Die Geschichte einer Ratte aus dem oberen Stadtteil, die aus seiner Penthouse-Wohnung die Toilette hinuntergespült wird und in den Abwasserkanälen Londons endet, wo sie eine ganz neue und an... Alles lesenDie Geschichte einer Ratte aus dem oberen Stadtteil, die aus seiner Penthouse-Wohnung die Toilette hinuntergespült wird und in den Abwasserkanälen Londons endet, wo sie eine ganz neue und andere Lebensweise erlernen muss.Die Geschichte einer Ratte aus dem oberen Stadtteil, die aus seiner Penthouse-Wohnung die Toilette hinuntergespült wird und in den Abwasserkanälen Londons endet, wo sie eine ganz neue und andere Lebensweise erlernen muss.
- Nominiert für 1 BAFTA Award
- 7 Gewinne & 15 Nominierungen insgesamt
Hugh Jackman
- Roddy
- (Synchronisation)
Kate Winslet
- Rita
- (Synchronisation)
Ian McKellen
- The Toad
- (Synchronisation)
Bill Nighy
- Whitey
- (Synchronisation)
Andy Serkis
- Spike
- (Synchronisation)
Shane Richie
- Sid
- (Synchronisation)
Kathy Burke
- Rita's Mum
- (Synchronisation)
David Suchet
- Rita's Dad
- (Synchronisation)
Miriam Margolyes
- Rita's Grandma
- (Synchronisation)
Rachel Rawlinson
- Tabitha
- (Synchronisation)
Susan Duerden
- Mother
- (Synchronisation)
Miles Richardson
- Father
- (Synchronisation)
John Motson
- Football Commentator
- (Synchronisation)
Douglas Weston
- Newspaper Seller
- (Synchronisation)
Roger Blake
- Policeman
- (Synchronisation)
- …
Christopher Fairbank
- Thimblenose Ted
- (Synchronisation)
- …
Paul Shardlow
- Pegleg
- (Synchronisation)
Empfohlene Bewertungen
Like a lot of film reviewers, I had a lot of reservations about this film when I first saw the trailer. At first I thought it was going to be just another hastily made CGI cartoon about edgy cartoon animals, filled with top 40 or dance songs and full of topical jokes. The fact that as I waited for the movie to start, half the trailers were for more CGI cartoons about edgy cartoon animals and the other half was for films about trash talking fairy tale characters.
Thankfully this movie was a blessed reprieve from all of that. In Flushed Away, Aardman studios has made yet another family classic that will still be as entertaining ten years from now as it is today. Granted, it's loaded with a lot of pop songs and oldies, but most of them are sung by a chorus of slugs (which makes for one of the best running gags I've seen in a while).
The story actually felt pretty fresh for a family movie, or any movie for that matter. While it's by no means unpredictable, it doesn't feel too much like it's treading over the same ground most family films seem to go over these days. The jokes were surprisingly clever too. While there's the usual slapstick humor, there's also plenty of highbrow jokes thrown in the mix. (How often do you find references to Kafka in an animated feature, after all?) What I liked best about this movie was that Aardman stayed true to its roots of making stop-motion films. My initial worry was that they had sold out and were going to just make CGI films from here on out like everybody else, but when you watch this film, you'll see that they do as much as possible to maintain the look of their other animated films like Chiken Run and Wallace & Gromit. Overall this is a great selection to take your family to see, and worth seeing even if you're a grown up too.
Thankfully this movie was a blessed reprieve from all of that. In Flushed Away, Aardman studios has made yet another family classic that will still be as entertaining ten years from now as it is today. Granted, it's loaded with a lot of pop songs and oldies, but most of them are sung by a chorus of slugs (which makes for one of the best running gags I've seen in a while).
The story actually felt pretty fresh for a family movie, or any movie for that matter. While it's by no means unpredictable, it doesn't feel too much like it's treading over the same ground most family films seem to go over these days. The jokes were surprisingly clever too. While there's the usual slapstick humor, there's also plenty of highbrow jokes thrown in the mix. (How often do you find references to Kafka in an animated feature, after all?) What I liked best about this movie was that Aardman stayed true to its roots of making stop-motion films. My initial worry was that they had sold out and were going to just make CGI films from here on out like everybody else, but when you watch this film, you'll see that they do as much as possible to maintain the look of their other animated films like Chiken Run and Wallace & Gromit. Overall this is a great selection to take your family to see, and worth seeing even if you're a grown up too.
