Shoot 'Em Up

Wow. Shoot 'Em Up is exactly what it claims to be. An action movie. Balls to the wall, no holds barred, but nothing more. And that's exactly what you get. Don't go expecting high art...SEU doesn't take itself seriously enough for that. But that's exactly what makes it work. It KNOWS it's over the top, and doesn't try to hide it. Clive Owen's Smith character is the Bugs Bunny to Paul Giamatti's Hurtz Elmer Fudd. The film takes the best cartoon elements, makes them flesh, and still kicks in that over the top craziness. Bad puns that are so bad they're good, action sequences that there just for the sake of having an action sequence, and the wildest sex scene ever...it's amazing. It's the funniest, coolest, most amazing mix of stunts, bad one liners and paper think plot lines.

You get everything you expect from Shoot 'Em Up...and it's all great.

People who rate this movie poorly obviously do not realize that it is a comedy. If you go into it hoping for awesome action and realistic events, prepare to be disappointed. The entire movie is just completely ridiculous action sequences that not only would never happen but never COULD happen in any possible way. It's as if someone took every action scene that got cut from other action movies for being too outrageous or physically impossible and jammed them all into one movie. That is what makes it so funny! There were scenes with no dialogue that had me rolling with laughter. There aren't any dull moments either with someone getting shot pretty much every 10 seconds. The movie was not what I was expecting, but ended up SO much better. It's just plain fun!

Some of the comments left by people on here show just how clueless movie goers can be. As if you can't tell that there's a slight tongue-in-cheek feel to the movie. Doesn't the stupidly high kill count or OTT methods used to kill people make that obvious to you? Does a movie with the title "Shoot em up" sound like a serious piece of work? Come on some of you just need to relax and use your brains a little.

I haven't much to say on the movie itself since its ones of those "entertained me but probably won't buy the DVD" films I so often see in cinemas. Acting was good, action was good, plot was OK. Go see it. If you love it - great, if you don't - oh well. It really is one of those kind of movies. Just remember not expect a serious film reminiscent of James Bond or Die Hard, OK?.

I wasn't really sure what to make of this movie before I went to the advanced screening. I heard from a friend of mine at the Chicago Tribune (she's female, and you'll see why that matters in a second) and she said, "It was so stupid! It was like, BANG BANG BANG, EXPLETIVE EXPLETIVE EXPLETIVE, BANG BANG BANG! Then gallons of blood and we move on." For some reason, the little boy in me that loved the scene in Predator where all of the soldiers shoot at open woods for a complete minute, got very excited. She wasn't kidding, either, that's just what this movie was. Don't worry about the plot, it's not really a concern. Don't worry about the script either, the lines are so over the top and shallow that you know a man wrote this script without allowing anyone to comment on it.

At the same time, this movie is just plain fun. You will find yourself laughing from the moment the movie starts to the ending (which you won't be glancing at your watch while waiting for). There are funny lines, funny situations, and stuff that is so impossible in the real world that you can't help but chuckle. Various moments during the film, I found myself applauding along with the audience, maybe not for the film, but for how writer/director Michael Davis got our hero out of another situation.

The directing, as opposed to the writing, was done very well, especially for a movie like this. If you take the directing too seriously, the script won't work, which is probably why Michael Davis did both. Clive Owen delivers another strong performance, adapting to the cheesy script and outrageous events like a participant in a prank or gag. Monica Bellucci plays the most serious role in the film, and still takes to mocking her life and situation in this movie like the rest of them. My favorite character would still have to be the sly Paul Giamatti, who is given some pretty crazy situations himself but they are coupled with the only lines of any intelligence (or longer than about four words).

By the end of this movie, I was having a lot of fun watching a plot unfold that I didn't really care about. That doesn't deter the film, though, because it's kind of like a stunt show, you're not really concerned with the story. I loved it and, apparently, so did most of the audience. It really reminded me of seeing, well, a live action movie that was more like a video game (we even have coordinated colors for the costumes of the "bad guys" in the various "levels"). I'd like to use this film as an example to my (former) favorite critic Roger Ebert as a perfect example of how video games can be construed in the same light as video games, because Roger, this is clearly a movie made by a large video game fan.

Given the choice, I prefer my action films to be as brutally realistic as possible, but if film-makers are insistent about going down the cartoonish violence route, they might as well go the whole nine yards, as in Shoot 'Em Up, a relentlessly OTT slam-bang actioner that starts out all guns blazing and doesn't call it quits until writer/director Michael Davis has thrown every possible crazy idea he can come up with onto the screen.

This wild, anything goes approach could be compared to the previous year's Crank, but unlike that film, which was crippled by unlikeable characters, unnecessary vulgarity and a glut of irritatingly showy editing tricks, Shoot 'Em' up remains a classy and often clever piece of film-making despite its highly preposterous plot: Davis's effective direction is cool and slick without resorting to migraine inducing visual gimmickry; stars Owen and Bellucci effortlessly ooze sex appeal and charisma, whilst Paul Giamatti, as ultra-vicious killer Hertz, is utterly loathsome; there are some inspired visual gags for the eagle-eyed; and the never-ending gun-play is both brilliantly inventive and absolutely blistering. Hell, the film even manages to deliver an ironic anti-gun message whilst all the bullets are flying and people are dying.

In short this film is everything Crank would dearly have loved to have been, and then some.

7.5 out of 10, rounded up to 8 for IMDb.