reminiscent of Ian MacEwan's early stories.

Hallam Foe is a very unusual, oedipal adolescent, one of many young screen protagonists that seem to be the spawn of the original fictional teenage weirdo, Holden Caulfield. After a lurid altercation with his father's distinctly dodgy lover, Hallam jumps ship and goes to the big city, where he quickly becomes obsessed with a female stranger who resembles his mother, and struggles with the loss of innocence and tensions of adolescence. But after developing a relationship with the stranger, the film becomes slack and loses interest as the plot becomes tenuous and spins off into improbability.

Still, on the plus side, Hallam Foe is not bad and even quite funny, and has a real sense of place. The cast is good, particularly Jamie Bell and Sophia Myles, both of whom give demanding performances.

Since Hallam's (Jamie Bell) mother died two years ago, he has detached himself from life, watching (even spying) the people from a distance, going as far as breaking in and searching their closets. He despises his stepmother (a surprisingly matured Claire Forlani) who he suspects of having murdered his mom. So Hallam takes off from the Scottish countryside to Glasgow, where he prowls the roofs, and finds a girl eerily resembling his mother. Revealing more of the story wouldn't do it justice. Jamie Bell masterfully plays an angry young man, reminiscing of Holden Caulfield. The film creates magical sequences, sports a wry northern humour, and doesn't shy away from exploring the feeling of loss and pain. Although the plot background relies too much on textbook psychology, HALLAM FOE remains a kindhearted, lively drama beyond the streamline tearjerkers. 7/10