FLICKA ist die zeitgemäße Filmadaption von Mary O'Haras bekanntem Roman Mein Freund Flicka, der Generationen von Pferdefreunden begeisterte.FLICKA ist die zeitgemäße Filmadaption von Mary O'Haras bekanntem Roman Mein Freund Flicka, der Generationen von Pferdefreunden begeisterte.FLICKA ist die zeitgemäße Filmadaption von Mary O'Haras bekanntem Roman Mein Freund Flicka, der Generationen von Pferdefreunden begeisterte.
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What a beautiful sight it was to watch a movie with beautiful horses, and green scenery with beautiful hillsides and mountains from Wyoming......It reaffirmed to me how Wonderful is God who created such beautiful land and animals.
The music composer did a remarkable job. The music really enhances the movie and then the song Tim McGraw wrote, wow! Melodic and meaningful! Tim Surprised me on what a great actor he is too! Everyone ought to go see this movie......Finally something for the kids to see.....No cursing, no bloody killing and violence, no immoral behavior........Finally......Kudos to 20th Century Fox for standing behind this project.
Wishing Flicka to hit big this weekend! Leslie Berger
Both of those new-sex-as-wild-horse stories were sappy and ordinary on the surface, but solid enough to last, to (almost) become a classics. Now see what has happened here: this fairly simple natural form has been beset upon by wildcats who have shredded it, turning it into the opposite of what it wants to be.
In the original form, the parents are simply dim but good. Everyone in the story is baffled by puberty, and only differ on how to handle it. In this disemboweled version, the girl is simply wild. She was wild before, during and presumably after we see her. Her dumbfounded parents only know how to fight, not to counsel. In the original, at the end is a harmony, a merging of child and beast where the beast is tamed and controllable and the child now empowered.
In this mortally wounded carcass, the girl wants to remain wild. We know she will be promiscuous, live unhappily (probably creating some new unhappy kids) and die. We know she will be sick or wounded but defiant in every event in her life. We know her parents will comply eventually to every request and wonder why they should be so cursed.
What a strange thing to celebrate harmful obstinacy. I suppose it is one legacy of how we sell presidents in the US.
And the cinematography. I found it ordinary in every respect.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
The story concerns on a rebel teenager and a wild and intelligent horse who comes to be his best friend. The tale gets to capture the qualities about love, sacrifice, friendship and dramatic parents-sons relationship. Although is slow moving at times and some pedestrian, the movie is still effective enough to hold interest and bring a tear or two. Evocative and pleasant musical score by Aaron Zigman and glamorous,stunning cinematography by Michael Muro, reflecting spectacular outdoors. Director Michael Mayer after his impressive directorial debut('At home at the end of the world' with Colin Farrell and Dallas Roberts who plays here a secondary role) directs his second movie, exquisitely filmed and with many precious moments . The picture is a worthwhile treat the whole family can enjoy.
Another films about teens-horses relationship are the following : Tonka(directed by Lewis R. Foster with Sal Mineo), The Black Stallion(1979, Carrol Ballard) and different versions about 'Black Beauty' novel by Anne Sewell, directed by Max Nosseck(1946), filmed by James Hill(1971) with Mark Lester, and adaptation by Caroline Thomson(1994) with Sean Bean, among others.
Wusstest du schon
- WissenswertesAt 27 years of age, Alison Lohman was 11 years older than the character she plays in the film.
- PatzerDuring one of the first times Katy mounts Flicka to ride her around, Flicka isn't wearing a bridle. Then there's suddenly a bridle visible.
- Zitate
Katherine "Katie" McLoughlin: The stories we hear about how the West was won are all lies. The history of the West was written by the horse. Wherever a settler left his footprint there was a hoof print beside it. Men came further and further west to stake their claim on the great American wilderness. But they encountered a strength that couldn't be tamed - wild horses. Mustangs. The settlers called them parasites that would strip the land and starve their own herds. They couldn't domesticate them so they destroyed them. Isolated and hungry, they were on their way to disappearing from the face of the earth. Sometimes when the light disappears an afterimage remains - just for a second. Mustangs are an afterimage of the West, no better then ghosts, hardly there at all. No one really wants them, not ranchers, not city people - that's their destiny. Let them disappear once and for all, along with all the other misfits, loners, and relics of a wilderness no one cares about anymore. Lucky for us a few mustangs survived, hidden away in the mountains. We need to protect them, for they are the hope of some kind of living memory of what the promise of America used to be - and could be again. I believe there is a force in this world that lives beneath the surface, something primitive and wild that awakens when you need an extra push just to survive, like wildflowers that bloom after fire turns the forest black. Most people are afraid of it, and keep it buried deep inside themselves. But there will always be a few people who have the courage to love what is untamed inside us. One of those men is my father. There was once a time when Americans came West to discover their destiny. Today they seem to move around every which way, restless and unsettled. But I think they're still looking for the same thing - a place where they can be optimistic about the future, a place that helps them to be who they really want to be, where they can feel that this life makes sense, a place where they can feel what I feel when I'm riding Flicka - because when we're riding, all I feel... is free.
- Crazy CreditsBecause of the accidental death of two horses during filming, the usual disclaimer of "No animals were harmed in the making of this film" does not appear in the end credits.
- VerbindungenFeatured in Flicka: Turning a Beloved Novel Into Film (2006)
- Soundtracks4:35 A.M.
Written and Performed by Gemma Hayes
Courtesy of Astralwerks
Under license from EMI Film & Television Music
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Flicka
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.000.147 $
- Eröffnungswochenende in den USA und in Kanada
- 7.703.551 $
- 22. Okt. 2006
- Weltweiter Bruttoertrag
- 21.893.591 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
- 2.35 : 1