[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Outrage

Originaltitel: Autoreiji
  • 2010
  • 18
  • 1 Std. 49 Min.
IMDb-BEWERTUNG
6,8/10
15.289
IHRE BEWERTUNG
Takeshi Kitano in Outrage (2010)
The boss of a major crime syndicate orders his lieutenant to bring a gang in line, a job which gets passed on to a long-suffering subordinate.
trailer wiedergeben1:54
1 Video
25 Fotos
GangsterActionDramaKriminalitätThriller

Der Chef eines großen Verbrechersyndikats befiehlt seinem Leutnant, eine abtrünnige Bande von Drogenhändlern auf Linie zu bringen, eine Aufgabe, die an seinen leidgeprüften Untergebenen weit... Alles lesenDer Chef eines großen Verbrechersyndikats befiehlt seinem Leutnant, eine abtrünnige Bande von Drogenhändlern auf Linie zu bringen, eine Aufgabe, die an seinen leidgeprüften Untergebenen weitergegeben wird.Der Chef eines großen Verbrechersyndikats befiehlt seinem Leutnant, eine abtrünnige Bande von Drogenhändlern auf Linie zu bringen, eine Aufgabe, die an seinen leidgeprüften Untergebenen weitergegeben wird.

  • Regie
    • Takeshi Kitano
  • Drehbuch
    • Takeshi Kitano
  • Hauptbesetzung
    • Takeshi Kitano
    • Kippei Shîna
    • Ryô Kase
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    15.289
    IHRE BEWERTUNG
    • Regie
      • Takeshi Kitano
    • Drehbuch
      • Takeshi Kitano
    • Hauptbesetzung
      • Takeshi Kitano
      • Kippei Shîna
      • Ryô Kase
    • 66Benutzerrezensionen
    • 119Kritische Rezensionen
    • 67Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos1

    U.S. Version
    Trailer 1:54
    U.S. Version

    Fotos24

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 19
    Poster ansehen

    Topbesetzung99+

    Ändern
    Takeshi Kitano
    Takeshi Kitano
    • Ôtomo
    • (as Beat Takeshi)
    Kippei Shîna
    Kippei Shîna
    • Mizuno
    Ryô Kase
    Ryô Kase
    • Ishihara
    Fumiyo Kohinata
    Fumiyo Kohinata
    • Kataoka
    Sôichirô Kitamura
    • Kan'nai
    Tadashi Sakata
    • Okazaki
    Kenji Morinaga
    • Abe
    Masaki Miura
    • Sannokai thug
    Tokio Emoto
    Tokio Emoto
    • Emoto
    Jun'ichi Nitta
    • Sannokai thug
    Toshiyuki Watarai
    Masashi Iwadera
    Yûjirô Komura
    Kenji Ohara
    • Sannokai thug
    Toshimichi Tasaki
    Takamitsu Nonaka
    Yasuto Kosuda
    Yukio Tsukamoto
    • Regie
      • Takeshi Kitano
    • Drehbuch
      • Takeshi Kitano
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen66

    6,815.2K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    8Simonster

    Yakuza mayhem à la Takeshi Kitano

    Viewed at the Festival du Film, Cannes 2010

    Takeshi Kitano's return to his familiar stamping ground, the Yakuza, their intrigues, vendettas and highly inventive ways of inflicting extreme unpleasantness on one another, was given less than a stellar welcome by critics at the Festival. A common refrain was that there was nothing new on offer here, no new insights, just a retread of the familiar. Well, they are right, but is that really such a bad thing?

    I say no, not when we get tough guys, sharp suits, black humour, extreme violence (you might never want to visit the dentist again), a convoluted plot that is hard to follow but has something to do with rivalry, inheriting the reins of power and inflicting extreme violence on the other team. Oh yes, there's also betrayal and extreme violence.

    Outrage is old-school Takeshi Kitano, a (for me) welcome return to his glory days, not that he ever left them behind (I've time for all his films, if not his gameshows). If you like the man, as actor or director, then you won't be disappointed by this film, just as long as you are not expecting something new and different, that is.
    10joeydoa

    Outrageous!

    Kitano, who has left the personal, lyrical and poetic quality behind, now emerges as a filmmaker reaching out to the mainstream. Outrage is the start of his second Yakuza trilogy (Outrage 2 has been announced for next year), and plays out on a Shakespearean stage with the epic quality of Dostoyevsky. Unlike his first trilogy (Violent Cop, Boiling Point and Sonatine), this movie focuses on the politics of the yakuza rather than an intimate portrait of a compromised individual.

    There are random acts of extreme violence that continue to propel the plot forward. Kitano, playing the underboss Otomo, is a similar role to his other characters in yakuza movies which portray out of control individuals that have a minor standing yet have the last word at the end of the play. Rather than focusing on the beauty of mobsters hiding out on the beach, this is a gritty, urban drama much in the tradition of Johnnie To's triad movies (Election) that has dominated the organized crime dramas over the past decade.

