Ein Stadtfuchs kann seiner alten Gewohnheit nicht wiederstehen, Farmen zu überfallen, und muss dann seiner Gemeinschaft dabei helfen, die Vergeltungsmaßnahmen des Farmers zu überleben.Ein Stadtfuchs kann seiner alten Gewohnheit nicht wiederstehen, Farmen zu überfallen, und muss dann seiner Gemeinschaft dabei helfen, die Vergeltungsmaßnahmen des Farmers zu überleben.Ein Stadtfuchs kann seiner alten Gewohnheit nicht wiederstehen, Farmen zu überfallen, und muss dann seiner Gemeinschaft dabei helfen, die Vergeltungsmaßnahmen des Farmers zu überleben.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Oscars nominiert
- 32 Gewinne & 63 Nominierungen insgesamt
George Clooney
- Mr. Fox
- (Synchronisation)
Meryl Streep
- Mrs. Fox
- (Synchronisation)
Bill Murray
- Badger
- (Synchronisation)
Jason Schwartzman
- Ash
- (Synchronisation)
Wallace Wolodarsky
- Kylie
- (Synchronisation)
- (as Wally Wolodarsky)
Eric Chase Anderson
- Kristofferson
- (Synchronisation)
- (as Eric Anderson)
Michael Gambon
- Franklin Bean
- (Synchronisation)
Willem Dafoe
- Rat
- (Synchronisation)
Owen Wilson
- Coach Skip
- (Synchronisation)
Jarvis Cocker
- Petey
- (Synchronisation)
Wes Anderson
- Weasel
- (Synchronisation)
Karen Duffy
- Linda Otter
- (Synchronisation)
Robin Hurlstone
- Walter Boggis
- (Synchronisation)
Hugo Guinness
- Nathan Bunce
- (Synchronisation)
Helen McCrory
- Mrs. Bean
- (Synchronisation)
Roman Coppola
- Squirrel Contractor
- (Synchronisation)
Juman Malouf
- Agnes
- (Synchronisation)
Jeremy Dawson
- Beaver's Son
- (Synchronisation)
Empfohlene Bewertungen
After reading the reviews on here I wasn't put off watching this film. As a huge fan of animation, as well as Wes Anderson films this film definitely did everything and more for me. There's so much going on in every scene, I found it even funnier than other Anderson films, and as usual I loved all the characters. Anderson manages to keep all the coin facial expressions/awkward silences between characters/quirky background stories that appear in all his films. It's a true work of brilliance! This film has a 'kids film' label on it, but it's not really for children in my opinion, I urge anyone who appreciates animation and is looking to watch something quirky and intelligent to go for this film. Don't be put off due to the hordes of children. Anderson films are best watched on the big screen, so go see it now before it finishes at our cinemas.
The only criticism I will say about this is that I don't think Anderson should have kept the original title of Roald Dahl's story 'Fantastic Mr Fox'. Mainly because it has been adapted so much to Anderson's style (as well as being Americanised) that it isn't really in keeping with Dahl's story, and fans of the acclaimed writer who want to experience the film adaptation of his story will be disappointed I feel. I think he should have given it a different title, like 'Foxxed' or something (that's a rubbish suggestion, but you get what I mean), as I loved it, and wouldn't change anything else, but marketing it as an adaptation of Dahl's book is a little mis-leading (definitely for British people anyway).
-As a side point I think that as much as Dahl supplies a brilliant story and tons of material to make a very good film, I think Dahl's stories are best kept where they belong, and that is on paper. It is his literacy genius where the magic of his stories lie, and reading them (rather than looking at them) gives me the most enjoyment than I could ever get from watching a film of one of his stories.
I left the cinema with a huge grin on my face and felt like bouncing along the pavement as I made my way home. It definitely has been the highlight of my week, and will be without a doubt one of the best films I've seen this year.
The only criticism I will say about this is that I don't think Anderson should have kept the original title of Roald Dahl's story 'Fantastic Mr Fox'. Mainly because it has been adapted so much to Anderson's style (as well as being Americanised) that it isn't really in keeping with Dahl's story, and fans of the acclaimed writer who want to experience the film adaptation of his story will be disappointed I feel. I think he should have given it a different title, like 'Foxxed' or something (that's a rubbish suggestion, but you get what I mean), as I loved it, and wouldn't change anything else, but marketing it as an adaptation of Dahl's book is a little mis-leading (definitely for British people anyway).
