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Blood & Bones

Originaltitel: Chi to hone
  • 2004
  • 16
  • 2 Std. 20 Min.
IMDb-BEWERTUNG
7,0/10
2188
IHRE BEWERTUNG
Blood & Bones (2004)
Drama

Füge eine Handlung in deiner Sprache hinzuIn 1923, the Korean teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kam... Alles lesenIn 1923, the Korean teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his em... Alles lesenIn 1923, the Korean teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees. He makes fortune, abuses and destroys the lives of his wife and family, having ma... Alles lesen

  • Regie
    • Yôichi Sai
  • Drehbuch
    • Sogil Yan
    • Yôichi Sai
    • Wui-Sin Chong
  • Hauptbesetzung
    • Takeshi Kitano
    • Hirofumi Arai
    • Tomoko Tabata
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    2188
    IHRE BEWERTUNG
    • Regie
      • Yôichi Sai
    • Drehbuch
      • Sogil Yan
      • Yôichi Sai
      • Wui-Sin Chong
    • Hauptbesetzung
      • Takeshi Kitano
      • Hirofumi Arai
      • Tomoko Tabata
    • 27Benutzerrezensionen
    • 29Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 18 Gewinne & 8 Nominierungen insgesamt

    Fotos2

    Poster ansehen
    Poster ansehen

    Topbesetzung25

    Ändern
    Takeshi Kitano
    Takeshi Kitano
    • Joon-pyong Kim
    Hirofumi Arai
    Hirofumi Arai
    • Masao Kim
    Tomoko Tabata
    • Hanako Kim
    Joe Odagiri
    Joe Odagiri
    • Takeshi Park
    Kyôka Suzuki
    • Yong-hee Lee
    Yutaka Matsushige
    Yutaka Matsushige
    • Nobuyoshi Ko
    Mari Hamada
    Mari Hamada
    • Sadako Toritani
    Yûko Nakamura
    • Kiyoko Yamanashi
    Kazuki Kitamura
    Kazuki Kitamura
    • Yoshio Motoyama
    Shûji Kashiwabara
    • San-myung Jang
    Susumu Terajima
    Susumu Terajima
    • Hee-bom Park
    Atsushi Itô
    • Yong-il…
    Miako Tadano
    • Chun-mi Kim
    Mami Nakamura
    • Sanae Otani
    Jae Baxley
    • Fight Spectator
    Chisun
    Shion Hatakeyama
    Taigi Kobayashi
    • Regie
      • Yôichi Sai
    • Drehbuch
      • Sogil Yan
      • Yôichi Sai
      • Wui-Sin Chong
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen27

    7,02.1K
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    Empfohlene Bewertungen

    9fertilecelluloid

    Harsh essay on the cycles of violence

    Yoichi Sai's long film is about a Korean immigrant (to Japan), played by Takeshi Kitano, who cares about nothing but his own pleasure and gain. His destructive personality and violent temper decimate everything and everyone around him. Based on a true story, the script does not attempt to explain or justify Kitano's character. It presents him without judgment.

    The rapes and beatings (mostly of family members) are relentless and occasionally surreal. One brutal exchange between father and son takes place during a rainstorm and is visually arresting. Another sequence, where father and son respectively destroy each other's homes, has a dark, humorous edge.

    The director chooses his shots carefully and recreates the periods in which the film is set (circa 1923 to the mid-80's) effectively but never ostentatiously.

    Although there is much repetition, the film does serve up a smörgåsbord of atrocities for exploitation fans. The treatment of women is harsh. One beating, in particular, of a young woman by her coarse husband, is strong stuff indeed and flawlessly conveys the cycle of violence a perpetrator creates within his own circle and extended family.

    Clearly given a generous budget and clearly a labor of love, BLOOD AND BONES is well worth seeing and should not be forgotten.

    Kitano is extraordinary.
    10mavruda1977

    Totally depressing

    I was totally stunned with this one. As Kitano is my favorite actor from the Japanese cinema, I found this movie depressing, disgusting, sad, desperate - as it should be. A great movie. Beat Takeshi did great job with this one. My primary feelings was: Im glad,I don't have a living like these people do. Im glad that Kitano show me another aspect of real life somewhere from the bottom. The movie is not rushing anywhere - the scenes talks themselves. Sex, violence, silent relations. He showed us a man that exist, a man that we all fear. A man who has a life anyways. I agree with edison-chang who said it is a Great Piece of depressing Junk - yes, it is. But someone said: In the eye of the beast - a tear. May be there was a small grain of humanity left in the hero of Kitano. May be ?!?