    In showing the criminality of the human mind, it evokes Mario Bava's study in Rabid Dogs, similarly Kitano is building a Brechtian inspired drama about the harsh existential life. Kitano continues to explain and further define his worldview through the character of a doomed nihilist anti-hero. In all of Kitano's yakuza character studies, there is no hope, or redemption, only a further plunge into an ugly existence of lies and deceit, where only an act of violence can bring about change.

    As Kitano remarked publicly about his making of Outrage, he is giving the people what they want - no pretense of artistic embellishments, but rather blunt, cruel acts of violence of the professional criminal devoid of any romanticism. One scene in particular evokes The Godfather, but that is where the similarities end - there is nothing glamorous about the yakuza lifestyle.

    In this film, Kitano assumes the duties as in his other yakuza films as that of star, director, editor and writer. The vision is completely his own. The pacing is deliberately slow, showing that the life of a criminal is not particularly exciting but rather mundane as that of any other type of businessman, mostly involving allegiances of convenience and acts of betrayal. There is no illumination or redemption here, no course of action will lead to a better life, such is the basic tenet of a nihilist.

    There is little flourish in the direction such as to immerse the viewer into the dark, banal existence of its characters. The one scene that brings a sense of relief with sunlight streaming through the trees on a backstreet, is colored darkly by seemingly innocent activity that is actually quite sinister for the individuals involved.

    This is a welcome and long overdue return for Kitano to the yakuza genre which he abandoned a decade ago for a trilogy of felliniesque introspective autobiographical films. There are no experimental sequences or absurdist imagery as in his previous films. As a consequence, Kitano is no longer held back with meditative musings, instead giving the viewer an unfiltered take on the corruption, lies, and phony existence of the individual in an artificial society - that any person in any social situation is merely part of an inauthentic social contract.

    In many ways, the lack of artistic pretense in Outrage only serves to further embolden the bleak message that Kitano has for us. This is not a film for the weak of heart, nor is it one for the impatient, it is a slow revelation revealing the emptiness of life and the pointlessness of all action.
    7AmanKunnumal

    Raw, brutal and extremely unpredictable in nature

    Before watching the movie, because of lack of research, I thought it will be an action movie. This movie is goes through the politics inside the yakuza gangs in Japan. As a first part of trilogy, the movie discusses the story of several Yakuza groups in Japan, the politics and rivalry and mob wars between them in a raw and extremely harsh way. Movie had a detailed and slow narration in order to portray the brutality and unpredictability between them. Both as a director and an actor, Takeshi Kitano gave his best as a raw and rough character throughout the movie, extremely unpredictable along with other characters as the story goes on. He tried to utilize the technical side of the movie to accompany its slow and raw narrative. Brilliantly good movie, extremely a worth watch if you like to watch a gangster movie which portrayed in a realistic nature.
    MasayaKato

    Masterpiece yakuza

    First of all if you're gonna complain about too much violence in a gangster movie. Go watch something like " Sesame street ". This movie has top class acting from almost everybody. Story is excellent and really shows how the big yakuza bosses play mind games all along. My favourite scene of the movie is in that noodle shop where a random customer will find something floating in his bowl of noodles =). If u wanna see a really cool and awesome yakuza movie, this should be it. I can not wait for the second part of this movie. It's suppose to come out anytime in 2012. I am a huge huge fan of the movie " Brother " and another epic Japanese yakuza movie called " Agitator ". If you liked those movies, you will simply love this movie too. give it a shot. 2 thumbs up
    7moviexclusive

    If you like it raw and don't mind the elegant but slow-moving unravelling of a story, you have to go for this!

    What comes to your mind when one mentions "Yakuza"? Is it something bleak and dark? That's apparently what's delivered through this Takeshi Kitano film.

    Typically, the topic of yakuza is often shunned. If ever confronted, it is often used to accentuate comedic elements, whilst leaving the truth of the yakuza world unchallenged. However, director/screenwriter/actor Takeshi Kitano goes against the flow and makes a comeback with this feature film after almost a decade long hiatus. Though this is not as well received as compared to other made in Japan films, it has still received much acclamation. Earlier in his directing career, he was already known for "Violent Cop" and "Sonatine", which also dealt with the dark world of yakuza. It is therefore admirable for his efforts to bring forth the most truthful reflection of the dark side of Japan despite the risk of low commercial success. And for this film, he has once again managed to project a somewhat accurate image of the realities in the yakuza scene.

