Premonition

While driving through the countryside with his wife and daughter,Hideki Satomi stops at the phone booth to send an email.There he discovers a scrap of newsprint with his daughter's picture on it,and an article describing her death in a traffic accident.With a sense of horrible premonition and foreboding,he witnesses the terrifying automobile accident that had been accurately described in the article.The grieving father becomes obsessed with uncovering the mystery of the newspaper."Yogen" is the second installment in Taka Ischige sponsored "J-Horror Theater" series.The film is not as effectively creepy as "Kansen",but the acting is great and the beginning is truly powerful.The climax is pretty satisfying,unfortunately the middle section of the film leads to nowhere.Still if you like sophisticated horror films that deal with fate and its consequences give "Yogen" a look.7 out of 10.

Excellent Japanese psychological horror film.

Not a lot of blood or scariness; this film is a mind game.

Long time Japanese actor Hiroshi Mikami sees his daughter's death minutes before it happens. His wife, Noriko Sakai (star of the Japanese version of The Grudge 2), thinks he is crazy and they split.

But, she investigates further and finds a strange Japanese legend about premonition.

They find out what happens if you try to change it, and he has to choose his destiny.

Tense drama, slow at times, but a great ending.

Skillfully edited and highly tensioned, Yogen is one every so often discussed psycho-horror. It's been produced from the idea of the same titled Japanese comic book of 1950s' and follows the storyline of a solid Japanese novel from the same decade. The comic book creates a heroic theme out of a psychic family man who saves his family from a traffic accident, while the novel focuses on precognitive newspaper delusions seen by ordinary people.

In the opening scene, giving a little clue of the main idea, we're being introduced to a middle-aged female victim of a paranormal incident taken from a newspaper article. She is being tested over her newly acquired supernatural skills at an university research laboratory. The second scene, where main characters are introduced, has the heart-wrenching traffic accident that gives cause for a chain of more alike accidents. The common trait of each accident is that they both have precognitive warnings to their survivors. The survivors of this first accident were parents to a 5-year-old singleton, who got killed in the accident. To their surprise their daughter has been the only vein that holds them together. Atfer the death of their daughter they get parted. They both keep receiving precognitive warnings for next alike accidents of their colleagues, disciples, friends and relatives.

Over the last few years we've seen likes of this idea in Hollywood. With Sandra Bullock, also with Nicolas Cage there were either action or drama based films displayed. Among all, Yogen has the most influential message: Everyone has tremendous abilities hidden inside that might become surfaced once in a while for everyone. But we're not born to behave like angels or daemons. To have psychic skills is no means of becoming stronger or wiser. Uncontrolled power is not power at all, and we're not born to have such powers.

With extreme usage of melodrama and surrealist pen-portraits, Yogen is a one-way ticket for travelling into a metaphysical world of limitless secrets, symbols, dreams and intuition where time has lost its permanence.

Have you ever wondered what it would be like to be able to see into the future? To predict events before they happen? Well, PREMONITION presents us with the darker, bleaker side of this concept.

What if you knew about an upcoming tragedy or disaster? Would you attempt to alter the outcome? Unfortunately, in this film, there appears to be a high price to be paid, regardless of what is done. Or, not done. If your itch is scratched by stories about otherworldly events and the creeping unknown, you've hit pay dirt!...

In Norio Tsuruta's Premonition, a malevolent supernatural newspaper selects victims at random and reveals to them disastrous headlines from the near-future. When family man Hideki Satomi finds himself haunted by the evil rag, he enters a nightmare world from which the only escape appears to be death.

Like Final Destination, the US horror hit that also dealt with foresight and cheating fate, Premonition is a supernatural chiller that opens with a bang: protagonist Hideki witnesses the death of his young daughter in an auto accident immediately after learning of her impending fate via a mysterious paper. It's an excellent beginning to the film: suspenseful, exciting and very harrowing.

Unfortunately, after this promising start, the plot slowly begins to lose momentum and despite great performances from its cast and one or two outstanding scares, the whole film looks set to be a huge disappointment. To his credit though, director Tsuruta picks up the pace again in the film's dying moments for a crazy finalé which sees Hideki leaping through time and space in a desperate bid to change history.

All in all, I found this inventive slice of J-Horror to be a reasonably fun ride, despite leaving me with a ton of unanswered questions (Why does the paper like to torment people? Why does it choose Hideki? Who prints the bloody thing? If it turns up on a Sunday, do you get supplements?) and fans of the Asian horror scene should still give it a go if they get the chance.

6.5 out of 10, rounded up to 7 for IMDb.