I saw Flushed Away at a press screening in Berlin where it was shown in English to an overwhelmingly German audience. Leaving aside the clichés (Germans DO have a sense of humour - it's just different, okay?!), coming as yet another in a long line of CGI films and with (let's be honest here) a less than gripping concept, Flushed Away had only a certain amount of goodwill from this professional crowd. So when an audience like this, yours truly included, laughs aloud and often then there's something special up on the screen!
The humour is overwhelmingly English and there is none of the morality messaging that makes family films from certain other studios such a cringe-inducing experience. The characters are very well drawn (literally as well as figuratively) and the voice casting is universally excellent. The standard of animation is fantastic but you never once get the sense that anyone is showing off what they can do. This is a story- and character-driven film, with the technology there to serve. Anyone writing it off because it is not claymation is doing themselves a great disservice.
Lovers of Wallace & Gromit and Aardman's work in general will have a ball spotting the oh so many references. The level of detail is amazing and it's going to take many viewings and many hours with the DVD on pause to spot them all. There are the bunnies from Curse of the Wererabbit, for example. I spotted the Lion King on the little girl's windowsill, and so on. And on.
When a film credits several writers, plus comedy consultants, it's usually a sign that the script has gone horribly and tragically wrong. Maybe it did, to begin with, and the start is just a tad slow, but it soon picks up speed and the jokes, verbal and visual, just keep coming.
Like the best family films, Flushed Away appeals to audiences of all ages, but the very young might find it a bit long. Not that it lags at any time, merely that the wee tots might get fidgety, you understand.
The cast do a great job and I'm not going to single out anyone for special mention. The performances are spot on and everyone is obviously having a tongue in cheek good time. For professional reasons, I get to watch some 300 or more films a year. Flushed Away belongs to the very, very few that I wanted to see again right after it had finished. And before you ask, no, I am not being paid, induced or threatened at gunpoint to write this. I had a cracking good time, as did my girlfriend (Julia, German, with sense of humour) and you will too.
The humour is overwhelmingly English and there is none of the morality messaging that makes family films from certain other studios such a cringe-inducing experience. The characters are very well drawn (literally as well as figuratively) and the voice casting is universally excellent. The standard of animation is fantastic but you never once get the sense that anyone is showing off what they can do. This is a story- and character-driven film, with the technology there to serve. Anyone writing it off because it is not claymation is doing themselves a great disservice.
Lovers of Wallace & Gromit and Aardman's work in general will have a ball spotting the oh so many references. The level of detail is amazing and it's going to take many viewings and many hours with the DVD on pause to spot them all. There are the bunnies from Curse of the Wererabbit, for example. I spotted the Lion King on the little girl's windowsill, and so on. And on.
When a film credits several writers, plus comedy consultants, it's usually a sign that the script has gone horribly and tragically wrong. Maybe it did, to begin with, and the start is just a tad slow, but it soon picks up speed and the jokes, verbal and visual, just keep coming.
Like the best family films, Flushed Away appeals to audiences of all ages, but the very young might find it a bit long. Not that it lags at any time, merely that the wee tots might get fidgety, you understand.
The cast do a great job and I'm not going to single out anyone for special mention. The performances are spot on and everyone is obviously having a tongue in cheek good time. For professional reasons, I get to watch some 300 or more films a year. Flushed Away belongs to the very, very few that I wanted to see again right after it had finished. And before you ask, no, I am not being paid, induced or threatened at gunpoint to write this. I had a cracking good time, as did my girlfriend (Julia, German, with sense of humour) and you will too.
The fact that I could be entertained by another one of these animated talking animal movies is a miracle. Is this number 1000 over the past 2 years? I just love English sarcasm, wit, dryness that strikes a chord in these old bones. The great news, nobody was in drag.
During the movie, there are inside English jokes that Americans may not understand such as "England loses on penalty kicks" which is a modern football tradition in the UK and the English love of knick knacks. The singing slugs don't do it for me but the kids liked them.
