Bumer: Film vtoroy

First, i must say that I really enjoyed watching the Bumer. It was an interesting and original experience of Russian cinema. In short, it's one of the best movies from Russia I have ever seen (the other one for me could be 9-ya rota so far). Therefore I went to cinema with high expectations. After watching this flick of Buslov there was not a frustration, but i realized that sequel did not manage to achieve the superb level of its predecessor. More or less this was completely another kind of story. Of course, there is a strong connection with events of the first film, though you are free to watch it even if you have not seen the first Bumer. It's not a flawless movie. There were several short disturbing ''black breaks'', which made Bumer: Film vtoroy a bit spotty. Also this made the plot scattered. One excellent thing about this is soundtrack. It's truly outstanding. With scenes of todays Russia, witty dialogs, tragicomic story - it is a good movie and a must-see for fans of Bumer, although some of them may be disappointed.

Do not expect this movie to be similar to the first "Bumer". Coz it is not. You better try to think of it as the one trying to become more mature, like a teenager trying to grow up. I guess it did. Though, with doing so, by becoming "smarter", it also became somewhat boring. It felt like the movie lacks some rhythm, some drive, which made the first one the classics of its genre. I'm not saying Bumer 2 was bad, because it wasn't. It was just…I don't know…weak? Unshaped? Misguided? Actors weren't pathetic, but it certainly wasn't enough. The plot was OK, but it lacked sense. Some important thoughts were brought up, but the development of those was totally lacking. Sad enough, but the four mobsters on their BMW made a far greater impact...

Sequels are always a dilemma for directors, it's very easy to miss and Buslov gets a lot of credit for moving straight into a sequel as his next feature project.

Instead of returning to the same old story twice, Buslov wisely chose to make the story about redemption and effectively introduced a new lead in the form of Dasha, a girl that seems fated to repeat the footsteps of Kostya's gang and played masterfully by Svetlana Ustinova.

The story is sufficiently realistic, though he takes a few more chances than with the original there are no holes or dilemmas that would irritate. Casting is very high caliber and the music doesn't fail to deliver again. Cinematographically Buslov evolved to a slightly faster paced style, there is less moving camera than with the original Boomer (something I personally enjoyed), but close ups are very effectively utilized. On the other end, one or two sequences are overextended time wise, but not to the point of irritation.

Note: unlike with the Brother films of Balabanov, it does help to see Boomer 1 prior to watching this film.

First Bumer movie set out to tell a weird, unnatural tale about a cursed car. Four low-life thug friends stole a 7-series BMW, set out to flee from cops, and from that moment, everyone they interacted with, every piece of rural, provincial Russia they explored, ended up in some sort of tragedy or backlash from the curse, ending up with protagonists themselves.

Second movie leaves this topic and explores the different side of things; coincidences grown from personal actions. Everyone acting in their best interest, but not communicating enough to get a mutually good result.

It's really deep movie, and this theme is overwhelming throughout the movie. People who just see a gangster flick miss a ton of the actual message.

I don't think many other films like this exist out there, nor there will be many in the future.

As a commercial film made by a young director with not at all famous actors,"Bumer 2" seems to be perfect. It's not simply a well-made criminal film. The plot development and acting are so dramatic,lyrical and natural at the same time,watching this film I couldn't believe that it's a sequel of not so well composed debut film of the same director. Sometimes this film seems a pure "arthouse"film,becouse of artistic completion of every shots and adequate atmosphere which fills up them.

It's not only the triumph of the young director Peter Buslov,but also so of the best producers of contemporary Russia(Sergei Selyanov and Sergei Chliyants) and of screenwriters(among them we can find the author of "Eiforiya",Ivan Vyrypaev). If on commercial base films of such a level continue to be made and to receive applause from ordinary moviegoers,Russian film industry will soon reach the top of the world cinema.