Die Nacht der Sonnenblumen

A hugely entertaining and thoroughly enjoyable experience, The Night Of The Sunflowers is a Spanish thriller which hallmarks the great traditions of European cinema, where a focus on characters and their interactions with each other is the prime driving force. Set in a secluded and seemingly serene Spanish village "Sunflowers" weaves a sinister tale of mistaken identity, love, hate and murder, which can only be described as compelling viewing.

What the director Jorge Sanchez-Cabezudo is immediately noted for is his character development within the context of a story. 'Sunflowers' shifts its pace half through way throughout the film from murder intrigue to an entangled web of deceit, but all of this is shown and felt via the superb usage of the varied acting talents at his disposal. Cabezudo knows precisely what he is trying to achieve and does so with an assurance of a director with plentiful more experience, suffice to say his debut is impressive.

Shot in a partially non-linear fashion it manages to portray, through chapter-styled segments, how each particular protagonist, and/or antagonist comes to be involved in this situation, providing for a greater well rounded feel and sense of fulfilment come the films finale.

What is striking, though, is the theme of fractured relationships which runs vividly and often poignantly throughout the course of the film. The archaeologist and his wife and the untold issues they have who are 'seemingly' brought closer together as the shocking ordeal continues, the police deputy and his wife as he struggles through what he perceives to be a turgid and boring existence, and how he is unable to escape the restrictions imposed by his superior, and father-in-law, in all regards. Not just these, but the dealings of the elderly gentlemen on the outskirts and their eternal war of attrition, and even the title itself carries connotations of opposites being juxtaposed, The "Night" of the "Sun"flowers.

The key issue revolves back to a notion of people becoming so infused and becoming so embroiled with their own side-stories, that in turn the key moment of the film is entirely forgotten. What Cabezudo intelligently points out is how we all can become distracted from what is important, that something so explosive came out of initially something so small that it makes you query characters; 'if they had done that', 'if they had done this' it wouldn't have happened. The Night Of The Sunflowers is a frighteningly intelligent, bordering on complex piece of theatre which is cleverly constructed and undoubtedly absorbing upon viewing, that actually gives the audience credit as being somewhat able to put pieces together. It is a truly good Spanish thriller that tackles not only conspiracy and murder, but the people that put themselves into these positions, and allow them to only continue and fester, becoming embroiled in revenge over justice. Whether it be the Sunflowers, roses, tulips or poppies, this is one night worth staying up for.

This is way up there with the best thrillers, like France's recent 'Tell No One'. It has the moody, brooding atmosphere of Jules Dassin's old classic '10:30 PM Summer'. Who is Jorge Sanchez-Cabezudo? Is it true this is his first feature film? How can he be such a master from 'birth'? He wrote it as well. We are onto something here, a major international talent has appeared 'down there', and he is better than Pedro Almodovar in my opinion. When do we get the next one? It's enough to make you want to rush right out and eat some tapas, or something even more drastic than that perhaps. This is a wonderful study also of the clash of peasant and modern cultures. The acting is all flawlessly executed by a team of brilliant actors and actresses, but perhaps the best of all is an actor named Walter Vidarte, whose portrayal of 'Mad Amos' is as good as John Mills as the loonie in 'Ryans Daughter', and don't forget that won an Oscar. But all of these Spanish names are lost on me. I know who Miguel de Unamuno is, but not Carmelo Gomez, so there is not much to say but that they are all so good they must have a secret society in Spain called the Let's Make a Really Good Film and Not Tell Anybody Who We Are Society, whose members cleverly disguise themselves with strange Spanish names. They say Spain is part of mainstream European culture, but I don't believe it. But it is certainly now part of the top European film culture. More please. I might even start to remember some of the names if I could see them more than once.

I am always amazed at the number of Spanish directors who make movies outside the country and, also, have their movies premiered in various countries. Jaume Collet-Serra with "House of Wax"; Jaume Balagueró and "Darkness"; Alejandro Amenabar with "The Others" and "The Sea Inside"; now a guy with the sequel of "28 Days Later" and, of course, Almodóvar.

The fact is that, if you realize, they are surprisingly good at achieving terror (or at least suspense); if you consider the films mentioned above. Well, there's a man named Jorge Sánchez-Cabezudo, and his film "La noche de los girasoles" ("The Night of the Sunflowers" in English) has definitely got some suspense, among other things.

To begin with, the screenplay (by the director himself) has an unbelievable earnestness in its way of depicting people that have nothing to do with one another but, because of how small the world is, end up completely connected. How can I not get bored of movies that connect different things that ultimately become one? It's beginning to appear as an overly used technique with screenplays, but Sánchez-Cabezudo's sense of reality lets us forgive this little detail.

His ingenuity comes from the fact that he presents each of the situations, with a very sarcastic written sentence in the black screen. Then, he places the characters in a completely remote area of the Spanish country where nothing interesting ever happens…Until now, and it's better if I don't reveal any of the plot; because the events that happen target these people's need for excitement.

Try to think that the movie is the typical American 'slasher' where teenagers on the road end up in a deserted town and someone (or something) tries to hunt them down. Now change the teenagers for grown up people, and that 'someone' for nothing. There's no reason why something should be waiting for you in the most boring place; but that's the way 'slashers' think.

In this unexciting environment, when one character comes from work, his wife asks how everything went and he has no better answer than: "The same as usual". Actually, this is a phrase that the script didn't even need to include, because the viewer understands the monotony the characters live with immediately.