    I've read some of the comments below. And I see people disappointed. Some of you does not find any sense in motion picture of Kitano. Some of you found it a clueless junk. I find it brilliant - and we are all right. The true is that Kitano always plays gangsters in his movies. Mostly gangsters. Why is he so violent?! Because it need to be - the gangsters found their way in the society by being violent. In this movie he is gangster too. He takes what he wants and being passive is the only opportunity for people around him - thats the misery. Such places exist - such persons do exist - everything seems to be real and I find it real. Being violent gives you some preferences - you get the money, the business of other people, you get the women you want and you can do whatever you want without being punished... that the movies shows and we all know that that kind of people always get away from the justice. Sad. Real. Hatred. Force. Violence. Fear. Thats the life on the bottom. And no one could help you - it is not good being a victim.
    6wandering-star

    A study in domestic violence

    This is the tale of Joon-pyong Kim, who immigrates to Osaka from Korea as a teenager in the 1920's. The film flashes about 10-15 years forward and it turns he's a horrendous wife beater with a successful fish cake business. This film reminded me a little of Scarface: replace gang violence with the domestic variety and cocaine with fishcakes.

    As in Scarface, the main character is devoid of compassion, mean, violent and you loathe him. In this respect the film succeeds with a very good performance by Kitano.

    Where it fell short for me is Joon-pyong's life is kind of uninteresting. I liked the idea of a true story of a Korean immigrant trying to make it in Japanese society, through two wars and with all the racial strife.. but this theme was really a side bar to the depressing and unrelenting abuse Joon-pyong's family endures.

    The film does succeed in demonstrating cycles of domestic violence and how a man can be successful in business and yet have a totally failed family life. But I think this theme was firmly established 1/2 hour into the film, and the film continues in that vein, not really introducing any highs or lows or change, in the next two hours.

    The film has some good components but as another review said, there's nothing here to really cheer about.
    9claudio_carvalho

    Extremely Realistic, Sad and Cruel Masterpiece

    In 1923, the Korean teenager Kim Shun-Pei (Takeshi Kitano) moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploring his employees. He makes fortune, abuses and destroys the lives of his wife and family, having many mistresses and children and showing no respect to anybody. Later he closes the factory, lending the money with high interests and becoming a loan shark. His hatred behavior remains until his last breath, alone in North Korea.

    "Chi to Hone" is an extremely realistic, sad and cruel movie about the life of one of the most hideous characters I have ever see. The impressive story has a fantastic direction, awesome interpretations and Takeshi Kitano is simply stunning. The scenes of rape, fight and brutality are amazingly well choreographed and real. The cinematography and art direction present a reconstitution along decades of Osaka, supported by one of the most beautiful soundtracks of the cinema. I regret only my lack of knowledge of Japanese and Korean histories for a full understanding of some historical moments showed along the years. This masterpiece is absolutely underrated in IMDb. My vote is nine.

    Title (Brazil): "Consumido Pelo Ódio" ("Consumed by Hate")
    9eddy_schneider

    Not fun to watch but it's an important movie - I give it a 9/10

    This great movie is not just a study of domestic violence. It's much more than that. It's a historical document of the life in Japan roughly from WWII to the 1970'. It shows the life of Korean immigrants in Japan, the constant latent hostility between the Japanese and the Koreans, the difficulty to have a reasonable life in Japan during that time, the way of life in Japan for the "simple folk", the strong hierarchy in the family and in business, and many more aspects. This movie is not entertaining as such and is certainly not fun to watch, it's brutal and often makes you sick. But you can learn more about domestic violence and about the Japanese way of life than in any other way. The script and the actors are great and everything is not just authentic but REAL. So you should not watch this movie for fun but because the subjects are so very important and because you will learn so much – even if you know Japan quite well already.

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    Handlung

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    • Wissenswertes
      Official submission of Japan for the 'Best Foreign Language Film' category of the 78th Academy Awards in 2006.
    • Verbindungen
      Referenced in Kantoku · Banzai! (2007)

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    Details

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    • Erscheinungsdatum
      • 6. Mai 2021 (Deutschland)
    • Herkunftsland
      • Japan
    • Offizieller Standort
      • Lighthouse Pictures (Singapore)
    • Sprachen
      • Koreanisch
      • Japanisch
    • Auch bekannt als
      • Blood and Bones
    • Produktionsfirmen
      • Artist Film
      • Asahi Broadcasting Corporation (ABC)
      • Be-Wild
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    Box Office

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    • Weltweiter Bruttoertrag
      • 4.649.617 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 2 Std. 20 Min.(140 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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