[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Womb

  • 2010
  • 16
  • 1 Std. 51 Min.
IMDb-BEWERTUNG
6,3/10
15.882
IHRE BEWERTUNG
BELIEBTHEIT
3.767
1.854
Eva Green in Womb (2010)
A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.
trailer wiedergeben1:43
1 Video
94 Fotos
DramaRomanzeScience-Fiction

Die verzehrende Liebe einer Frau zwingt sie, den Klon ihres toten Geliebten zu tragen. Von seiner Kindheit bis zum Mannesalter sieht sie sich mit der unvermeidlichen Komplexität ihrer umstri... Alles lesenDie verzehrende Liebe einer Frau zwingt sie, den Klon ihres toten Geliebten zu tragen. Von seiner Kindheit bis zum Mannesalter sieht sie sich mit der unvermeidlichen Komplexität ihrer umstrittenen Entscheidung konfrontiert.Die verzehrende Liebe einer Frau zwingt sie, den Klon ihres toten Geliebten zu tragen. Von seiner Kindheit bis zum Mannesalter sieht sie sich mit der unvermeidlichen Komplexität ihrer umstrittenen Entscheidung konfrontiert.

  • Regie
    • Benedek Fliegauf
  • Drehbuch
    • Benedek Fliegauf
  • Hauptbesetzung
    • Eva Green
    • Matt Smith
    • Lesley Manville
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    15.882
    IHRE BEWERTUNG
    BELIEBTHEIT
    3.767
    1.854
    • Regie
      • Benedek Fliegauf
    • Drehbuch
      • Benedek Fliegauf
    • Hauptbesetzung
      • Eva Green
      • Matt Smith
      • Lesley Manville
    • 53Benutzerrezensionen
    • 96Kritische Rezensionen
    • 48Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 1 Nominierung insgesamt

    Videos1

    U.S. Version
    Trailer 1:43
    U.S. Version

    Fotos94

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 90
    Poster ansehen

    Topbesetzung26

    Ändern
    Eva Green
    Eva Green
    • Rebecca
    Matt Smith
    Matt Smith
    • Thomas
    Lesley Manville
    Lesley Manville
    • Judith
    Peter Wight
    Peter Wight
    • Ralph
    István Lénárt
    • Henry
    Hannah Murray
    Hannah Murray
    • Monica
    Ruby O. Fee
    Ruby O. Fee
    • Rebecca - 9 Years
    Tristan Christopher
    • Thomas - 10 Years
    Jesse Hoffmann
    • Thomas - 5 Years
    Natalia Tena
    Natalia Tena
    • Rose
    Ella Smith
    Ella Smith
    • Molly
    Wunmi Mosaku
    Wunmi Mosaku
    • Erica
    Alexander Goeller
    • Marc
    Adrian Wahlen
    • Eric
    Gina Stiebitz
    Gina Stiebitz
    • Dima
    Amanda Lawrence
    Amanda Lawrence
    • Teacher
    Jennifer Lim
    Jennifer Lim
    • Mrs. Muju
    Tina Engel
    • Doctor
    • Regie
      • Benedek Fliegauf
    • Drehbuch
      • Benedek Fliegauf
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen53

    6,315.8K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    9josephwiner

    Disturbing. Emotional. Brilliant.

    When first reading about this film, I thought to myself there is no way I shall be watching this; however, somehow I did end up watching it.

    Eva Green was absolutely incredible and gave true meaning to the character. The character's constant state of shock is beautifully performed and she manages to keep the character so real and uses naturalistic dexterity. As for Matt Smith, he brought a true sense of innocence to his character and really allowed himself to connect to the audience as a third-party character.

    Director, Benedek Fliegauf, did a superb job at keeping the realism of the piece. Often with these types of story lines, they lose meaning due to over acting and melodrama, however the director allowed everything to have a sense of stillness and time was a fantastic theme used throughout the story. The use of water that appeared a lot was very well crafted to represent the process of life to death; and this had good relation to the story itself.

