Ungleiche Schwestern

This movie have some of the most thrilling heart touching moments you can imagine.

Balcony scene is like combo of what people from ex-comecon countries experienced in early 90's combined with animal selfpreserving instinct,

This film touched me when i watched at a movie theater mostly as the last film of the young director Sergei Bodrov Jr. The story of a possible kidnapping of a child is common but you feel weird watching this film, you consider the power of money is above the human souls, bodies and lives in the birth of a new nation from its ashes... It was very melancholic to notice that S. B. Jr. is dead and SYOSTRY was his first and last movie. For this man and his dream to show us the new "corrupted" face of Russia the jobbery and the "corrosion" comparing with old "pure" and bureaucratic face of USSR, this is like an ode to life and death. He seems to fight the mobs inside the "story" even if the happy end became really "deadly" to this young cinematic "poet" through the strong family relations between two sisters, the "old Russia" and the "new Russia"... the Russia of Capital and the modern gangsters...

Music of the film was lyric, melodic and full of different emotions with sadness being the top as Victor Tsoy is dead too, as much many realistic things happened we felt spooky and chill more about the young children or adults "victims" of "mobs".

This is a must to see if you love Russian cinema, old or new, and i am sure that you will be touched very much. The

I really enjoyed this film. The story of two half sisters on the run from a crew of gangster kidnappers who must survive, bond and finally live one day at a time. I only wish American films were this meditative and watchable.

Syostry is a melancholic and touching movie, which gets quite close to the new Russian reality. The reality where a teenager girl dreams of becoming whether a sniper in Chechnya or a bodyguard for a new Russian (gangster).

Oksana Akinshina, who plays the older sister, has something inevitably tragic in her appearance (watch Lilja 4-ever by Lukas Moodysson). She reminded me Jean Seberg form the J.-L. Godard's Breathless and Juliette Biinoche from the L. Carax' Les Amants du Pont-Neuf. This movie is the second and last film shot by Sergei Bodrov Jr., who got a cult status (just like Victor Tsoy whose music he had used in Syostry), when he was reported missing in 2002 after the avalanche accident.

I really liked this one. I have been on somewhat of a Russian movie bender for the last 4 or 5 months. Most of the movies I have seen have been unremarkable, basically repackage Hollywood with a Russian veneer. However, there have been a few films that have stuck out as something different, films that could only be made in Russia.

I have never been to Russia so I cannot say that the film has any bearing in reality. However, the film seemed real, in the same way that reality can be stranger than fiction. One of the things I loved about this movie is that none of it is filmed in Moscow or St. Petersburg (as far as I could tell). That is pretty rare for a Russia drama that deals solely with the human condition. You get to see a lot of the small town and semi-rural (dascha) parts of Russia in this movie, which is much more interesting than seeing St. Basil's Cathedral for the umteenth millionth time.

The soundtrack in this movie is probably my most favorite of any Russian movie I have seen. It actually works with the screen material and reminds me a lot of movies like Brat and Bumer. There are parts of the film that seem a bit unpolished and awkward, but overall, this is definitely one film to check out if you are into Russia films and culture.