Thérèse wächst bei ihrer Tante und ihrem Cousin auf. Die Tante beschließt, dass sie nach Paris ziehen und dass ihr Sohn und Thérèse heiraten. Das freud- und lieblose Leben ändert sich, als i... Alles lesenThérèse wächst bei ihrer Tante und ihrem Cousin auf. Die Tante beschließt, dass sie nach Paris ziehen und dass ihr Sohn und Thérèse heiraten. Das freud- und lieblose Leben ändert sich, als ihr Mann einen Freund mit nach Hause bringt.Thérèse wächst bei ihrer Tante und ihrem Cousin auf. Die Tante beschließt, dass sie nach Paris ziehen und dass ihr Sohn und Thérèse heiraten. Das freud- und lieblose Leben ändert sich, als ihr Mann einen Freund mit nach Hause bringt.
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And while we do probably have the one Olsen sister who can actually act in this, this might be too much even for her. Especially towards the end, her act seems to be breaking (no pun intended). It gets pretty weird too, too weird maybe for some, but that's something you'll have to see for yourself. I kinda liked it, though the characters seem to lose a bit of their credibility. But it happens ... or it could happen
A clever, satisfying story containing the themes of marriage, affairs, desire, murder, suicide and justice. The plot strands draw us into the sinister world the lovers have created and provide us with a suitable denouement.
The director creates a believable world in which the unbelievable happens. Although it's not easy to empathise with any of the characters, it is easy to follow their development and roles within the narrative.
When Thérèse Raquin (Elizabeth Olsen) is left with her Aunt (Jessica Lange) after her mother's death, her life doesn't seem to be off to the best start. After years caring for her ailing cousin Camille (Tom Felton), her aunt announces that the two of them will be wed and they'll all move to the city. Understandably, this isn't the life the imaginative Thérèse had dreamt for her future. But dutifully, she does as she's told — and quickly sinks deeper and deeper into the hands of this family she never truly wanted to be part of.
Then, seemingly out of nowhere, the strong, charismatic, and handsome Laurent (Oscar Isaac) presents himself and she finds hope and love for the first time in her young life. But with a needy husband and overbearing aunt, the two realize they can never truly be together — unless they take matters into their own hands. And so begins a dark and terrifying psychological study of what happens when people are desperate to pursue their wants, regardless of the damage those desires may cause.
Although the average summary of the film might have you going into the cinema expecting a tortured romantic drama, Stratton isn't afraid to take sharp turns without a moment's notice. So be prepared for plenty of darkness and suspense. Your notions of bad guys and good guys quickly disappear as you find yourself cheering for one character one moment and feeling terrified of her at the next. Olsen, Lange, Felton, and Isaac carry off these depictions of refreshingly multi-dimensional characters almost effortlessly and with captivating honesty. Stratton's screenplay and direction brilliantly capture the complexities of human wants and needs — and the devastating effects of our desperate attempts to achieve them.
Everyone just wants to be happy — but at what cost?
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Other than the distraction of a few Harry Potter Alums I was really taken with this movie, it was a very well written storyline and I didn't see the end coming. The actors were well casted and all carried their own. Having put this movie on the back burner for so long i'm really glad I watched it now. Wish I had watched it sooner. A real sleeper surprise.
It's a rather dull costume drama for the first half hour. Everything is dim and cold. Olsen needs some more opportunity to do something. When she pretended to be a bear, it was a flash of something great. The movie seems to be filled with possible great moments that are quickly engulfed by the movie's overwhelming blackness and whispers. It's an old romance novel of corset ripping without any great charm.
When the movie changes to a murder thriller, it picks up some energy but nothing that truly takes off. The prodding darkness keeps clawing it back to lifelessness. I never really fell in love with the couple. Lange is masterful at times but the movie is generally lifeless. It tries to be a nightmarish Hitchcockian thriller but director Charlie Stratton doesn't have the skills.
Wusstest du schon
- WissenswertesNatasha Richardson and Liam Neeson were set to star as Therese Raquin and Laurent LeClaire respectively in a 1995 adaptation directed by David Leveaux but the project never happened.
- Zitate
Laurent: Tell me to go to hell.
Thérèse Raquin: Where do you think you already are?
- VerbindungenReferenced in Anthropoid Press Conference (2015)
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- Auch bekannt als
- Una pasión oculta
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Box Office
- Bruttoertrag in den USA und Kanada
- 444.179 $
- Eröffnungswochenende in den USA und in Kanada
- 265.586 $
- 23. Feb. 2014
- Weltweiter Bruttoertrag
- 652.228 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1