IMDb-BEWERTUNG
7,4/10
7719
IHRE BEWERTUNG
Nachdem sein Zwillingsbruder versehentlich von rachsüchtigen Schlägern getötet wurde, sehen sich ein 12-jähriger Junge und seine Freunde mit der harten Realität von Tod, Teenagerhormonen und... Alles lesenNachdem sein Zwillingsbruder versehentlich von rachsüchtigen Schlägern getötet wurde, sehen sich ein 12-jähriger Junge und seine Freunde mit der harten Realität von Tod, Teenagerhormonen und familiärer Dysfunktion konfrontiert.Nachdem sein Zwillingsbruder versehentlich von rachsüchtigen Schlägern getötet wurde, sehen sich ein 12-jähriger Junge und seine Freunde mit der harten Realität von Tod, Teenagerhormonen und familiärer Dysfunktion konfrontiert.
- Auszeichnungen
- 5 Nominierungen insgesamt
Michael C. Fuchs
- Kenny
- (as Michael Fuchs)
Joseph Foster
- Keith Gardner
- (as Joseph 'C.J.' Foster)
Adam LeFevre
- Gabe Artunion
- (as Adam LeFever)
Empfohlene Bewertungen
Twelve and Holding (2005) ***1/2
Twelve and Holding is filled with some of the best performances by young kids as I've seen in a long time. Michael Cuesta directs the film very nicely and the film approaches a difficult subject of how young kids deal with tragedy and death head on. Though the film doesn't rank up there with Come and See, Forbidden Games, or Grave of the Fireflies, this is still a wonderful and delicate addition to that genre. The material in this film could have easily been turned into a nightmarish exploitation picture, but its done just right and focuses intently on the reality of these kids situations.
Leonard's parents seem to be more caricatures than realistic, and there are some aspects of the screenplay which could have used some fine tuning, but overall Twelve and Holding is a powerful, heartbreaking and tragic film, handled oh so delicately by Cuesta and especially the young actors and some of the adults as well(especially Jeremy "Dags" Renner, who'da thunk it).
A very nice little film that deserved a much wider audience than it got.
3.5/4
Twelve and Holding is filled with some of the best performances by young kids as I've seen in a long time. Michael Cuesta directs the film very nicely and the film approaches a difficult subject of how young kids deal with tragedy and death head on. Though the film doesn't rank up there with Come and See, Forbidden Games, or Grave of the Fireflies, this is still a wonderful and delicate addition to that genre. The material in this film could have easily been turned into a nightmarish exploitation picture, but its done just right and focuses intently on the reality of these kids situations.
Leonard's parents seem to be more caricatures than realistic, and there are some aspects of the screenplay which could have used some fine tuning, but overall Twelve and Holding is a powerful, heartbreaking and tragic film, handled oh so delicately by Cuesta and especially the young actors and some of the adults as well(especially Jeremy "Dags" Renner, who'da thunk it).
A very nice little film that deserved a much wider audience than it got.
3.5/4
This movie is done very well and definitely engaging to watch, but perhaps not quite to my taste.
This is a movie about a tight group of 4 children -- a precocious girl, an overweight boy, and twin brothers, the more out-going who is killed in an accident. The funeral starts the journey of understanding the lives of the remaining 3 -- not only how the family deals with the murdered son/brother, but how the overweight boy deals with his obesity, and how the young girl deals with her mother and absent father.
The heart of the movie really revolves around these near teenagers, and as a result, the coming-of-age experiences are highlighted. At times, I laughed awkwardly, probably out of embarrassment for one of the characters. Nothing wrong with this -- in fact, it's probably what the director was trying to achieve. I was also pulled into the bizarre logic the brother was going through -- through talks with his parents, and even more poignant, some of the very personal kid-to-kid conversations. The visual clues and the inter-actions to parents were all well chosen to create characters that were believable, 3-dimensional and full of conflict. Kudos to the director and actors on this fine work. In particular, the precocious young girl (Zoe Weizenbaum) was well-cast in a very strong, conflicted and convincing performance.
