IMDb-BEWERTUNG
6,6/10
157.807
IHRE BEWERTUNG
Ein Mann namens Mr. Smith bringt während einer Schießerei das Baby einer Frau zur Welt und soll das Neugeborene gegen die Schützen verteidigen.Ein Mann namens Mr. Smith bringt während einer Schießerei das Baby einer Frau zur Welt und soll das Neugeborene gegen die Schützen verteidigen.Ein Mann namens Mr. Smith bringt während einer Schießerei das Baby einer Frau zur Welt und soll das Neugeborene gegen die Schützen verteidigen.
- Auszeichnungen
- 3 Nominierungen insgesamt
Wiley M. Pickett
- 1st Killer
- (as Wiley Pickett)
Andy Mackenzie
- Ugly Toenails Hood
- (as Andy MacKenzie)
Empfohlene Bewertungen
Clive Owen, Paul Giamatti, and Monica Belluci star in "Shoot 'Em Up," a 2007 film that I believe is a parody of the action genre. It has to be.
Owen plays a former black ops who helps a woman deliver a baby and then finds himself on the run with the baby as hundreds of people chase him and shoot at him.
I won't go into the whys and wherefores. I will only say that it is non-stop action, with Owen shooting in all kinds of situations - sliding on oil leaks under cars, having sex, sitting, standing, running, jumping, parachuting out of a plane -- he never stops. When he's not shooting he's punching, knifing, or slamming someone's head somewhere. Or eating a carrot.
Monica Belluci is the hooker he asks to help care for the baby as the two of them run for their lives, the baby in tow wearing a bullet-proof vest.
The body count is unbelievable.
Exciting, fun, bloody, violent, and preposterous, you'll be on the edge of your seat rooting for him to make the world safe.
Someone once told me that movies are made for 15-year-old boys in Taiwan. This kind of action film definitely is. You can sit back and watch car chases, thermal guns, nudity, you name it - you don't need to know a word of English.
Clive Owen comes up against Paul Giamatti, and the two actors couldn't be more different. Owen is deadpan and deadly, Giamatti is a showman who can play an evil character like this or comedy with equal facility. I understand he recently played, of all things, Hamlet, and received wonderful reviews.
I really hope Clive Owen plays James Bond. I think he'd be wonderful.
Owen plays a former black ops who helps a woman deliver a baby and then finds himself on the run with the baby as hundreds of people chase him and shoot at him.
I won't go into the whys and wherefores. I will only say that it is non-stop action, with Owen shooting in all kinds of situations - sliding on oil leaks under cars, having sex, sitting, standing, running, jumping, parachuting out of a plane -- he never stops. When he's not shooting he's punching, knifing, or slamming someone's head somewhere. Or eating a carrot.
Monica Belluci is the hooker he asks to help care for the baby as the two of them run for their lives, the baby in tow wearing a bullet-proof vest.
The body count is unbelievable.
Exciting, fun, bloody, violent, and preposterous, you'll be on the edge of your seat rooting for him to make the world safe.
Someone once told me that movies are made for 15-year-old boys in Taiwan. This kind of action film definitely is. You can sit back and watch car chases, thermal guns, nudity, you name it - you don't need to know a word of English.
Clive Owen comes up against Paul Giamatti, and the two actors couldn't be more different. Owen is deadpan and deadly, Giamatti is a showman who can play an evil character like this or comedy with equal facility. I understand he recently played, of all things, Hamlet, and received wonderful reviews.
I really hope Clive Owen plays James Bond. I think he'd be wonderful.
Given the choice, I prefer my action films to be as brutally realistic as possible, but if film-makers are insistent about going down the cartoonish violence route, they might as well go the whole nine yards, as in Shoot 'Em Up, a relentlessly OTT slam-bang actioner that starts out all guns blazing and doesn't call it quits until writer/director Michael Davis has thrown every possible crazy idea he can come up with onto the screen.
