IMDb-BEWERTUNG
6,6/10
26.404
IHRE BEWERTUNG
15 Monate nachdem er neunmal von einem Schüler bei der Arbeit als Gymnasiallehrer in NYC niedergestochen wurde, arbeitet Herr Garfield in LA als vollzeitbeschäftigter Vertretungslehrer.15 Monate nachdem er neunmal von einem Schüler bei der Arbeit als Gymnasiallehrer in NYC niedergestochen wurde, arbeitet Herr Garfield in LA als vollzeitbeschäftigter Vertretungslehrer.15 Monate nachdem er neunmal von einem Schüler bei der Arbeit als Gymnasiallehrer in NYC niedergestochen wurde, arbeitet Herr Garfield in LA als vollzeitbeschäftigter Vertretungslehrer.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Clifton Collins Jr.
- Cesar Sanchez
- (as Clifton Gonzalez Gonzalez)
Jonny Bogris
- Barsek
- (as Yannis Bogris)
Empfohlene Bewertungen
In the world of 'teacher takes revenge' flicks, we have tons of flops. I think "187" is certainly not one of those flops. It is a film that has held up well since its release in 1997.
Samuel L. Jackson turns in one of his good performances here. The setting is perfect: a hazy, smoggy east Los Angeles in the 90's. Films like "American Me" and "Falling Down" also captured that 'L.A. thing' well. "187" does that. It makes you feel like you are there.
Some of it definitely plays like an after school special, but most of the plot here is gritty and believable...this is no "Class of 1984." Awesome soundtrack with lots of good Massive Attack too.
7 out of 10, kids.
Samuel L. Jackson turns in one of his good performances here. The setting is perfect: a hazy, smoggy east Los Angeles in the 90's. Films like "American Me" and "Falling Down" also captured that 'L.A. thing' well. "187" does that. It makes you feel like you are there.
Some of it definitely plays like an after school special, but most of the plot here is gritty and believable...this is no "Class of 1984." Awesome soundtrack with lots of good Massive Attack too.
7 out of 10, kids.
Kevin Reynolds' 187, although billed as another "straight-laced-teacher-turns-troubled-urban-highschool-teens-into-well-rounded-individuals" movie, goes above and beyond this tired premise. The provocative story (which was apparently written by an actual highschool teacher) breathes new life into the otherwise stale highschool-drama subgenre.
Samuel L. Jackson's performance as Trevor Garfield is fantastic, and his many emotional scenes and powerfully delivered lines of dialogue work well at allowing the audience to sympathize with the disenchanted Garfield and relate to his humdrum life. Also, the characters are much more dynamic and developed here than in most movies of this kind. The student as well as the faculty roles are all given unique personalities, backgrounds, and adequate motivation for their actions, which is a refreshing departure from the typical "the reason they're bad kids is because they grew up in the 'hood"-style characterizations.
Although a few of the supporting performances are somewhat stilted (mainly because they are overshadowed by Jackson's excellence), the highly original story is clever enough keep anyone's interest piqued until the heartrending (although arguably contrived) ending. 187, aside from being smart, touching, and one-of-a-kind, really shows off Reynolds' ability to successfully convert a good, solid screenplay into a good, solid film. And since this movie was made directly after his abominable WATER WORLD, we should all by doubly impressed by his efforts!
Samuel L. Jackson's performance as Trevor Garfield is fantastic, and his many emotional scenes and powerfully delivered lines of dialogue work well at allowing the audience to sympathize with the disenchanted Garfield and relate to his humdrum life. Also, the characters are much more dynamic and developed here than in most movies of this kind. The student as well as the faculty roles are all given unique personalities, backgrounds, and adequate motivation for their actions, which is a refreshing departure from the typical "the reason they're bad kids is because they grew up in the 'hood"-style characterizations.
Although a few of the supporting performances are somewhat stilted (mainly because they are overshadowed by Jackson's excellence), the highly original story is clever enough keep anyone's interest piqued until the heartrending (although arguably contrived) ending. 187, aside from being smart, touching, and one-of-a-kind, really shows off Reynolds' ability to successfully convert a good, solid screenplay into a good, solid film. And since this movie was made directly after his abominable WATER WORLD, we should all by doubly impressed by his efforts!
I am an ex-school teacher and while the school I taught in was NOT as rough as the ones you see in the film, the movie does highlight the biggest problem I see in public schools today. The bad kids, essentially, run things and there's no accountability. As is often the case, teachers are never told about students' criminal records I had students who were convicted sex offenders and I was never informed of this and only found out later. A friend of mine taught a student who paralyzed a previous teacher by stabbing her...and the teachers were never notified! I understand about the right to privacy, but this is insane...especially since these kids pose a serious risk to others. I mention all this because I have my own biases about this film...your reaction might be different.
