Jason Bourne versucht sich dem Mordprogramm eines skrupellosen CIA-Beamten und seiner Agenten zu entziehen, während er gleichzeitig auf der Suche nach seiner eigenen Identität als gelernter ... Alles lesenJason Bourne versucht sich dem Mordprogramm eines skrupellosen CIA-Beamten und seiner Agenten zu entziehen, während er gleichzeitig auf der Suche nach seiner eigenen Identität als gelernter Killer ist.Jason Bourne versucht sich dem Mordprogramm eines skrupellosen CIA-Beamten und seiner Agenten zu entziehen, während er gleichzeitig auf der Suche nach seiner eigenen Identität als gelernter Killer ist.
- 3 Oscars gewonnen
- 29 Gewinne & 42 Nominierungen insgesamt
- Paz
- (as Edgar Ramirez)
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'The Bourne Identity' was a very pleasant surprise, giving a fairly well-worn genre a much needed freshness. It had its imperfections, but was a very solid and even very good film with much to recommend and introduced a cast-against-type Matt Damon in one of his best roles. 'The Bourne Supremacy' was an example of a sequel that was every bit as good as its predecessor, maybe lacking its freshness but also made a few improvements along the way. The original Bourne trilogy ends with 'The Bourne Ultimatum', which has been regarded often as the best of the three, cannot disagree.
Some of the hand-held shaky cam is used a little too excessively (epileptics be warned!) and the ending could have been a little less frenetic and confused and had more careful tying things together and explanation.
Visually, on the other hand, a vast majority of the time 'The Bourne Ultimatum' like its predecessors looks slick and stylish with even more breath-taking locations. There were many instances when the hand-held shaky cam did intensify the tense claustrophobia of the atmosphere and intensity to very good effect, never making things incomprehensible.
Like 'The Bourne Supremacy', the music score is even more dynamic, atmosphere enhancing and more layered this time round, while Paul Greengrass' drama-documentary style and background to his directing is used to full advantage. 'The Bourne Ultimatum' has the sharpest, most intelligent and subtle script of the three films, in a way that is just dazzling.
The story never lets go of its grip and never strains credibility or reality. It is a tense adrenaline rush throughout, with the best mix of exciting action, the best of it is absolutely thrilling, and meaty story-telling, with lots of emotion and characterisation meat, that develops Bourne the best of all three films. Paul Greengrass' directing style and his experience in drama-documentary is once again used to full advantage.
Matt Damon has really made the character of Bourne his own, at the time of 'The Bourne Identity' it was very much a cast-against-type role but now it is one of his best. Julia Stiles and particularly Joan Allen are marvellous, as is a suitably malevolent David Strathairn, and while the supporting cast are a little underused they all do uniformly sterling work (one would be very hard pressed to get a bad performance out of Albert Finney for example).
In conclusion, what a conclusion to the Bourne trilogy. 9/10 Bethany Cox
This shot effectively captures the mood of the film. As well as portraying Bourne's quest to find out how he became Jason Bourne, Ultimatum is also an examination of the human costs of the measures taken to protect us in the interests of stability and security.
It is also probably the best film you'll see in the cinema this year.
It's just so intense. Bourne says to Simon Ross (Considine) "This isn't some newspaper story, this is real" and in the audience you almost believe him. The camera shakes, but remains steady enough for you to see everything and feel like you're there with Bourne as he tries to elude his pursuers, and the performances are so good that these guys seem as though they are the characters they're portraying, instead of just being actors performing well-written roles. The action scenes are so brutally fast-paced and well choreographed that they seem instinctive instead of planned to the minutest movement; the stunt-work is nothing short of amazing.
The pacing is just incredible. It keeps driving forward towards its conclusion, but not so fast that it leaves you struggling to piece together the plot; the script delivers the information you need as quickly and clearly as possible before moving on to the next tense action set-piece. While they're often simple (the Waterloo sequence is essentially just a man on a phone being watched by a man on a phone) they're charged with such dramatic intensity that you can't take your eyes off them. The film is just so focused on powering forwards that you can't help being swept along by it.
With its intense action set-pieces, brilliantly paced storyline, and intelligent examination of the decisions made in the name of national security, the Bourne series is one that accurately captures the ambiguities of our age. Ultimatum is its peak.
From the moment that the opening title appeared, I knew we were in for a ride. Paul Greengrass has done it again. Everything we love from the previous Bourne films is here once again: the action, the dialogue, and of course the shaky camera. However for me, that last one was never a problem. I think it adds to the suspense.
I will be back to see this film several times before it is released on DVD, simply because it is genius. It is a perfectly satisfying conclusion, and should stand the test of time as a fantastic movie, and altogether, an unforgettable trilogy.
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- WissenswertesThis is the only Bourne film to win an Academy Award. It won three, in all the categories for which it was nominated, while the other Bourne movies weren't even nominated.
- PatzerWhen Bourne follows Desh on the scooters in Tangier, Desh receives a phone call. He handles the cell phone with his right hand which controls the throttle on the scooter. By taking his right hand off the throttle, the scooter would suddenly have slowed down.
- Zitate
Noah Vosen: [in car, on cell phone] Perhaps we can arrange a meet.
Jason Bourne: Where are you now?
Noah Vosen: I'm sitting in my office.
Jason Bourne: I doubt that.
Noah Vosen: Why would you doubt that?
Jason Bourne: If you were in your office right now we'd be having this conversation face-to-face.
[Bourne hangs up]
- VerbindungenEdited from Die Bourne Identität (2002)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Bourne: El ultimátum
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 110.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 227.471.070 $
- Eröffnungswochenende in den USA und in Kanada
- 69.283.690 $
- 5. Aug. 2007
- Weltweiter Bruttoertrag
- 442.824.138 $
- Laufzeit
- 1 Std. 55 Min.(115 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1