-As a side point I think that as much as Dahl supplies a brilliant story and tons of material to make a very good film, I think Dahl's stories are best kept where they belong, and that is on paper. It is his literacy genius where the magic of his stories lie, and reading them (rather than looking at them) gives me the most enjoyment than I could ever get from watching a film of one of his stories.
I left the cinema with a huge grin on my face and felt like bouncing along the pavement as I made my way home. It definitely has been the highlight of my week, and will be without a doubt one of the best films I've seen this year.
To put it simply, Fantastic Mr. Fox is unlikely to leave you disappointed.
For a start, the animation, is simply wonderful. Gorgeously designed backgrounds and scenery full of simply incredible attention to detail, the film is full of such loving care and attention. Each character feels full of personality and it's refreshing to see something other than a glossy 3D rendered animation film for a change most certainly. It feels like a return to a day where a little imagination was expected in films, which is nice.
Comparing Pixar releases and this film is besides the point. This film wasn't made to be compared or compete with others, it was made to tell a classic children's tale by one of the greatest authors at writing them. Dahl's wife Felicity herself has described her delight at how the film portrays the universe great author created and the modification of the story for film length is smoothly and smartly done. It is a beautifully told story, heart-warming and charming, witty and full of comedic moments.
While Pixar films play like films made for children that can be enjoyed by adults. Wes Anderson's film feels like one made for adults, that can be enjoyed by children. Some parents may not feel too comfortable of the less than subtle replacement of curse words with "cuss" or "cussing" it has to be mentioned however.
The voice acting is excellently done, Anderson took the cast outside, underground and indoors for the varying parts of the film to give it a real feel of authenticity which pays off. The soundtrack, as with all Wes Anderson films, is stunningly good and really elevates the film. After watching you may find yourself searching out the soundtrack as soon as you get home.
The film's style and direction screams Wes Anderson at the top of its lungs and so, haters of his previous work may need to be careful, but I would certainly suggest to give the film a try and see if it can convert you, if not at least not make you feel like you've wasted your money.
As a self confessed Wes Anderson fan I was doomed to love this film no matter what, but am genuinely delighted with the end product and believe that more than just the blind Wes Anderson lover will find this film a charming, witty ride of enjoyment.
For a start, the animation, is simply wonderful. Gorgeously designed backgrounds and scenery full of simply incredible attention to detail, the film is full of such loving care and attention. Each character feels full of personality and it's refreshing to see something other than a glossy 3D rendered animation film for a change most certainly. It feels like a return to a day where a little imagination was expected in films, which is nice.
Comparing Pixar releases and this film is besides the point. This film wasn't made to be compared or compete with others, it was made to tell a classic children's tale by one of the greatest authors at writing them. Dahl's wife Felicity herself has described her delight at how the film portrays the universe great author created and the modification of the story for film length is smoothly and smartly done. It is a beautifully told story, heart-warming and charming, witty and full of comedic moments.
While Pixar films play like films made for children that can be enjoyed by adults. Wes Anderson's film feels like one made for adults, that can be enjoyed by children. Some parents may not feel too comfortable of the less than subtle replacement of curse words with "cuss" or "cussing" it has to be mentioned however.
The voice acting is excellently done, Anderson took the cast outside, underground and indoors for the varying parts of the film to give it a real feel of authenticity which pays off. The soundtrack, as with all Wes Anderson films, is stunningly good and really elevates the film. After watching you may find yourself searching out the soundtrack as soon as you get home.
The film's style and direction screams Wes Anderson at the top of its lungs and so, haters of his previous work may need to be careful, but I would certainly suggest to give the film a try and see if it can convert you, if not at least not make you feel like you've wasted your money.
As a self confessed Wes Anderson fan I was doomed to love this film no matter what, but am genuinely delighted with the end product and believe that more than just the blind Wes Anderson lover will find this film a charming, witty ride of enjoyment.
I love this movie. The visuals, the endearment from the characters, the ARCS oh boy the character arcs in this movie are SO SO AMAZING. Anderson makes you feel and care for the characters from square one which is a supremely difficult task to do (most directors/writers instead employ making them dislikable because it's way easier). The visuals are top notch and super original which deserves + 1 star on its own so really this movie gets a 11/10 from me.
The story and the overall effect of this movie to inspire artistic creations and not be afraid of telling a story from your unique perspective is what this movie should really be looked on about. It's a masterpiece.
