Ghettogangz - Die Hölle vor Paris

The place : France.

The time : after 2010.

The plot : The French government has erected giant walls around the poorest and most dangerous neighborhoods. Inside these walls its a veritable jungle, with the strongest (and ofter most corrupt) ruling.

This is the directorial debut of Pierre Morel. He has worked as the cinematographer on Danny the Dog (a.k.a. Unleashed) and the Transporter. If this movie gives you a sense of deja vu, don't worry just flow with it.

The movie follows the recent Ong Bak trend of action movies in that there is very little plot or a somewhat lacking storyline but is compensated for by bone crunching and realistic action/athletic sequences, albeit in this case with a French flavor.

After the opening "fly through" of the barrio we get a glimpse at one of the protagonists, Leito (David Belle). Leito is a neighborhood kid who does a good impersonation of Daredevil (minus the blindness, white stick or red outfit). While surround by crime, Leito manages to keep honest and actually fights back against the neighborhood drug lord, Taha.

This is the first 20 minutes of the movie, and it was simply awesome. David Belle is co-founder of a sport called Parkour. It is some Euro-Asian fusion of martial arts and running. There was a Nike commercial (?? - it was definitely a sneaker ad) where this man kept jumping off of random things. The whole point was he didn't stop, no matter what was in his way. It seems to be some improvisational running, where you figure out ways to get around things. This opening sequence involves a lot of running at full speed and some fighting inside, outside and on top of an apartment building. The pace for the sequence is fast and awe-inspiring.

We are then transported 6 months into the future, where we are introduced to our second protagonist, Damien (Cyril Raffaelli). Damien is the decorated, "straight as an arrow" cop. He follows order and does whatever is necessary (within the law) to get the job done. Damien's 20 minute introduction takes place in an illegal casino. This is the actual sequence that reminds me the most of Ong Bak (the mêlée combat). It has a similar style (of course without Tony Jaa's proficiency), complete with the bone-wrenching "oomphs". Cyril may seem familiar to fans of the action genre. He has been in numerous actions flicks as well, staring in Kiss of the Dragon and as a stunt man in the Transporter and Brotherhood of the Wolf.

The first two sections of the movie contain the character development, while the last section handles the plot. A new type of bomb has been stolen. It has a 24 hour detonation timer on it that is activated once the case is opened. Damien is sent in to defuse it (namely to enter a code that defuses the already active bomb). The bomb is somewhere in B13 and Leito is "volunteered" to be his guide.

The movie was definitely enjoyable, yet lacking much of a story or a finale. I was reminded of Ong Bak and especially of the Transporter. These movies (along with B13) seem to have a rather simplistic finale. The world is a generally good place where a few bad apples take advantage of the good. Most of the time, the good simply do not know the "bad people" exist. They just need someone to tell them and then collectively the good "do the right thing" (which is always done through lawful and sometimes legislative means). There are other movies (like most of Jackie Chan's movies) that have similar endings. This is not so much a criticism as an observation.

There were some scenes that made me go "huh".

Why does everyone have their names on the doors ? I'm sure each of the characters probably also have their names sewn into their boxers. I did enjoy Taha's Tony Montana impression. It was quite a funny scene. Lastly, I would have liked a more extended fight scene with Yeti, but otherwise, was a good sequence. Outside of the action sequences, there were some instances of gun-play. This was definitely not John Woo, but I was reminded of the Professional (Besson does have writing credits).

I thoroughly enjoyed this fast paced action, buddy movie (reminded me of 48 Hours or Rush Hour - except without the comical cop/con routine). I highly recommend this movie for action fans.

-Celluloid Rehab

This film takes everything that has been learned in the last 100 years about how to make an action movie and distills it into a perfect 85 minutes.

The stars are true athletes, including David Belle, the co-founder of the sport of Parkour. He has spent 18 years perfecting his skills, which means that most of the spectacular stunts are real, not done with special effects.

The plot is action-movie perfect as well: A criminal kingpin, a damsel in distress, an honest cop, a noble criminal, corrupt officials, double crosses, nearly superhuman enemies. And at stake: honor, truth and the lives of millions.

There are hardly any extraneous elements, few scenes that don't make sense, no characters that do something really stupid when they should have known better. Every loose end is wrapped up in a very satisfying way. And there's even meaningful social commentary. All (though I said it before) in 85 minutes.

Why do other action movies drag on for two or even three hours and have long slow spots? Why do other action movies have plot holes big enough to walk through? Why do some of them lack drama, get silly and end up feeling like a waste of time? Why can't they all be as taut and tightly written as this one?

Because it's hard. It's hard to reach this level of perfection. It's hard to make a movie in which every scene counts. It's hard to get the plot, the acting, the action and the emotions right.

It's so hard it took 100 years. But here it is. Don't miss it.