    The overarching plot of the film works with the conflicts that could possibly exist in any relationships – malice and greed. It circles the power struggle between the Iketomo-gumi and its affliation Murase-gumi and his sworn brother Otomo (Takeshi Kitano) who has his own crew as well. While Otomo tries to break free from the subordination of the Murase-gumi, they too try to acquire greater power. In this power struggle, they begin to plot against one another and result in sheer violence and torture. In this aspect, Takeshi is quite creative and playful as he invents numerous ways that the characters get tortured or die. As revealed in one of his interviews, he actually came up with these before he wrote the narrative that parallels with the violence. The convincing gore and never-imagined ways to kill and torture; for this you really have to watch it for yourself.

    Takeshi has carefully chosen who to cast for this film. He made a point not to repeat any actors who worked with him in his previous yakuza related works. The cast is pretty commendable for they capture the essence of the characters they are portraying, and even are said to get through each scene with only one or two shots. One of the more outstanding actors is undeniably Ryo Kase, who sports fluent English as opposed to the Japrish/Engrish we often associate Japanese with. That being said, the English dialogues between him and the gaijin (foreigner) were rather blunt and funny. This is probably intentionally designed to poke fun and entertain the viewers.

    In the technical aspect, Takeshi displays much competence in his camera- work. From wide-angled shots, to close-ups, to long pans and even point- of-view shots; he utilized a variety of these shots to effectively communicate the non-verbal messages. Put simply, you will find it easier to 'get into the mood' as he engages the viewers very much. Also, hallmark of his films is the seemingly abrupt cuts that often do not signal direct causality in the sequences. As the idiom goes, "one man's meat is another man's poison". You will either hate this style or love this style. Though it can get confusing at times, the overarching plot sets a frame for which the sequences happen. Therefore in its fairly organized manner, it sparks brilliance in its narrative.

    Overall the film though unconventional, is a careful examination of the selfish desires that deteriorates relationships. Fitted into the yakuza context, this message has an added punch. On a random note, do look forward to the unanticipated twist towards the end!

    • www.moviexclusive.com

    Mehr wie diese

    Outrage Beyond
    6,7
    Outrage Beyond
    Outrage Coda
    6,4
    Outrage Coda
    Brother
    7,1
    Brother
    Takeshis'
    6,3
    Takeshis'
    Violent Cop
    7,1
    Violent Cop
    Hana-bi - Feuerblume
    7,7
    Hana-bi - Feuerblume
    Sonatine
    7,5
    Sonatine
    Boiling Point
    6,7
    Boiling Point
    Achilles to Kame
    7,3
    Achilles to Kame
    Zatoichi - Der blinde Samurai
    7,4
    Zatoichi - Der blinde Samurai
    Kikujiros Sommer
    7,7
    Kikujiros Sommer
    Dolls
    7,5
    Dolls

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Following a string of unconventional, commercially unappealing films, Takeshi Kitano engineered this film specifically as commercially appealing, going back to the genre which brought him the most success, and going as far as imagining the death scenes first and writing a story around them later.
    • Zitate

      Ikemoto: H-h-hold on a minute...

      [panting]

      Ikemoto: I'll reverse the banishment.

      Ôtomo: Huh?

      Ikemoto: I'll reverse the banishment.

      Ôtomo: You banish me, then you reverse it?

      [explodes]

      Ôtomo: How many fucking tongues do you have?

      Ikemoto: Huh?

      Ôtomo: Are you deaf? How many do you have?

      Ikemoto: I've only got one.

      Ôtomo: Only one? *Two* or *three* is more like it, you fucking prick!

      Ikemoto: I'm telling you I've only got one tongue!

      Ôtomo: [a little calmer] Open your mouth.

      [louder]

      Ôtomo: Stick out your tongue!

      Ikemoto: [beat] Huh?

      Ôtomo: [barking] Stick out your tongue!

      [Ikemoto reveals reluctantly a bit of his tongue]

      Ôtomo: MORE!

      [Ikemoto does]

      Ôtomo: STICK IT OUT, YOU MOTHERFUCKER!

      [Ikemoto sticks out his entire tongue, then Otomo slams his jaw so violently that Ikemoto bites through his own tongue; Otomo then shoots him]

    • Verbindungen
      Featured in Ebert Presents: At the Movies: Folge #2.18 (2011)

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ17

    • How long is Outrage?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 12. Juni 2010 (Japan)
    • Herkunftsland
      • Japan
    • Offizielle Standorte
      • Official Facebook
      • Official site
    • Sprachen
      • Japanisch
      • Englisch
    • Auch bekannt als
      • The Outrage
    • Drehorte
      • Chuo-ku, Tokio, Japan(Exterior)
    • Produktionsfirmen
      • Bandai Visual Company
      • Office Kitano
      • Omnibus Japan
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 44.745 $
    • Eröffnungswochenende in den USA und in Kanada
      • 6.518 $
      • 4. Dez. 2011
    • Weltweiter Bruttoertrag
      • 8.457.741 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 49 Min.(109 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.