IMDb-BEWERTUNG
6,9/10
1054
IHRE BEWERTUNG
Dieses Programm möchte dem Zuschauer einen Eindruck davon vermitteln, wie es ist, tatsächlich auf dem Mond zu sein.Dieses Programm möchte dem Zuschauer einen Eindruck davon vermitteln, wie es ist, tatsächlich auf dem Mond zu sein.Dieses Programm möchte dem Zuschauer einen Eindruck davon vermitteln, wie es ist, tatsächlich auf dem Mond zu sein.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 wins total
John Corbett
- Jack Schmitt
- (Synchronisation)
Bryan Cranston
- Buzz Aldrin
- (Synchronisation)
Matt Damon
- Al Shepard
- (Synchronisation)
Morgan Freeman
- Neil Armstrong
- (Synchronisation)
Brandy Blackledge Derrick
- Future Astronaut
- (as Brandy Blackledge)
Scott Glenn
- Charles Duke
- (Synchronisation)
Rick Gomez
- Alpha Station Commander
- (Synchronisation)
Frank John Hughes
- Future Houston Capcom
- (Synchronisation)
Tim Matheson
- Houston Capcom
- (Synchronisation)
Matthew McConaughey
- Al Bean
- (Synchronisation)
Neal McDonough
- Reservoir Commander
- (Synchronisation)
Empfohlene Bewertungen
This movie is a pretty decent IMAX flick. Tom Hanks makes for a great narrator. The content was very interesting and often quite funny. The music is on-par with major Hollywood films (although it got a little sappy at the end, but that's IMAX for you). It did a good job of discussing all the Apollo missions, and not just 11.
I only found out afterwards how many famous voices were involved. I recognized Morgan Freeman, but that was it. This is a Good Thing. The film did not let the "talent" get in the way of the story. In other words, the star of the show was the history and information, and not the voice work.
This movie did NOT need to be in 3D. More than half of it was archive footage, which obviously was not shot with a 3D camera. Often the footage was shrunk down to appear 3D against a generic background. The recreated lunar landing was the only part that took real advantage of the 3D cameras, but it was in no way necessary to be shot in 3D.
That being said, it was a pleasant way to spend an hour. Make sure to sit in a red seat if you see it in the Lockheed-Martin theatre at the Air and Space Museum for optimum 3D viewing.
I only found out afterwards how many famous voices were involved. I recognized Morgan Freeman, but that was it. This is a Good Thing. The film did not let the "talent" get in the way of the story. In other words, the star of the show was the history and information, and not the voice work.
This movie did NOT need to be in 3D. More than half of it was archive footage, which obviously was not shot with a 3D camera. Often the footage was shrunk down to appear 3D against a generic background. The recreated lunar landing was the only part that took real advantage of the 3D cameras, but it was in no way necessary to be shot in 3D.
That being said, it was a pleasant way to spend an hour. Make sure to sit in a red seat if you see it in the Lockheed-Martin theatre at the Air and Space Museum for optimum 3D viewing.
If you saw the superb 2007 documentary, "In the Shadow of the Moon", I am not certain what the point would be in viewing this forty-minute 2005 IMAX film - at least if you are old enough to remember the television coverage of the Apollo missions. The former film includes spectacular archival footage of those missions and insightful on-camera interviews with ten of the surviving astronauts. This one is aimed more directly as a motivational film for a youthful audience as it seeks to reignite the pioneering spirit that sparked the first space flights. NASA aficionado Tom Hanks wrote and produced (along with director Mark Cowen) this enthralling if somewhat cursory look at what it took to get to the moon and what it will take to continue the legacy. The film not only recreates some of the actual Apollo lunar missions but also posits what could have happened had disaster struck. The result adds a suspenseful element obviously designed to engage younger viewers.
