IMDb-BEWERTUNG
5,1/10
50.202
IHRE BEWERTUNG
Beim Babysitting wird eine Schülerin von einem immer bedrohlicher werdenden Anrufer belästigt.Beim Babysitting wird eine Schülerin von einem immer bedrohlicher werdenden Anrufer belästigt.Beim Babysitting wird eine Schülerin von einem immer bedrohlicher werdenden Anrufer belästigt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
Rosine 'Ace' Hatem
- Rosa
- (as Rosine Hatem)
Empfohlene Bewertungen
Critics and audiences both pretty much panned this movie, but I actually didn't think it was too bad! Even the critics I normally agree with thought it was crap, and I normally despise PG-13 "horror films." So this means one of two things: either (1) I'm too easily pleased, and my taste in movies has dwindled over the years, or (2) 'When a Stranger Calls' isn't nearly as horrible as it's made out to be. Now, to be fair, some of the criticisms of the movie are true--there's not much character development, and not much happens in the story. But man alive folks, how much were you expecting from a movie about a babysitter being stalked? Cut them some slack! As a former babysitter who was watching this flick late at night with the lights out, I can safely say the stalker dude was one creepy mofo! Who knows? I guess stuff like this just gives me the willies.
Yes, I admit I had fun watching this, and I don't care how big of a minority that puts me in. ;)
Yes, I admit I had fun watching this, and I don't care how big of a minority that puts me in. ;)
I'm starting to wonder if all these PG-13 horror movies are just glorified screen tests for young and emerging talent. Get a first-time screenwriter, an inexperienced director, a few TV actors looking for their bigscreen break and see what they can do. 'When a Stranger Calls' is a little better than most such recent offerings, but is still completely by-the-book; riddled with plot holes and genre clichés.
The story is unbelievably simplistic. The slim 87 minute running time is heavily padded with inconsequential friends and a pointless cheating boyfriend. The killer is devoid of even the token motivation of Jason or Michael or even the original movie's killer, and as a result is never particularly frightening. The police behave in such an unbelievably ineffectual and lazy manner as to verge on professional misconduct. Simon West brings the same attractive banality to proceedings that he managed with Lara Croft, but his style of directing is decidedly generic, possessing no indicators of real talent or vision. The performances are routine, dark hallways replace genuine horror, and the scares are of the tired cat-in-the-closet variety.
The cinematography and production design, however, are above average for this kind of film. The house is beautifully designed, all dark wood and glassy reflections, and there are a few moments that are of visual interest.
Though lacking an ounce of dramatic originality, it acts as a reasonably satisfying 'dark house' thriller, and maintains interest longer than most of its ilk.
The story is unbelievably simplistic. The slim 87 minute running time is heavily padded with inconsequential friends and a pointless cheating boyfriend. The killer is devoid of even the token motivation of Jason or Michael or even the original movie's killer, and as a result is never particularly frightening. The police behave in such an unbelievably ineffectual and lazy manner as to verge on professional misconduct. Simon West brings the same attractive banality to proceedings that he managed with Lara Croft, but his style of directing is decidedly generic, possessing no indicators of real talent or vision. The performances are routine, dark hallways replace genuine horror, and the scares are of the tired cat-in-the-closet variety.
The cinematography and production design, however, are above average for this kind of film. The house is beautifully designed, all dark wood and glassy reflections, and there are a few moments that are of visual interest.
Though lacking an ounce of dramatic originality, it acts as a reasonably satisfying 'dark house' thriller, and maintains interest longer than most of its ilk.
Having seen the original when I was 13 (and, yes, I was stupid enough to watch it while babysitting!), I was excited to see this remake.
Camilla Bell did a great job as Jill Johnson. And the fact that a teen horror flick could be made in the year 2006 without tremendous vulgarity and gore, made it even that much stronger of a film. I had a great time trying not to chew my fingernails off!
This film won't win anyone an Oscar, but it is entertaining and worth the matinée price ticket I bought to see it. I think girls around the world should watch the original and the remake...and then determine to never babysit again.
All I can say is, I'm glad I'm too old to babysit! There's just something about being in a dark creepy house with sleeping kids that makes this movie classic. No blood, no gore...just good psychological fun! WINNER!
Camilla Bell did a great job as Jill Johnson. And the fact that a teen horror flick could be made in the year 2006 without tremendous vulgarity and gore, made it even that much stronger of a film. I had a great time trying not to chew my fingernails off!
This film won't win anyone an Oscar, but it is entertaining and worth the matinée price ticket I bought to see it. I think girls around the world should watch the original and the remake...and then determine to never babysit again.
All I can say is, I'm glad I'm too old to babysit! There's just something about being in a dark creepy house with sleeping kids that makes this movie classic. No blood, no gore...just good psychological fun! WINNER!
and i really wanted to hate it. i so adored the original and found it offensive that it was being remade, that whole 'you cant mess with perfection' idea in my head. i came away from it with the distinct impression that the director had only the highest regard for the original film and total respect for the filmmaker. the new version tries to update the story for the 21st century and actually has some interesting takes on how modern technology can be used for scary elements. the smart house motion sensored lights added a nice touch as did caller id when its not who it says it is! although they tried too hard to bulk up the story with unnecessary side nonense and the timing was off, i give the man high marks for effort and his obvious attention to the integrity of the original work.
I haven't seen the original (I thought it was a short, but IMDb stats the running time of the 1979 movie at 97 minutes), but the concept worked better back then. I don't mean that it's not scary getting ... scary phone calls! It just doesn't work that well with the technology nowadays (and one of the "major" scares or revelations is just plain stupid)!
That's not to say that this movie is a complete mess. You have great production values and teenagers will surely get excited about this movie. But there is not enough scare/story to keep you on your toes or that justifies the running time! So while it's nice to watch, there is not much to it!
That's not to say that this movie is a complete mess. You have great production values and teenagers will surely get excited about this movie. But there is not enough scare/story to keep you on your toes or that justifies the running time! So while it's nice to watch, there is not much to it!
Wusstest du schon
- WissenswertesAlthough the stranger is played by Scottish-born actor Tommy Flanagan, the phone-call voice is actually Lance Henriksen's. Henriksen fit the voice, whereas Flanagan fit the stranger's build.
- PatzerTiffany and her red Toyota Matrix get inside the locked gate to the Mandrakis residence without a code or being buzzed in to sneak in and scare Jill.
- Zitate
Jill Johnson: [On phone] You really scared me, if that's what you wanted. Is that what you wanted?
Jill Johnson: What do you want?
Voice of the Stranger: Your blood all over me.
- VerbindungenFeatured in WatchMojo: Another Top 10 Worst Hollywood Remakes (2012)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Cuando un extraño llama
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 47.860.214 $
- Eröffnungswochenende in den USA und in Kanada
- 21.607.203 $
- 5. Feb. 2006
- Weltweiter Bruttoertrag
- 67.062.123 $
- Laufzeit1 Stunde 27 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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