This wild, anything goes approach could be compared to the previous year's Crank, but unlike that film, which was crippled by unlikeable characters, unnecessary vulgarity and a glut of irritatingly showy editing tricks, Shoot 'Em' up remains a classy and often clever piece of film-making despite its highly preposterous plot: Davis's effective direction is cool and slick without resorting to migraine inducing visual gimmickry; stars Owen and Bellucci effortlessly ooze sex appeal and charisma, whilst Paul Giamatti, as ultra-vicious killer Hertz, is utterly loathsome; there are some inspired visual gags for the eagle-eyed; and the never-ending gun-play is both brilliantly inventive and absolutely blistering. Hell, the film even manages to deliver an ironic anti-gun message whilst all the bullets are flying and people are dying.
In short this film is everything Crank would dearly have loved to have been, and then some.
7.5 out of 10, rounded up to 8 for IMDb.
This wild, anything goes approach could be compared to the previous year's Crank, but unlike that film, which was crippled by unlikeable characters, unnecessary vulgarity and a glut of irritatingly showy editing tricks, Shoot 'Em' up remains a classy and often clever piece of film-making despite its highly preposterous plot: Davis's effective direction is cool and slick without resorting to migraine inducing visual gimmickry; stars Owen and Bellucci effortlessly ooze sex appeal and charisma, whilst Paul Giamatti, as ultra-vicious killer Hertz, is utterly loathsome; there are some inspired visual gags for the eagle-eyed; and the never-ending gun-play is both brilliantly inventive and absolutely blistering. Hell, the film even manages to deliver an ironic anti-gun message whilst all the bullets are flying and people are dying.
In short this film is everything Crank would dearly have loved to have been, and then some.
7.5 out of 10, rounded up to 8 for IMDb.
People who rate this movie poorly obviously do not realize that it is a comedy. If you go into it hoping for awesome action and realistic events, prepare to be disappointed. The entire movie is just completely ridiculous action sequences that not only would never happen but never COULD happen in any possible way. It's as if someone took every action scene that got cut from other action movies for being too outrageous or physically impossible and jammed them all into one movie. That is what makes it so funny! There were scenes with no dialogue that had me rolling with laughter. There aren't any dull moments either with someone getting shot pretty much every 10 seconds. The movie was not what I was expecting, but ended up SO much better. It's just plain fun!
Smith is minding his own business when he sees a heavily pregnant woman being pursued by an armed man. He defends her honour and, in the ensuing gun battle, he delivers her child just before she is shot. He flees with the infant but finds that the target is none other than the baby itself. Turning to a lactating prostitute for help, Smith remains a target for an increasing number of killers under the instruction of violent family man and contractor Hertz.
Let's get one thing out of the way here from the very start because I think it is one thing that all viewers can agree on whether you liked this film or not it is utter nonsense. Not "silly" or "lacking logic" but just out and out nonsense. OK, so now that we have agreed that, what we shall disagree on is just how important that is in regards the enjoyment of this film. You see the film actually works on two very important levels which I think probably explains why it is generally well regarded on this site despite it being, well, nonsense. Instead of worrying about character and plotting and other things that most action films at least try to have, this just goes all out in a ballet of violence and guns that is about as close to action film pornography as I think I have ever seen. However at the same time it never takes itself seriously a fact proved by just how bad some of the gimmicks (the carrots) and dialogue is as well as just how overblown the action is.
By doing this the film hits two audience sectors. Mostly obviously it will appeal to those who just love to see things explode, people die and guns look cool. No doubt it appeals to them because this is a film where the action is constant and even the sex scenes with gorgeous women turn into a gunfight where the phallic nature of the gun could not be made more obvious unless it had a pair of grenades taped either side of the barrel. It revels in violence and gun play, with the gun even forming a marriage band of sorts at one point. However what makes the film worth seeing is that it also appeals to those of us that like action but won't watch any old rubbish. Amazingly it does this by being so overblown and ludicrous that it actually takes the p1ss from the genre in a way that is fun to watch (and also allows those with intellectual aspirations to enjoy the violence while also distancing themselves from it). It sounds unlikely and it may have been a fluke but this is what the film does and it is really good.