The story and the overall effect of this movie to inspire artistic creations and not be afraid of telling a story from your unique perspective is what this movie should really be looked on about. It's a masterpiece.
"If what I think is happening IS happening...it better not be."
I never would have guessed that Wes Anderson would venture into the world of stop motion animation, but after seeing The Fantastic Mr. Fox, I have to admit that it's a natural fit. I think having the unlimited creative license that animation provides really let him indulge his creativity, and a absolutely great movie was the result.
Anderson and Noah Baumbach took the classic Roald Dahl story and greatly expanded the beginning and end, while giving it a unique look and tone that is quite different from other recent animation. It's still essentially about a fox who steals from three local farmers in order to provide from his family, and brings a lot of trouble on all the nearby animals as a result, but the story is now fleshed out beyond that. This is an Anderson movie through and through, with all the eccentric characters, wonderful music, complicated family dynamics, and understated, off-beat humor that the world has come to expect from his work.
It's difficult to find any part of Fantastic Mr. Fox to raise a complaint about. The animation, character designs and sets are beautiful, the cast of actors and actresses brought in to do the voice acting were all excellent, and the movie as a whole was just charming. Along with Ponyo and Coraline, I'd say that this is among the best animated films I've seen in quite a while. Even better than Pixar's excellent recent work. I really hope that Anderson makes something like this again in the future.
I never would have guessed that Wes Anderson would venture into the world of stop motion animation, but after seeing The Fantastic Mr. Fox, I have to admit that it's a natural fit. I think having the unlimited creative license that animation provides really let him indulge his creativity, and a absolutely great movie was the result.
Anderson and Noah Baumbach took the classic Roald Dahl story and greatly expanded the beginning and end, while giving it a unique look and tone that is quite different from other recent animation. It's still essentially about a fox who steals from three local farmers in order to provide from his family, and brings a lot of trouble on all the nearby animals as a result, but the story is now fleshed out beyond that. This is an Anderson movie through and through, with all the eccentric characters, wonderful music, complicated family dynamics, and understated, off-beat humor that the world has come to expect from his work.
It's difficult to find any part of Fantastic Mr. Fox to raise a complaint about. The animation, character designs and sets are beautiful, the cast of actors and actresses brought in to do the voice acting were all excellent, and the movie as a whole was just charming. Along with Ponyo and Coraline, I'd say that this is among the best animated films I've seen in quite a while. Even better than Pixar's excellent recent work. I really hope that Anderson makes something like this again in the future.
I'll admit it: I love stop motion animation. From the crude Christmas classics that are always on TV this time of year to the elegant masterpieces of Tim Burton, I never miss the chance to see classic animation at work. Needless to say, when I heard about Fantastic Mr. Fox, I was excited. A wonderful Rhold Dahl book, beautifully crafted animation, and an illustrious cast all in one package – this was exciting. I'm happy to say that my excitement was justified as Fantastic Mr. Fox is perhaps one of the best new movies I have seen this year.
The story of Fantastic Mr. Fox follows the lives of the Fox family – Mr (George Clooney), Mrs(Meryl Streep), and their son(Jason Schwartzman) – and their animal neighbors and friends. Mr. Fox, once a professional chicken stealer, decides to settle down with his wife after she becomes pregnant and instead take up a career in writing. After moving to a new home in the trunk of a tree, Mr. Fox takes notice in three massive fowl and fruit farms. Risking everything. Mr. Fox decides to embark on one last big job – stealing from all three farms. What happens after that can only be described as pure confusion and debauchery.
As with most Rhold Dahl stories, the book Fantastic Mr. Fox works to both excite kids and humor adults. As a result, the original short story is considered a classic for many families. Though some adaptations of Rhold Dahl classics (see BOTH adaptations of Charlie and the Chocolate Factory) have strayed from Dahl's dry, quirky humor, the film version of one of his best loved stories have honored this side of Dahl's story, projecting a humor perhaps more suited to adults than children, but creating an overall story that will appeal to all.
This movie would likely have been impossible without the work of numerous wonderful voice actors. George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Willem Dafoe, Michael Gambon, and Owen Wilson all provide voices in the movie, among other lesser known but still wonderfully talented actors. As a result, the voices blend beautifully into the animation. Instead of feeling like characters with a voice shoved in, the voices and the characters are one.
The animation is perhaps the most appealing aspect of the movie. The script and humor works with the animation in ways traditional or digital animation could not. In many instances, the animation itself provides part of the story. By using a more traditional method, Fantastic Mr. Fox is also able to provide very specific quirks and personalities to each character, something often lost in newer animation. Adding to the animation is a muted, fall palette of colors, giving the entire film a homey, comforting feel.