    As I don't want to give away too much, I shall just say the final scene left me in tears. Whilst the concept is rather disturbing, as it contradicts morals and is extremely controversial, it was played out in such a way, it allows the viewer to actually connect with the characters and see the situation from their point of view. It's a great example of how the bad can be perceived as good and how viewers can emotionally connect with characters, who did seem ever so real.
    8JimmyCollins

    Quiet, Cold, Stunning!

    Films with lingering shots of a beach or a face or a road to me can sometimes come off as pretentious dribble, not the case with Womb, I found this movie to be absolutely stunning. There's no other word for it, some people would easily find this movie to be boring due to the extremely slow pace and lack of dialogue, but in my opinion that all just adds to the atmosphere that the director was trying to create.

    There is no way at all to tell what year this film is set but I'm guessing it would be in the not too distant future, let's face it, the advances in science these days it's not too long before human cloning will be a part of our society. A lot of things I've heard about Womb quite often compare it to Birth, which is a pretty good comparison I think, both films have a lot of similarities. I couldn't help but pick up vibes from another film Never Let Me Go, the controversial subject matter is similar, the underlying sci-fi element, the moral question the viewer faces and the stillness of both films are very much the same.

    Eva Green is wonderful to watch, she gives such a wonderfully restrained performance that's it's surprising she didn't get noticed more for her role. Ever since I saw the terrific Cracks a few years ago I look forward to seeing what edgy role she decides to take on next, Matt Smith, who I'm not so familiar with also does a good job. The children at the beginning of the film deserve a mention too, it seems as though child actors are just getting better and better as time goes on.

    Certainly not a film for everyone, but for people who like a bit of a discussion after a film it's perfect.

    LOVED IT!!!
    Stephen_Hawkwind

    Thanks, but no.

    This film, along with Never Let Me Go, might be the start of a new genre. Mumblecore science fiction, anyone? Both of these movies take a shot at delivering Very Profound Questions to an audience struggling to not burst out crying at the emotive depth of the incredibly touching human drama unfolding at snail's pace on screen. Or so the directors like to think. In Womb, The Great Idea circumnavigates the plot holes admirably, and the wafer-thin characters are brimming over with Love and struggling to come to terms with their sheer Humanity in virtually every shot. Its all rather dull, and, in a low-key fashion, incredibly pompous. Please, all you directors who feel a sudden urge to regale the audience with Deep Truths about Life - stay away from science fiction (unless you're Terrence Malick). Although I have to admit that Eva Green has perfected the enigmatic Mona Lisa-smile. From what I hear she's become pretty much unbeatable in the ring - she will floor you with that smile, flooding your mind with capitalised abstract nouns.
    9edumacated

    complex

    this is an emotionally and morally complex film.

    the setting is bare, the dialog minimal, and all to leave room for the context which is massive.

    the isolation serves to preserve the womb till the moment of all release, and therefore the moment of ultimate loss. there are many quiet metaphors in this film.

    and it is these quiet choices that show some brilliant forethought on the part of the film-makers. it is brilliant film-making. if you can get past the squirminess of it all. and no doubt some day soon, if science has its way -as it will- this story will come true. just over a hundred years ago most believed that man would never fly.
    10leonthesleepy

    A Delicate portrait of loneliness and lost love.

    Womb is an excellent drama that is unfortunately marketed the wrong way.

    If your first impression of the film is that its an Erotic drama on incest, you couldn't be further from the truth.

    The premise itself should be a guideline for whether or not you should watch this film.

    "After a tragic accident, a woman decides to clone her lover, and raise him from infancy to adult." The less you know about Womb, the better the experience will be. Suffice to say, its an extremely well made, and honest drama about not being able to let go, and the consequences that follow.

    The story centers around Tommy and Rebecca. After the accident, Rebecca makes the controversial decision to clone Tommy to raise him as a child.

    Why? To get back her lover? To raise the child she never had? The film never spoon feeds us, and we're left with Eva Greens brilliant performance to see Rebecca unravel.