I'm pretty sure it was planned because the cast seem sold on the sheer ridiculousness of it all. Owen is great in this dual action hero role and he puts himself 100% into it while also having his tongue in his cheek. Likewise Giamatti, who is not at his best here but yet still drives the mockery and effectiveness of his character. Bellucci concludes the starry cast with a so-so turn, which is perhaps understandable as she is solely here for her sex appeal (which is immense). The rest of the cast are either solid bit players with little to do or goons who fall over. Kudos to the effects department as well for the "baby", which manages to look real for the majority of the time.
Shoot 'Em Up is not a great film and it is based on nonsense but yet it somehow works. By being overblown to the degree it is, it works as both an excessive action film and also a pastiche on how excessive the action genre can be. It will not appeal to everyone even with this, but this made it work for me on both levels and it was much better than I expected it to be as a result.
Let's get one thing out of the way here from the very start because I think it is one thing that all viewers can agree on whether you liked this film or not it is utter nonsense. Not "silly" or "lacking logic" but just out and out nonsense. OK, so now that we have agreed that, what we shall disagree on is just how important that is in regards the enjoyment of this film. You see the film actually works on two very important levels which I think probably explains why it is generally well regarded on this site despite it being, well, nonsense. Instead of worrying about character and plotting and other things that most action films at least try to have, this just goes all out in a ballet of violence and guns that is about as close to action film pornography as I think I have ever seen. However at the same time it never takes itself seriously a fact proved by just how bad some of the gimmicks (the carrots) and dialogue is as well as just how overblown the action is.
By doing this the film hits two audience sectors. Mostly obviously it will appeal to those who just love to see things explode, people die and guns look cool. No doubt it appeals to them because this is a film where the action is constant and even the sex scenes with gorgeous women turn into a gunfight where the phallic nature of the gun could not be made more obvious unless it had a pair of grenades taped either side of the barrel. It revels in violence and gun play, with the gun even forming a marriage band of sorts at one point. However what makes the film worth seeing is that it also appeals to those of us that like action but won't watch any old rubbish. Amazingly it does this by being so overblown and ludicrous that it actually takes the p1ss from the genre in a way that is fun to watch (and also allows those with intellectual aspirations to enjoy the violence while also distancing themselves from it). It sounds unlikely and it may have been a fluke but this is what the film does and it is really good.
I'm pretty sure it was planned because the cast seem sold on the sheer ridiculousness of it all. Owen is great in this dual action hero role and he puts himself 100% into it while also having his tongue in his cheek. Likewise Giamatti, who is not at his best here but yet still drives the mockery and effectiveness of his character. Bellucci concludes the starry cast with a so-so turn, which is perhaps understandable as she is solely here for her sex appeal (which is immense). The rest of the cast are either solid bit players with little to do or goons who fall over. Kudos to the effects department as well for the "baby", which manages to look real for the majority of the time.
Shoot 'Em Up is not a great film and it is based on nonsense but yet it somehow works. By being overblown to the degree it is, it works as both an excessive action film and also a pastiche on how excessive the action genre can be. It will not appeal to everyone even with this, but this made it work for me on both levels and it was much better than I expected it to be as a result.
I'm lobbying for a new film genre to sit alongside the existing ones such as drama, science-fiction, horror and comedy. The new category I'm proposing would be 'Snakes on a Plane.' Besides the obvious Samuel L Jackson film, this genre should be populated with films that tell you everything you need to know about them from the title, thus giving you everything you need to know about whether or not you will enjoy them without sitting down to watch. 'Shoot 'em Up' falls into the 'Snakes on a Plane' category perfectly.
The film 'Shoot 'em Up' is about shooting and killing things. With guns. And carrots (you'll have to watch the film to see whether I'm being serious about the 'carrots' comment). A man, Clive Owen eating a carrot incidentally, witnesses some thugs hunting down a clearly distressed pregnant woman. He just so happens to be possibly the most highly-trained man with a gun in the world - and the perfect person to protect an infant in danger. From then on he takes on every dispensable thug and paid lackey in the entire city, much to the dismay of head bad-guy, Hertz (Paul Giamatti).
