Blaze - Eine gefährliche Liebe

"Blaze" tells of the lives of Blaze Starr (Davidovich), stripper and consort of Earl Long (Newman), the fire breathing eccentric governor of the state of Louisiana during the 50's. Shelton manages to make a moderately interesting film from the marginally interesting lives of Starr and Long although there is evidence of a struggle in the lack of substance in the film for two strange bedfellows whose accomplishments where less than notable and who themselves were little more than colorful. A good film with solid performances by the principals which will most likely be enjoyed by fans of the stars or those with an interest in Louisiana political history.

Footnote: Earl K. Long should not be confused with his older and more flamboyant brother also governor of Louisiana, Huey P. Long, who was assassinated.

Southern politics and strip-tease dancers make for a steamy mix and although we don't feel the heat of `Big Easy' this does try to raise the temperature. But it's thwarted by its own lack of direction. There are, in effect, three stories here - firstly the fall and rise (and fall again) of Earl K Long (`fine Governor of the great State of Louisiana'); secondly, the rise of stripper Blaze Starr and thirdly, what happens when these two larger than life characters form a life-changing relationship. Shelton concentrates on the latter, leaving us feeling that there might actually have been more fertile ground in either of the first two.

Newman (as Long) dominates the proceedings as a scoundrel of a politician that y'all are gonna love. His political opponents are totally against his support for Civil Rights - and his supporters are dubious too. His relationship with Starr doesn't exactly help his political chances. The politics alone, with Starr more in the background, could have made for an intense movie. Starr arrives on the scene as a leading light in the New Orleans strip joints (although quite how she makes the leap from nervous, reluctant stripper to top of the bill is omitted). Once they get together the film loses direction, not knowing whether to delve more deeply into the politics or whether to lighten the presentation by concentrating on the relationship. Some scenes seem to be included primarily so that some cute jokes can be kept in the script - `meet my yes men and their wives' is an example of a scene that doesn't add much to depth, but seems to be there for the laugh. Overall Shelton leans to the light touch and the whole ends up begging more questions than it answers.

The film does acknowledge the changing times of the late 1950s and the advent of a more liberal society. Long foresees the advent of a successful Civil Rights movement, whilst Starr sees a future where strippers will be required to remove their G-strings. But overall this is a lost opportunity, concentrating on the veneer of a not-too-convincing relationship at the expense of a greater expose. In short Shelton should have removed the political G-string.

The scandalous love affair that was going on between Louisiana governor Earl Long (Paul Newman) and stripper Blaze Starr (Lolita Davidovich) is poorly dramatized in this rather slow moving 1989 Touchstone release. A good cast certainly tries hard but can't save this film from being a downer in the world of biopics.

Be it fact or fiction, Blaze from 1989 stars Paul Newman as Governor Earl Long of Louisiana and Lolita Davidovich as his mistress, Blaze Starr.

Earl Long was Huey Long's brother, and his political life -- and his personal life -- were both tempestuous. Long was a supporter of civil rights and met much opposition. He had an affair with a stripper. His wife Blanche at one point had him committed, and after that, the two separated. He ran for office when he was nearly dead.

Long was an amazing man, and Paul Newman, as one might expect, does him justice - he's plain speaking, funny, rough around the edges, and likes a good time. When he goes to a strip joint and meets Blaze -- as the other women point out, Earl has met them all - he's smitten. Flaming red hair, a fabulous figure, and an imaginative entertainer -- she becomes part of his life.

The problem with the film is that it's too disjointed. It starts out as the story of Blaze, beginning when she leaves home to become a singer and winds up a stripper, and a well-known one at that. Frankly, I found Earl's story more interesting, and his character more dominant. It's Paul Newman after all, a powerful and charismatic actor, one of the best, if not the best, we had in film. Davidovich is sexy and loving as Blaze, but she doesn't have Newman's vivid presence.

According to some people, though Blaze and Earl got together in the last months of his life, she did not have the importance shown in the film. Did she love him? I'd say so. He left her $50,000 in his will and she refused to accept it. It seems obvious she made his last months on earth happy ones. As far as pushing him to run for office after his last hurrah, those in the know say it's not true. No way really to know - the film is based on Blaze's book.

This film could have been a lot better if it had focused on Earl Long totally and had Blaze in the film. Dividing the story did neither any good and slowed it up.

By the way, Blaze is at this writing 81 or so and designs some very nice jewelry. I suspect she's a very interesting woman.

As a transplanted Southerner, I usually hate to see movies about the South, but this one is dead-on. The most amazing thing about the movie is Lolita Davidovich, whose performance is wonderful, as is her "accent". The Southern politics were displayed accurately (unfortunately), and the "boots scene" still has me smiling. Wonderful!