What is there to like about this movie? Well, the plot is pretty good, even though I'd have much more trouble suspending my disbelief if it would not have been French. In the wake of all the ruckus in France, this movie feels pretty realistic as a social commentary.

The stunts(Parkour) are amazing. Smooth, fluid motion and crisp, no-bullshit camera-work makes it a real treat to the eye. The fighting scenes are cool too, and they at least partially real(for unreal, watch Hard Target or any other Van Damme movie. For real, watch Heat) and not as repetitive and drawn-out as the usual ones.

The whole ghetto atmosphere works really well. Concrete and poverty works fine as scenery. Dialouge seemed good too from what I got from the subtitles.

What's there to dislike? Well, character development is the same-old. Two different guys team up and saves the day, overcome their differences and live happily ever after. It has been done before, but at least it's done well here.

The music is consistent and fitting, so that's more of a matter of taste.

Otherwise, the movie is pretty much solid. Minor flaws, but on the whole a treat from the moment it starts to the end. Not something you add to the DVD collection, maybe, but certainly worthwhile. -7/10

I don't know quite what I just saw. I'll have to watch it at least a few more times before I make a proper review, but for NOW, let me just attest that the action was so intensely awesome that I forgot to breath; I actually found myself short of breath more than once just from watching.

I have followed eastern action cinema for years and have been continuously intrigued and impressed with their inventiveness and physical expression, but without doubt this film has not just raised the bar for western martial arts/action movies but for the entire Action Movie genre.

The stunt work is flawlessly executed, and utterly amazing.

These guys are insanely talented, and whilst they do what they do best, you just cannot but sit in awe.

I was so excited after watching this film I felt sick!

Thrilling and violent movie with a phenomenal starring pair and in which Cyril Raffaelli and David Belle cast all the Stuntmen themselves . Set in the rundown ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb . When the government learns that local kingpin (Larbi or Bibi Narceri , Sami Narceri's brother ; even though Bibi Naceri co-wrote the script, he still had to audition for the part of Taha along with other actors) has acquired a nuclear weapon , Damien (Cyril Raffaelli) and Leito (David Belle , the originator of Le Parkour ) are called upon to avoid an atomic bomb on destroying the blocks at the heart of District 13 with tactical precision and as save the city . With acrobatic skillfulness and adrenaline pumping belief in their own abilities, they throw themselves out from incredible heights, and jump from roof to roof ; locked doors and 'No Trespassing' signs become irresistible challenges . They confront their enemies in order to find out location the bomb (the bomb code is: 9293709B13) and his sister (Dany Verissimo who spent two whole days on a roof in the freezing cold in ripped clothes, handcuffed to a bomb and Luc Besson wrote the part of Lola specifically for her) who was formerly kidnapped , but someone is still after them and are forced to once again take up violent means to survive .

¨13th District¨ is an exciting film that contains suspense , thrills, noisy action , shootouts and violent fights . The main couple is unabashed in its dedication to fanboy stunt work . From the beginning to the final the noisy action and fast movement is unstopped , including breathtaking scenes in which bounds and leaps through apartments blocks and at moments give the impression that they are flying . Cyril Raffaelli as a hard-rock , two-fisted agent is top-notch . This is a frantic rehash of ¨Escape from NY¨ , rightly realized in French style . The highlights of the movie are The Parkour , also known in USA as Free Running whose origin was in ¨Yamasaki¨ film directed by Ariel Zeitoun , Julien Seri and also produced by Luc Besson with his production company called ¨EuropaCorps¨ . Duo protagonist more than make up for in an skill to soar across a rolling medley highrise flats blocks . The way in which the actors prove this abilities , is in fact an activity called Parkour and was invented by David Belle himself , influenced by his father Raymond Belle . Cyril Raffaelli and David Belle had three months to prepare all their Parkour stunts for the film . There weren't any special effects , wire-work, computer graphics... used in 90% of the Parkour scenes . Good cinematography by cameraman Manuel Teran using Steadicam and zooms with numerous locations from Paris slums . The musician Da Octopuss creates a stirring, moving soundtrack fitting to frantic action . Lavishly produced by the successful French producer and director Luc Besson . The flick was stunningly realized by the habitual cameraman, Pierre Morel in his first film, -the second was the successful ¨Taken¨- , though Alexandre Aja was originally hired to direct the movie the first . Filmmaker Pierre gives the action a dance-like quality and the whole movie took 10 months for production , idea, script, casting, filming, etc , as from January 2004 to October 2004 . Followed by "District 13: Ultimatum" by Patrick Alessandrin again with Cyril Raffaelli as Capt. Damien Tomaso , David Belle as Leïto , Philippe Torreton as Le Président De la République and as well as starring in the film, Cyril Raffaelli also choreographed all the fight sequences ; however David Belle didn't practice all his Parkour stunts , most of the ones that you see in the film were of him performing the stunt for the first time . Rating: Better than average, well worth seeing , this is a highly agreeable action movie . The picture will appeal to explosive action fans