Animation has become so perverted in recent years. Throwing away emotional appeal for visual appeal, the plethora of slick, computer animated, shiny films are almost unnerving. In such an atmosphere, choosing to make a use traditional animation can often spell anathema for the film. As a result, Fantastic Mr. Fox shines, choosing to pick traditional animation techniques to allow the viewer to relate to and communicate with the film in a way few films are able to do anymore. Though perhaps not for everyone, I would recommend Fantastic Mr. Fox for anyone interested in quirky humor, stop-motion animation, or simply a beautifully crafted and well written story.
The story of Fantastic Mr. Fox follows the lives of the Fox family – Mr (George Clooney), Mrs(Meryl Streep), and their son(Jason Schwartzman) – and their animal neighbors and friends. Mr. Fox, once a professional chicken stealer, decides to settle down with his wife after she becomes pregnant and instead take up a career in writing. After moving to a new home in the trunk of a tree, Mr. Fox takes notice in three massive fowl and fruit farms. Risking everything. Mr. Fox decides to embark on one last big job – stealing from all three farms. What happens after that can only be described as pure confusion and debauchery.
As with most Rhold Dahl stories, the book Fantastic Mr. Fox works to both excite kids and humor adults. As a result, the original short story is considered a classic for many families. Though some adaptations of Rhold Dahl classics (see BOTH adaptations of Charlie and the Chocolate Factory) have strayed from Dahl's dry, quirky humor, the film version of one of his best loved stories have honored this side of Dahl's story, projecting a humor perhaps more suited to adults than children, but creating an overall story that will appeal to all.
This movie would likely have been impossible without the work of numerous wonderful voice actors. George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Willem Dafoe, Michael Gambon, and Owen Wilson all provide voices in the movie, among other lesser known but still wonderfully talented actors. As a result, the voices blend beautifully into the animation. Instead of feeling like characters with a voice shoved in, the voices and the characters are one.
The animation is perhaps the most appealing aspect of the movie. The script and humor works with the animation in ways traditional or digital animation could not. In many instances, the animation itself provides part of the story. By using a more traditional method, Fantastic Mr. Fox is also able to provide very specific quirks and personalities to each character, something often lost in newer animation. Adding to the animation is a muted, fall palette of colors, giving the entire film a homey, comforting feel.
Animation has become so perverted in recent years. Throwing away emotional appeal for visual appeal, the plethora of slick, computer animated, shiny films are almost unnerving. In such an atmosphere, choosing to make a use traditional animation can often spell anathema for the film. As a result, Fantastic Mr. Fox shines, choosing to pick traditional animation techniques to allow the viewer to relate to and communicate with the film in a way few films are able to do anymore. Though perhaps not for everyone, I would recommend Fantastic Mr. Fox for anyone interested in quirky humor, stop-motion animation, or simply a beautifully crafted and well written story.
Wes Anderson Films as Ranked by IMDb Rating
Wusstest du schon
- WissenswertesWriter, producer, and director Wes Anderson chose to have the actors and actresses record their dialogue outside of a studio and on-location to increase the naturalness: "We went out in a forest, went in an attic, went in a stable, we went underground for some things. There was a great spontaneity in the recordings because of that."
- PatzerWhen Mr. Fox looks out the tree's window and notices the distant Boggis, Bunce and Bean farms for the first time, they are lined up in that order left-to-right on hilltops. But when he later shows a map of the farms to Kiley, the Boggis farm is clearly situated between Bean and Bunce.
- Crazy CreditsThe film title appears on a library book, homaging the film as a novel adaptation.
- VerbindungenFeatured in Live from Studio Five: Folge #1.23 (2009)
- SoundtracksThe Ballad of Davy Crockett
Music by George Bruns (uncredited)
Lyrics by Thomas W. Blackburn (uncredited)
Performed by The Wellingtons
Courtesy of Walt Disney Records
Top-Auswahl
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24 Frames From Wes Anderson Films
24 Frames From Wes Anderson Films
Explore the memorable career of Wes Anderson through 24 stills from his movies.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- El fantástico Sr. Zorro
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.002.919 $
- Eröffnungswochenende in den USA und in Kanada
- 265.900 $
- 15. Nov. 2009
- Weltweiter Bruttoertrag
- 58.092.014 $
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