Hanks applies his storytelling skills to full dramatic effect during these fictitious interludes. They are intertwined with a whirlwind of facts presented in a breezy manner, an especially effective tactic in chronicling mankind's fascination with the moon since this film is meant to inspire as well as to educate. To reinforce the approach, there is a series of quick interviews with youngsters that bookend the featurette showing how the space race has completely preceded them and how it could be resuscitated for the next generation of lunar exploration which targets us back on the moon by 2016. A number of famous actors provide the voices of the astronauts - Matt Damon, Morgan Freeman, Paul Newman - but few are recognizable. The 3-D visual effects are lost on the 2007 DVD, though I think not as much as the elongated dimensions provided by an IMAX theater. Even more than the technical elements, what really brings the film together is Hanks' obvious enthusiasm for the subject. The DVD includes additional video footage and photographs from the Apollo 11 mission plus a trivia game.
Hanks applies his storytelling skills to full dramatic effect during these fictitious interludes. They are intertwined with a whirlwind of facts presented in a breezy manner, an especially effective tactic in chronicling mankind's fascination with the moon since this film is meant to inspire as well as to educate. To reinforce the approach, there is a series of quick interviews with youngsters that bookend the featurette showing how the space race has completely preceded them and how it could be resuscitated for the next generation of lunar exploration which targets us back on the moon by 2016. A number of famous actors provide the voices of the astronauts - Matt Damon, Morgan Freeman, Paul Newman - but few are recognizable. The 3-D visual effects are lost on the 2007 DVD, though I think not as much as the elongated dimensions provided by an IMAX theater. Even more than the technical elements, what really brings the film together is Hanks' obvious enthusiasm for the subject. The DVD includes additional video footage and photographs from the Apollo 11 mission plus a trivia game.
Magnificent Desolation plays mostly as a promotional piece for young, would-be astronauts. The impetus for the production, it seems, was the thought that interest in the Moon, and space exploration in general, has been waning. The film is about one-third education, one-third inspiration and one-third mystifying 3-D visual effects.
At 40 minutes, it's a short number -- which suits school children well. Now that my attention span has grown with age, however, I wished it had been longer and the recreated 3-D scenes had been more embellished -- maybe an adult version fraught with fictional peril. I became greedy for more time in the 3rd dimension.
The three-dimensional visuals are stunning like none that I have ever seen. The 3-D glasses are still somewhat clownish in appearance, but are an advancement compared to the cheap-paper disposals I am accustomed to, as they don't distort your view with hues of blue and red.
I predict that there will be renewed interest in viewing films in 3-D, and Robert Zemeckis and Co. are wise to re-release the Polar Express in 3-D IMAX format this December.
Although for the adult, the educational aspect may be a little rudimentary or underwhelming, Magnificent Desolation is inspiring, and I'm always willing to pay a few bucks for some inspiration; to be reminded of how incredibly amazing our achievements have been over the past 100 years, and how amazingly able we humans are at realizing dreams that still seem so impossible, so mystifying -- whether viewed through 3-D glasses or just contemplated on a clear night while looking up at the night's sky.
To be the first man to ever set foot on the Moon is an ineffably fantastic feet; to think that you were the first person to set foot on something that every living inhabitant of this earth has looked upon since the inception of this planet. It's amazing -- one of the most extraordinary experiences one can have -- talk about "out of this world!" I didn't fully appreciate the awesomeness of this accomplishment until I was forced to think about it this past weekend while watching this film. So, I think the Magnificent Desolation is effective at getting audiences to think a little more about how amazing the original Apollo missions were.
In closing, even though my matured tastes left me wanting more, in the end I think it best that Magnificent Desolation is what it is: a simple, short film that captivates the eyes, minds and, hopefully, hearts of young and old alike, inspiring us all to continue reaching and dreaming of things that appear beyond reach of human capacity, for Magnificent Desolation reminds us that how things appear is just that, illusionary appearance. In this world, during our lifetime, anything is possible.
At 40 minutes, it's a short number -- which suits school children well. Now that my attention span has grown with age, however, I wished it had been longer and the recreated 3-D scenes had been more embellished -- maybe an adult version fraught with fictional peril. I became greedy for more time in the 3rd dimension.
The three-dimensional visuals are stunning like none that I have ever seen. The 3-D glasses are still somewhat clownish in appearance, but are an advancement compared to the cheap-paper disposals I am accustomed to, as they don't distort your view with hues of blue and red.
I predict that there will be renewed interest in viewing films in 3-D, and Robert Zemeckis and Co. are wise to re-release the Polar Express in 3-D IMAX format this December.
