IMDb-BEWERTUNG
5,2/10
25.308
IHRE BEWERTUNG
Die junge Sarah hat sich vorgenommen, ihrem Vater John und Onkel Peter zu helfen.Die junge Sarah hat sich vorgenommen, ihrem Vater John und Onkel Peter zu helfen.Die junge Sarah hat sich vorgenommen, ihrem Vater John und Onkel Peter zu helfen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Empfohlene Bewertungen
Directors Chris Kentis and Laura Lau give us a story about a young woman, Sarah, who is sealed inside her family's secluded lake house. With no way out, events become terrifying. The direction was fine and all of the suspense points seem to be there, albeit a bit predictable. I'm not sure who to credit whenever there is two, sometimes three, directors on board.
The cast had fine actors involved including Adam Trese, Elizabeth Olsen, Eric Sheffer Stevens, Julia Taylor Ross. Elizabeth Olsen did a good job and it doesn't hurt that she is nice to look at.
Interesting camera work on this movie. There seems to be a lot of static shots, that work most of the time. I'm sure that these are choices that the director (s) made and I applaud them for making choices and sticking to them.
This is a story based on a concept that is not very original, but what is important is the execution.
Would I recommend it? I'm not sure if this is for everyone. Some may pick it apart just a little too much. For my, I enjoyed it for what it was.
The cast had fine actors involved including Adam Trese, Elizabeth Olsen, Eric Sheffer Stevens, Julia Taylor Ross. Elizabeth Olsen did a good job and it doesn't hurt that she is nice to look at.
Interesting camera work on this movie. There seems to be a lot of static shots, that work most of the time. I'm sure that these are choices that the director (s) made and I applaud them for making choices and sticking to them.
This is a story based on a concept that is not very original, but what is important is the execution.
Would I recommend it? I'm not sure if this is for everyone. Some may pick it apart just a little too much. For my, I enjoyed it for what it was.
Greetings again from the darkness. On my never ending trek to find quality horror movies, this one had a couple of interesting things going for it. First, it stars Elizabeth Olsen (sister of the twins) who was so impressive in last year's Martha Marcy May Marlene. Secondly, the film was reported to have been shot in one continuous take/shot. From a technical aspect, this is one of the more curious claims and brazen filmmaking attempts one can imagine.
Let's start with the fantastic Ms. Olsen. With very few lines of dialogue and being on screen for 95% of the frames, she doesn't disappoint. The camera loves her face ... even when that camera is mere inches away and the lighting is provided by a kerosene lamp or flashlight. She proves very expressive in fear and isn't afraid of quiet, and more rare these days, she isn't afraid to look less than glamorous. Ms. Olsen's future is much brighter than the lighting in this bleak house.
The basic story has Sarah (Olsen), her dad (Adam Trese) and her uncle (Eric Sheffer Stevens) returning to the family lake house for some simple rehab and packing, with the goal of putting the place up for sale. Next thing you know, strange noises, a lost key, and dad is bloodied on the floor. The house itself is a maze of doors, floors and staircases, and because the windows are boarded up and the electricity is dead, the limited lighting will have you straining your eyes to make out location and shapes.
Directed by the husband and wife team of Chris Kentis and Laura Lau (Open Water), the first 30 minutes of this movie captured my interest and had me on edge. Unfortunately, it kind of unravels and ultimately ends with a disappointing and rather cheap explanation. It's a remake of a 2010 Uruguay film, which was based on a true story from the 1940's. I am not sure if the ending to this one follows the "true" ending. As for the single take, I call BS. There were changes to the blood spatters on Olsen, not to mention numerous times where a "blackout" proved convenient to shift camera gear. Still, the real time feel is a nice touch, as is the minimal use of music ... a rarity in a genre known for blasting crescendos to cue our screams.