Besides the obvious clue in the title as to what the film is about, the only other thing you really need to know is that it NEVER takes itself seriously. 'Shoot 'em Up' knows that it's ludicrously daft and brilliantly over-the-top and it just gets better and better. The action/shooting scenes are clearly the high-points and each one attempts to outdo the last, creating battles in places you probably never thought you'd see and ways of using a gun/bullets that will delight anyone with an appreciation for overblown action scenes.
There's a loose plot, but I won't go into it. It's totally secondary to the gunfights. However, the film is more than just action - largely thanks to its two main stars. There's more than a few references to 'Looney Tunes' and Paul Giamatti stands in for the long-suffering Elmer Fudd as he attempts to track down his Bugs Bunny, the mysteriously-titles 'Mr Smith' (Clive Owen). The two play off each other perfectly and you won't just laugh at how over-the-top the gun scenes are, but also with their constant banter. There are few bad guys you'll love as much as Paul Giamatti!
If you like your films serious and realistic then steer well clear. However, if you like tongue-in-cheek and want something to lose yourself in while you leave your brain at the door, then you'll have everything you want here. If you've also seen either of Jason Statham's 'Crank' films then you'll know roughly the sort of film you're getting here.
The film 'Shoot 'em Up' is about shooting and killing things. With guns. And carrots (you'll have to watch the film to see whether I'm being serious about the 'carrots' comment). A man, Clive Owen eating a carrot incidentally, witnesses some thugs hunting down a clearly distressed pregnant woman. He just so happens to be possibly the most highly-trained man with a gun in the world - and the perfect person to protect an infant in danger. From then on he takes on every dispensable thug and paid lackey in the entire city, much to the dismay of head bad-guy, Hertz (Paul Giamatti).
Besides the obvious clue in the title as to what the film is about, the only other thing you really need to know is that it NEVER takes itself seriously. 'Shoot 'em Up' knows that it's ludicrously daft and brilliantly over-the-top and it just gets better and better. The action/shooting scenes are clearly the high-points and each one attempts to outdo the last, creating battles in places you probably never thought you'd see and ways of using a gun/bullets that will delight anyone with an appreciation for overblown action scenes.
There's a loose plot, but I won't go into it. It's totally secondary to the gunfights. However, the film is more than just action - largely thanks to its two main stars. There's more than a few references to 'Looney Tunes' and Paul Giamatti stands in for the long-suffering Elmer Fudd as he attempts to track down his Bugs Bunny, the mysteriously-titles 'Mr Smith' (Clive Owen). The two play off each other perfectly and you won't just laugh at how over-the-top the gun scenes are, but also with their constant banter. There are few bad guys you'll love as much as Paul Giamatti!
If you like your films serious and realistic then steer well clear. However, if you like tongue-in-cheek and want something to lose yourself in while you leave your brain at the door, then you'll have everything you want here. If you've also seen either of Jason Statham's 'Crank' films then you'll know roughly the sort of film you're getting here.
Wusstest du schon
- Wissenswertes"Baby Oliver" was cast before he was even born. The producers chose a woman who was pregnant with twin boys who would deliver about the time filming began so the baby would genuinely be a newborn baby, as his character is.
- PatzerMr. Smith and Donna bring baby food for the newborn during the days that he is hidden in the tank. A newborn baby does not eat solid food, ever, only breast milk or formula.
- Crazy CreditsThe New Line Cinema logo, a film frame, gets film-perforated with bullet holes.
- SoundtracksBreed
Written by Kurt Cobain
Performed by Nirvana
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Top-Auswahl
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Details
Box Office
- Budget
- 39.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.807.139 $
- Eröffnungswochenende in den USA und in Kanada
- 5.450.000 $
- 9. Sept. 2007
- Weltweiter Bruttoertrag
- 27.122.238 $
- Laufzeit
- 1 Std. 26 Min.(86 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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