The actors portray all these mixed feelings with accuracy; specially Celso Bugallo as an old cop near retirement, and Vicente Romero as a younger one who, at one point, has to deal with a case while being drunk. The rest of the cast couldn't seem to be more normal than you and me; the kind of people you can imagine existing, with the slight difference that the scary music that plays in the background as they drive wouldn't play in their regular cars.

"La noche de los girasoles" captures your attention as the director captures the attention of his characters with his simple but original style; because the movie is, if anything, an exercise of perspectives, and one that you won't regret watching.

This movie is outstanding. The non-linear plot reveals itself little by little taking you by surprise at every turn. It all begins with a rape which already happened a day or two ago. The body is found in the middle of a field of sunflowers. All of this, we get it second hand from TV newscasts while the main characters carry on with their ordinary lives somewhere else. We -the viewers- are lead to follow a caver about to explore a virgin cave near a remote village, his girlfriend, two old disgruntled neighbors on an abandoned village who can't stand each other, a salesman, the disloyal police officer, ... We get to see every character from various viewpoints and how somehow their lives are connected without them knowing yet...

And then tragedy and human resolve -call it selfishness or greed- take over everybody's action.

The pace of revelation and the acting work like clockworks. This could happen, this is (s)pain after all.

Watch out for this guy -the director- for this is his first and for sure it won't be his last.

Intriguing thriller packed with stellar acting , superb cinematography and colorful rural landscapes . Gripping and stirring picture , set in the rural environment of the deep Spain , in which there's a fine line between genre conventions and outright clichés . It happens in the deep Spanish lands , a village in a remote and forgotten location . In the north of Spain , "Esteban" (Carmelo Gomez) and "Pedro" (Mariano Alameda) are two speleologist who come to a mountainous area to study the discovery of a cavern and determine whether it has scientific interest or is useless . They are accompanied by "Gabi" (Judith Diakhate), the sweetheart of Esteban , who awaits them at the foot of the mountain . While the cavers are exploring a cave near from village Gabi is approached by a stranger (Manuel Moron) rooted in a misogynistic past and is attacked in the nearby woods . His reaction leads to a tragic chain of events . The deeds bring together a pair of different Guardias Civiles , First Corporal (Celso Bugallo) and Tomás (Vicente Romero) . As two deputies attempt to track down a criminal who has terrorized an easy community .

Formula thriller filled with gritty intrigue , crisply edition , tension , suspenseful and a little of violence . It is a story of interwoven lives structured into six parts , crossed by a web of suspense that is resolved in the last story in a surprising finale . The flick revolves around a tragic event becomes complex throughout the movie . This serious and truly original film with groundbreaking narrative results to be a fantastically intriguing story of ambition , corruption , deceiving and killing , being very well done , swiftly paced and including a twisted screenplay . Interesting theme about some potholers and authority enforcements , slipping outside the bounds of the law through their use of lies as well as half-truths ; including corrupt deputies who attempt to carry out objectives by whatever means ; however this issue has been previously treated in many other films , especially American ones . It has emotional or aesthetic resonance , even comforting in some ways , and partly because is just more attuned to nuanced variations on what might appear to be mere formula . The plot is twisted but plenty of thrills and surprises . This intelligently made picture relies heavily on a complicated plot , interweaving disparate characters , ordinary people , detectives to investigate a grisly killing and many other things . This moving motion picture contains stylistic boldness and energy . There are six regular characters faced with extreme situations, and perhaps one of the main objectives Jorge Sánchez-Cabezudo got was precisely to show how the ordinary villagers can cause a situation so complicated and dramatic . It's a pretty good film in which the main and support cast give a good work there are great characters , everyone does their job perfectly . Secondary actors are frankly well such as Celso Bugallo , Manuel Morón , Vicente Romero , Cesareo Estebanez , Petra Martinez , and special mention for veteran Walter Vidarte as nutty Amós

Thrilling as well as evocative musical score by Krishna Levy who has composed successful as ¨8 Women ¨, "Ali Zaoua: Prince of the Streets" and ¨The Fall¨ . Colorful as well as dark cinematography by Angel Iguacel . Excellent debut from Jorge Sánchez-Cabezudo (writer and director) with this film "La Noche de Los Girasoles" a great Noir Cinema film set in the rural Spanish location . This is his only picture , "The Night of the Sunflowers" he would go on writing/directing series and TV episodes such as ¨Bajo Sospecha¨, ¨Velvet¨, ¨Gran Hotel¨, ¨Victor Ros¨ , ¨Hispania¨, ¨Guante Blanco¨, ¨Crematorio¨, ¨Hospital Central¨, among others . ¨The night of the sunflowers¨ is an award-winning movie such as Cinema Writers Circle Awards, Won CEC Award Best Actor Carmelo Gómez , Best New Artist : Jorge Sánchez-Cabezudo , Best Supporting Actor : Celso Bugallo ; Miami Film Festival 2007 Won Audience Award Ibero-American Competition Jorge Sánchez-Cabezudo won Special Mention Dramatic Features - Ibero-American Cinema Competition For the musical soundtrack ; Sant Jordi Awards 2007 Won Sant Jordi Best First Work ; Spanish Actors Union 2007 : Won Award of the Spanish Actors Union Film: Performance in a Minor Role, Male Manuel Morón ; Turia Awards 2007 Won Best First Work Best Director : Jorge Sánchez-Cabezudo