When the story begins, Mr. Garfield (Samuel L. Jackson) is working as a substitute in New York City. One of his students has a record of stabbing folks...and because Garfield wasn't prepared AND the kid was not appropriate for this school, tragedy strikes. Garfield is stabbed many times from behind by this sociopath...and it's shocking he didn't die. And, there was no warning.
Fifteen months have passed. While it's not surprising Garfield moved to another part of the country, he didn't pick well as now instead of the roughest and out of control New York City schools, he's now substitute teaching in one of the tougher inner city schools in Los Angeles. Now instead of a few budding criminals in his classes, the classes are filled with punk gang members who seem to have nothing to lose if they attack him or anyone else. So what's next? Well, it won't be good! See the film and find out for yourself.
While I generally liked the film, the ending is ROUGH. I didn't love it though I did understand it....and I can only assume most won't love the ending as well. It's a real downer. Had the ending been a bit less awful, I am sure I could have scored this one an 8 or even 9.
When the story begins, Mr. Garfield (Samuel L. Jackson) is working as a substitute in New York City. One of his students has a record of stabbing folks...and because Garfield wasn't prepared AND the kid was not appropriate for this school, tragedy strikes. Garfield is stabbed many times from behind by this sociopath...and it's shocking he didn't die. And, there was no warning.
Fifteen months have passed. While it's not surprising Garfield moved to another part of the country, he didn't pick well as now instead of the roughest and out of control New York City schools, he's now substitute teaching in one of the tougher inner city schools in Los Angeles. Now instead of a few budding criminals in his classes, the classes are filled with punk gang members who seem to have nothing to lose if they attack him or anyone else. So what's next? Well, it won't be good! See the film and find out for yourself.
While I generally liked the film, the ending is ROUGH. I didn't love it though I did understand it....and I can only assume most won't love the ending as well. It's a real downer. Had the ending been a bit less awful, I am sure I could have scored this one an 8 or even 9.
After a vicious assault on him, Trevor Garfield, a teacher, moves cities and works as a temp. However, he finds that things are even worse at his new school. Dealing with an important subject, this is immensely engaging and tense. While not based on any specific case, this was written by an actual teacher, and, frankly, it does feel terrifyingly authentic and realistic. The psychology is completely accurate, and this is not black and white. This is well-paced, and never boring. The plot is compelling throughout, and though you can figure some things out before they occur, this most likely *will* surprise you. Every acting performance is spot-on, and all roles are marvelously cast. Jackson is impeccable, and his particular knack for playing someone who holds anger and may lose control at any moment is excellent for this. This has a great soundtrack, with music that fits the environment(which is very nicely established; they found perfect locations and types of people), without making it appealing. The editing and cinematography are incredible, if dangerously close to being flashy. There is a bit of brutal, bloody violence, a lot of disturbing content, moderately frequent strong language and brief nudity in this. I recommend this to anyone mature enough to handle it. 7/10
I saw this film a bunch of times years ago, back when I bought it. I liked it a lot. Now I am older and I'm working as a "sub", just like Mr. G. So I came to think of this film again, and now I've just finished watching it again. It is excellent. Even though conditions are not _that_ extreme here in Denmark, there are still a lot of similarities, and I feel with Mr. G. I'm a little bit closer to understanding what is going on in his head. I think this film does an excellent job in portraying its characters. The conflict and the subject of teacher/student relationship are brilliantly described. Furthermore, all of the actors, and Samuel L. Jackson in particular, are doing great jobs. What I also notice watching it again is the absolutely beautiful camera-technical and lighting effects.
Wusstest du schon
- WissenswertesScott Yagemann, who wrote the story and screenplay for this film, worked as high school substitute teacher in the Los Angeles area for seven years. Yagemann claimed that 90% of the film's material is based on incidents that had either happened to him or to other teachers in real life.
- PatzerIn the beginning of the film, Mr. Garfield does a demonstration with a bicycle wheel in order to teach 'centripetal' force. The demonstration is actually used to demonstrate 'conservation of angular momentum'.
- Zitate
Trevor Garfield: Your whole way of life is bullshit! Macho is bullshit!
Cesar: It's all I got!
- Crazy CreditsA teacher wrote this movie.
- Alternative VersionenWhen aired on USA Network, the scene where Rita is topless uses different camera angles to avoid nudity.
- SoundtracksSlack Hands
Written by Dominic Oakenfull, Robert Bernard Gallagher and Valerie Etienne
Performed by Galliano
Courtesy of Slack Records UK/Talkin' Loud/Mercury Records Limited
By Arrangement with PolyGram Film & TV Licensing
Top-Auswahl
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Details
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 5.727.130 $
- Eröffnungswochenende in den USA und in Kanada
- 2.222.984 $
- 3. Aug. 1997
- Weltweiter Bruttoertrag
- 5.727.130 $
- Laufzeit
- 1 Std. 59 Min.(119 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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