Overall -- well done. This is one of the best 'pre-teen-angst' movies I've seen in a long time.
This is a movie about a tight group of 4 children -- a precocious girl, an overweight boy, and twin brothers, the more out-going who is killed in an accident. The funeral starts the journey of understanding the lives of the remaining 3 -- not only how the family deals with the murdered son/brother, but how the overweight boy deals with his obesity, and how the young girl deals with her mother and absent father.
The heart of the movie really revolves around these near teenagers, and as a result, the coming-of-age experiences are highlighted. At times, I laughed awkwardly, probably out of embarrassment for one of the characters. Nothing wrong with this -- in fact, it's probably what the director was trying to achieve. I was also pulled into the bizarre logic the brother was going through -- through talks with his parents, and even more poignant, some of the very personal kid-to-kid conversations. The visual clues and the inter-actions to parents were all well chosen to create characters that were believable, 3-dimensional and full of conflict. Kudos to the director and actors on this fine work. In particular, the precocious young girl (Zoe Weizenbaum) was well-cast in a very strong, conflicted and convincing performance.
Overall -- well done. This is one of the best 'pre-teen-angst' movies I've seen in a long time.
One night, I was on the couch, looking through my "TMN on demand" movie selections, movies A-Z. Looking for good movies to watch on the movie network is tough, considering you don't know what ones are good/recommended and what ones you should entirely stay away from. I watched all of the ones that fit my taste, and one night, I decided to view the movie "Twelve and Holding", hardly knowing anything about it. I'm not really a fan of dramas at all, the "Family Channel" Disney, pretty much ruined them for me, with these lame drama-comedy's such as MVP and cheap independent cartoon type ones. I decided to give it a chance, because I wasn't really in the mood for any action or horror or Comedy's like I usually was. As soon as it passed the dramatic scenes about a brother tragically loosing his life to a Molotov cocktail, I was absorbed into the fascinating character study and couldn't wait to see what happened next in the tale. Many characters with completely different problems are examined in this story, and it ties together nicely with the main plot. Inspiring and heartbreaking moments with truly remarkable well-acted sequences.
The actors often seemed way to real, to me, and instead of feeling like a total wordplay, the writing style was original and refreshing. There is a good amount of subplots in this coming-of-age story and they are studied with well-written dialog, awkward or funny moments and significant captivating motivational characters. This movie isn't nearly as highly acclaimed as I proposed it was going to be, only one nomination? No Oscar nominations? Nothing!? Surely it deserves more observation on a critical side. Consideration, understanding, the dealing of problems, and temptations are pretty much the four key aspects this movie is tackling and trying to make the viewer take into consideration, but people aren't giving it a fighting chance. Speaking of characters, five strong characters are highlighted in this film. Jeremy Renner, who plays Gus, a mislead need-no-sympathy pathetic man who tries to be a clean role model to a little girl, Zoe Weizenbaum who happens to be one of the other lead characters, playing Malee. Jesse Camacho playing Leonard, who has to deal with his overweight family, one of the more motivational and inspirational characters of the film. He is also overweight, but actually is the one who is trying to take action and loose weight. Conor Donovan, another powerful actor from the film, plays two characters, himself and his much more unapproachable and risk-taking brother. Two strong roles too fill, and he does the job. This film tops off with one of the most emotionally charged and satisfying endings I've seen in a drama since a long time.
Highly recommended.