Although for the adult, the educational aspect may be a little rudimentary or underwhelming, Magnificent Desolation is inspiring, and I'm always willing to pay a few bucks for some inspiration; to be reminded of how incredibly amazing our achievements have been over the past 100 years, and how amazingly able we humans are at realizing dreams that still seem so impossible, so mystifying -- whether viewed through 3-D glasses or just contemplated on a clear night while looking up at the night's sky.
To be the first man to ever set foot on the Moon is an ineffably fantastic feet; to think that you were the first person to set foot on something that every living inhabitant of this earth has looked upon since the inception of this planet. It's amazing -- one of the most extraordinary experiences one can have -- talk about "out of this world!" I didn't fully appreciate the awesomeness of this accomplishment until I was forced to think about it this past weekend while watching this film. So, I think the Magnificent Desolation is effective at getting audiences to think a little more about how amazing the original Apollo missions were.
In closing, even though my matured tastes left me wanting more, in the end I think it best that Magnificent Desolation is what it is: a simple, short film that captivates the eyes, minds and, hopefully, hearts of young and old alike, inspiring us all to continue reaching and dreaming of things that appear beyond reach of human capacity, for Magnificent Desolation reminds us that how things appear is just that, illusionary appearance. In this world, during our lifetime, anything is possible.
10mvolk23
Outstanding! What a great tribute to the Apollo space program. A great use of 3D technology. I loved all of the star voices sitting in for the Apollo astronuats. I recognized some of them, not all of them. This movie - only about 45 minutes long - shows us past footage and new footage of what it was like to fly an Apollo mission to the moon. Including hypothetical worst case scenarios and what moon travel might be like in the future. For those who remember the Apollo missions, this will be a great reminder and tribute to those days of the late 60's & 70's. And for those who have no frame of reference, what a great way to learn about what it was like. The 3D effects are outstanding, not gimmicky. Please go see this movie and take your kids. I remember very little of the Apollo missions when they occurred, but this movie actually had me choked up at the end. I only wish it was longer...
I went to see DESOLATION this afternoon with the hope of it delivering on the hype: namely, a virtual walk on the moon.
Well...it does deliver that...but in frustrating snippets.
After all, with only 40 min of film time (for $10.50), I was really hoping for an immersion experience, start to finish. Instead...the actual scenes devoted to 3-D moonscape are rarely longer than 10 seconds each, interspersed with 10 MINUTES of inane filler material...like cute school kids trying to remember the names of the Apollo astronauts. Sheesh...very much 'spell breaking'.
So...you do come away with a few shots to remember. But a virtual 'experience' of being on the surface of the moon?? Not really. More like an MTV experience of being on the moon, for the attention span challenged.
Josh
Well...it does deliver that...but in frustrating snippets.
After all, with only 40 min of film time (for $10.50), I was really hoping for an immersion experience, start to finish. Instead...the actual scenes devoted to 3-D moonscape are rarely longer than 10 seconds each, interspersed with 10 MINUTES of inane filler material...like cute school kids trying to remember the names of the Apollo astronauts. Sheesh...very much 'spell breaking'.
So...you do come away with a few shots to remember. But a virtual 'experience' of being on the surface of the moon?? Not really. More like an MTV experience of being on the moon, for the attention span challenged.
Josh
Wusstest du schon
- PatzerIn the surface emergency sequence, when one astronaut's portable life support system fails, he activates his OPS (Oxygen Purge System), i.e., emergency oxygen supply. But he fails to open the purge valve that lets the oxygen flow through and out of his suit. The valve is unlocked by pulling a pin attached to the red ball ("red apple") hanging from the lower right front of the suit.
- Zitate
Neil Armstrong: Mystery creates wonder and wonder is the basis of man's desire to understand.
- VerbindungenFeatured in Troldspejlet: Folge #34.2 (2006)
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Details
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Box Office
- Bruttoertrag in den USA und Kanada
- 34.137.524 $
- Eröffnungswochenende in den USA und in Kanada
- 479.587 $
- 25. Sept. 2005
- Weltweiter Bruttoertrag
- 40.339.402 $
- Laufzeit
- 40 Min.
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.43 : 1
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