I highly recommend this movie even if you are sick of computer animated talking animals.
During the movie, there are inside English jokes that Americans may not understand such as "England loses on penalty kicks" which is a modern football tradition in the UK and the English love of knick knacks. The singing slugs don't do it for me but the kids liked them.
I highly recommend this movie even if you are sick of computer animated talking animals.
This film didn't sound appealing to me when I first heard about it; a rat society living in the underground waterways of England wasn't my idea of an interesting movie. But, I was invited to see a screening of it recently, and I must say that I was pleasantly surprised after seeing it! This film is different, exciting, adventurous, and fun to watch! I liked Rita (Kate Winslet) the best, but that's if I had to choose one character. Roddy (Hugh Jackman) was the star though. The little slugs singing on the side are cute in their own way too. The underlying message of how important family and friends are is well done. It's great for the whole family!
I have to admit that I went into this movie with the mixed expectations. I'm haven't been especially impressed with Dreamworks animations, minus "Over the Hedge" which I think is their first film that stands on its own two feet without relying on the popularity of previous animations or pop-culture references.
But enough on that, Flush Away was an enjoyable romp of animation. My only real complaint, is the pacing. The entire thing feels a roller coaster that you ride upside down -- with rotating seats. (Perhaps a contraption Aardman would come up with). The gags are amusing and some are very funny, but I need some breathing/laughing time between them.
Yet if your brain can handle the onslaught of information, you will be able to appreciate the extraordinary amount of creativity in terms of visuals and attention to detail. There's also plenty of adult innuendo and witty jabs at Europeans and Americans alike. Katzenburg's philosophy of making movies "for adults, and the adult in every child." is very evident here. The kids were rolling in the theater with all the slapstick, and the savvy adults had their own laugh track.
In this sense, the film is a success minus the ridiculous pacing. It's worth a look, just leave the Ritalin at home.
But enough on that, Flush Away was an enjoyable romp of animation. My only real complaint, is the pacing. The entire thing feels a roller coaster that you ride upside down -- with rotating seats. (Perhaps a contraption Aardman would come up with). The gags are amusing and some are very funny, but I need some breathing/laughing time between them.
Yet if your brain can handle the onslaught of information, you will be able to appreciate the extraordinary amount of creativity in terms of visuals and attention to detail. There's also plenty of adult innuendo and witty jabs at Europeans and Americans alike. Katzenburg's philosophy of making movies "for adults, and the adult in every child." is very evident here. The kids were rolling in the theater with all the slapstick, and the savvy adults had their own laugh track.
In this sense, the film is a success minus the ridiculous pacing. It's worth a look, just leave the Ritalin at home.
Wusstest du schon
- WissenswertesAardman Animations's first fully-CGI feature film. The reason for using computer animation, instead of the studio's trademark clay animation, was the numerous scenes involving water, which is nearly impossible to do convincingly in stop-motion.
- PatzerAs the movie opens, the little girl pours a whole box of rat food (and its box) into the dish at the front of Roddy's cage. When Roddy slides down to the front of the cage minutes later, neither the food, nor the upturned box is anywhere to be seen.
- Crazy CreditsThere is a statement in the closing credits: "No slugs were a-salted in the making of this film." The joke is that salt is deadly to slugs.
- Alternative VersionenDistributors choose to remove mild language from the film after an advice viewing from the BBFC suggested that it would not be acceptable for a U rating. As a result, words such as "bloody" and "bugger" were replaced with "blinkin'" and "bother". After the changes had been made, the BBFC passed the film with a U rating.
- VerbindungenFeatured in HBO First Look: Down the Loo... The Making of 'Flushed Away' (2006)
- SoundtracksDancing with Myself
Written by Billy Idol & Tony James
Performed by Billy Idol with Generation X
Courtesy of Chrysalis Records
Under license from EMI Film & Television Music
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Lo que el agua se llevó
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 149.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 64.665.672 $
- Eröffnungswochenende in den USA und in Kanada
- 18.814.323 $
- 5. Nov. 2006
- Weltweiter Bruttoertrag
- 178.281.554 $
- Laufzeit
- 1 Std. 25 Min.(85 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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