3/4 Stars
The actors often seemed way to real, to me, and instead of feeling like a total wordplay, the writing style was original and refreshing. There is a good amount of subplots in this coming-of-age story and they are studied with well-written dialog, awkward or funny moments and significant captivating motivational characters. This movie isn't nearly as highly acclaimed as I proposed it was going to be, only one nomination? No Oscar nominations? Nothing!? Surely it deserves more observation on a critical side. Consideration, understanding, the dealing of problems, and temptations are pretty much the four key aspects this movie is tackling and trying to make the viewer take into consideration, but people aren't giving it a fighting chance. Speaking of characters, five strong characters are highlighted in this film. Jeremy Renner, who plays Gus, a mislead need-no-sympathy pathetic man who tries to be a clean role model to a little girl, Zoe Weizenbaum who happens to be one of the other lead characters, playing Malee. Jesse Camacho playing Leonard, who has to deal with his overweight family, one of the more motivational and inspirational characters of the film. He is also overweight, but actually is the one who is trying to take action and loose weight. Conor Donovan, another powerful actor from the film, plays two characters, himself and his much more unapproachable and risk-taking brother. Two strong roles too fill, and he does the job. This film tops off with one of the most emotionally charged and satisfying endings I've seen in a drama since a long time.
Highly recommended.
3/4 Stars
This is a haunting coming-of-age film about children, bound by a common, shocking tragedy, who struggle to get on with life and overcome their own troubling problems. Despite the severity of issues conveyed in this film's overlapping vignettes, it never becomes melodramatic. Artful screen writing and direction infuse humor in the telling of these children's stories---stories rich with characters who are colorful, but never contrived. All of the children provide very genuine, endearing performances---essential if the audience is going to empathize with them and their disturbing behavior. This movie will frequently make you uncomfortable---very uncomfortable. But no matter how horrifying and even monstrous these children's actions may be, they never lose their appealing and disarming qualities as children. These are very cool kids, even the most troubled, who easily win your affection.
During the course of the movie, one of the children queries the others by asking, "Do you know ninety-percent of people's problems are due to their inability to get over the past?" All of these children will be faced with this challenge. You hope all will overcome this obstacle, but sadly, not all of them will or should be able to get over their past.
During the course of the movie, one of the children queries the others by asking, "Do you know ninety-percent of people's problems are due to their inability to get over the past?" All of these children will be faced with this challenge. You hope all will overcome this obstacle, but sadly, not all of them will or should be able to get over their past.
10teamgoon
I feel the last reviewer was a little out of touch with reality. They felt the movie was too 'extreme', but I was actually drawn closer to the characters because the writer portrayed them as VERY real and believable. If I was that age, and someone did what was done to the boy in the movie, prison would be the least of their worries. These kids, and ALL kids, are not the innocent 'Beaver Cleavers' most adults think (or wish) all kids are. I for one, remember when I was 12. I did things like these kids did, and more. I was sexually active in a same sex relationship with someone older, another issue is addressed in the movie, and could relate to it even though the relationship portrayed in the movie is heterosexual. It is VERY rare to see ANY reference to adult - adolescent "relationships" where the adolescent is the sexual aggressor, and NOT the adult. It may be an ugly subject, but it IS reality.
I give this movie an 11 on a scale of 1-10. I would also like to thank IFC Films for showing new releases on PayPer View so people who don't have access to theaters showing the films can see them. I wish ALL independent films were available in this manner.
I give this movie an 11 on a scale of 1-10. I would also like to thank IFC Films for showing new releases on PayPer View so people who don't have access to theaters showing the films can see them. I wish ALL independent films were available in this manner.
Wusstest du schon
- WissenswertesAt 48 mins into the movie the game the three children are playing while discussing adoption is called The Game Of Life.
- PatzerJacob's birthmark changes in location, size, and color throughout the movie.
- Alternative VersionenA deleted scene is included on the USA DVD.
- VerbindungenEdited into 12 and Holding: Deleted Scene - Malee Gives Back the Gun (2006)
- SoundtracksDrive
Performed by Joe 90
Written by Chris Seefried
Performed by Adam Hamilton, Gary Derosa & Craig Ruda
Top-Auswahl
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Details
Box Office
- Budget
- 400.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 96.464 $
- Eröffnungswochenende in den USA und in Kanada
- 11.456 $
- 21. Mai 2006
- Weltweiter Bruttoertrag
- 119.195 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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