The Champ

Okay, the film is actually pretty good and a far cry from what I expected, though nowhere near as good as a 10 Star film that I've seen listed on many of these comments. The film is passable, and even enjoyable at times, with a good message and a meaningful story about fathers and sons at its core.

Hartnett, like the rest of the cast, do a serviceable job and the acting is pretty good throughout the film, though people thinking Jackson will win or even be nominated for a flick like this need to put down the Kool Aid. It's a nice little film, a modest surprise even, but hardly anything award worthy.

You can read my full review online at RazorFine Review.

This movie deserves more attention that what it has now (and distribution). Samuel L. Jackson played against type and did a wonderful job. It was also Josh Hartnett's best performance. The story is thought-provoking, heart-warming, and interesting.

The writing is solid and the performances impressive across the board -- even the kid who played Hartnett's son was excellent. As a writer, I really appreciate the themes on telling the truth, fame, integrity, responsibilities, talent, etc. The father-son theme echoes throughout the entire film. Like Field of Dreams, this is a guy's chick flick. Take your husbands, sons or fathers and go see this movie.

I saw this movie recently at a screening. Everybody's already talked about the plot so I don't need to get into those details. What I think this movie will be known for is its performances (more on that in a second...), and its how uplifting it is. You leave the movie feeling great and for reasons that I will not get into, it makes you want to call your dad and tell him how much you love him (or your son). A lot of people will talk about Samuel L. Jackson's portrayal of the worn-out boxer, but the true revelation of the film is the acting of Josh Hartnett, who I have never thought could be so believable or appealing. He has always been just kind of a pretty boy, really. But here, he plays a father, a husband, a journalist, and according to Aristotle's definition, a classic "Tragic Hero." He desires to impress his son to the degree that he sometimes bends the truth a bit too often...which ultimately annihilates his relationship with his son. The child, Teddy, is played by a kid named Dakota Goyo, who will become a big star. Teri Hatcher's cameo brought humor to the film when needed. If I had a criticism, it is that the film might be a tiny bit lengthy; however, every moment of the film was well-done. I wouldn't know how to make it shorter. I highly recommend this movie to everyone.

Currently, "Resurrecting the Champ" has a relatively low score of 6.7 on IMDB. I say low because, oddly, 6.7 is about average and the film is far better than an average movie. It's just too good for such a paltry score.

The movie is a dramatizing of real events. Not surprisingly, Hollywood made a few changes to 'improve' the story....in other words, to make it more cinematic. Fortunately, these changes are minor.

A writer (Josh Hartnett) meets a homeless guy (Samuel L. Jackson) who apparently is the ex-boxing great, Bob Satterfield. The writer's career is struggling and he wants to make a splash...and he eventually comes up with the idea of doing a 'where are they now' feature on the guy. The article turns out to be a sensation and the LA Times is thrilled. But, being a movie, there of course is MUCH more to the story and I don't want to say more, as it would ruin the suspense.

The acting is quite nice here but the best thing about the film is the writing. The story is very interesting and engaging....and well worth your time even if you are NOT a boxing fan...which, I am not.

Jackson stands out in this heartfelt movie about a sports writer (played by Josh Hartnett), estranged from his wife (Cold Case's Kathryn Morris), who works to shine the limelight once more on a former boxer (Jackson) who has become homeless. In addition to Jackson, there's great work from young Dakota Goyo as Hartnett's son, and Rachel Nichols as the co-worker who assists in the writer's research. This is director Rod Lurie's most personal film to date, and it gives you some serious issues to think about, very rare in this threequel-laden summer. There's also a surprise appearance from one of our best character actors, and Alan Alda does a fine turn as Hartnett's boss.