    We see her care about the Tommy's clone, and genuinely wants to be a good mother, but there's an underlying foreboding with the possibility of incest. Rebecca struggles to keep her feelings to being a mother, but there's obvious jealously when women come into Tommy's life, and thats the main conflict of the film.

    Certainly, this taboo possibility is the main drive of the second half of the film, but its much more than that.

    Womb is brilliant because of how well its crafted.

    There is an isolation to the film, landscapes and vistas are limited to long stretches of seas and beaches.

    Music is sparse too, there's a haunting recurring theme that plays during decades, and emphasizes the long time span of the story.

    Dialogue is minimum , and the film never lingers on a certain time period.

    Yet we miss nothing. Womb focuses not on the conversations and events, but rather the emotions the characters go through. What we are left with is a deep morality love story that transcends decades.

    Regardless of how you feel about the inevitable outcome, the struggles presented on screen is one of the more complex modern love stories. Its not about Lust, but of how blind we can get in our desires to get our loved ones back.

    Its not for everyone though, due to the slow paced nature of the film, the more you give yourself to the film, the more you will get.

    Its also not exactly the happiest film made. The depressive tone of the film may be too much for some, but it stays true to itself, and benefits greatly from it.

    This paired with the taboo subject material, led with questionable marketing, will probably scare off people, which is a shame, because this is far from the pretentious love story people seem to think it is.

    See it if you can, its definitely a hauntingly beautiful film that makes you think long after the credits roll.

    P.S, this is my first real review, let me know what you guys think! THANKS!

    Mehr wie diese

    Cracks
    6,6
    Cracks
    Perfect Sense
    7,0
    Perfect Sense
    Géminis
    5,7
    Géminis
    Beautiful Kate
    6,6
    Beautiful Kate
    Nach einer wahren Geschichte
    5,7
    Nach einer wahren Geschichte
    La luna
    6,4
    La luna
    Inang
    5,9
    Inang
    Franklyn
    6,0
    Franklyn
    Bez wstydu
    5,2
    Bez wstydu
    Schwarzer Panther
    5,4
    Schwarzer Panther
    Arsène Lupin
    5,4
    Arsène Lupin
    Proxima - Die Astronautin
    6,3
    Proxima - Die Astronautin

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      The theme of this film is closely related to Sigmund Freud's famous theory of the 'Oedipus Complex', which states that there is an unconscious wish for a son to have sex with his mother. He also described the 'Electra Complex' which was the equivalent for females. A similar theme was explored in the 1974 movie 'The Savage is Loose'.
    • Patzer
      If Tommy's laptop had been in a box for 20 years or so, then he would have to use the plug in the box to get it to work as no battery could keep a charge that long.
    • Zitate

      [first lines]

      Rebecca: It's over. I will always speak to you. And I don't mind if you don't say anything. Just because you went away, it doesn't mean you're not here anymore. Perhaps all I ever needed was this gift.

      [rubbing her belly]

      Rebecca: The one you gave to me at the end

    • Crazy Credits
      The ending credits scroll from top to bottom instead of usually bottom to top.

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ19

    • How long is Womb?Powered by Alexa
    • What was the poem that was recited by Tommy's clone during the course of the film?

    Details

    Ändern
    • Erscheinungsdatum
      • 7. April 2011 (Deutschland)
    • Herkunftsländer
      • Deutschland
      • Ungarn
      • Frankreich
    • Offizielle Standorte
      • Official site (Germany)
      • Official site (Hungary)
    • Sprache
      • Englisch
    • Auch bekannt als
      • Vientre
    • Drehorte
      • Hallig Langeneß, Schleswig-Holstein, Deutschland
    • Produktionsfirmen
      • Razor Film Produktion GmbH
      • Inforg Stúdió
      • Asap Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 3.660.000 € (geschätzt)
    • Weltweiter Bruttoertrag
      • 36.257 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 51 Min.(111 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.