Let's start with the fantastic Ms. Olsen. With very few lines of dialogue and being on screen for 95% of the frames, she doesn't disappoint. The camera loves her face ... even when that camera is mere inches away and the lighting is provided by a kerosene lamp or flashlight. She proves very expressive in fear and isn't afraid of quiet, and more rare these days, she isn't afraid to look less than glamorous. Ms. Olsen's future is much brighter than the lighting in this bleak house.
The basic story has Sarah (Olsen), her dad (Adam Trese) and her uncle (Eric Sheffer Stevens) returning to the family lake house for some simple rehab and packing, with the goal of putting the place up for sale. Next thing you know, strange noises, a lost key, and dad is bloodied on the floor. The house itself is a maze of doors, floors and staircases, and because the windows are boarded up and the electricity is dead, the limited lighting will have you straining your eyes to make out location and shapes.
Directed by the husband and wife team of Chris Kentis and Laura Lau (Open Water), the first 30 minutes of this movie captured my interest and had me on edge. Unfortunately, it kind of unravels and ultimately ends with a disappointing and rather cheap explanation. It's a remake of a 2010 Uruguay film, which was based on a true story from the 1940's. I am not sure if the ending to this one follows the "true" ending. As for the single take, I call BS. There were changes to the blood spatters on Olsen, not to mention numerous times where a "blackout" proved convenient to shift camera gear. Still, the real time feel is a nice touch, as is the minimal use of music ... a rarity in a genre known for blasting crescendos to cue our screams.
The is only my second review on IMDb but I feel it's important to offset the unduly negative reviews here. I read the reviews beforehand and was put off watching but was actually amazed at how good the film actually is. The film is superior in every way to Open Water, which is also a very good film. I feel a bit for the directors, having made such an obviously great horror film, only to not have it recognised as such. The main actor is extremely good at her job. I have seen virtually every 'woman in peril' movie but the fear experienced by her character is utterly palpable and convincing. The fear of having killer strangers in your house is done better in this film than ANY OTHER film I have watched. Far from the 'real time' aspect not working, it actually works brilliantly and is done extremely well.
PS. and no, I'm nothing to do with cast or makers of this film!! I just like watching good horror films and this is without a doubt a very good horror film.
PS. and no, I'm nothing to do with cast or makers of this film!! I just like watching good horror films and this is without a doubt a very good horror film.
This is a good film. People have complained heavily about the lack of character explanation, which I do realise is conventionally the basis to any decent story, BUT I feel this film is due credit for its unconventional approach in editing, filming and character placement.
I watch a lot of horrors, searching for anything that doesn't hit upon cliché after cliché and I thoroughly enjoyed this film. It wasn't a typical 'in your face' horror, but was tense, creepy and unpredictable until the twist. Despite not being completely original in overall plot, I can easily imagine its approach to film making leaving a legacy for future filmmakers.
The camera work was clever, the acting good and overall experience was enjoyable. It was a complete mind f*ck of a film until the twist. That's how I like my films. So thumbs up all round.
Definitely would recommend this to anyone that can appreciate the fact that a film can be scary without ridiculous amount of blood, gore and stereotypical characters.
Anyway, Enjoy fellow film lovers!
I watch a lot of horrors, searching for anything that doesn't hit upon cliché after cliché and I thoroughly enjoyed this film. It wasn't a typical 'in your face' horror, but was tense, creepy and unpredictable until the twist. Despite not being completely original in overall plot, I can easily imagine its approach to film making leaving a legacy for future filmmakers.
The camera work was clever, the acting good and overall experience was enjoyable. It was a complete mind f*ck of a film until the twist. That's how I like my films. So thumbs up all round.
Definitely would recommend this to anyone that can appreciate the fact that a film can be scary without ridiculous amount of blood, gore and stereotypical characters.
Anyway, Enjoy fellow film lovers!
Wusstest du schon
- WissenswertesContrary to the marketing's claim that the film was shot in one uninterrupted take, the entire movie was actually shot to mimic one continuous real-time take, with no cuts from start to finish, as a result the time span of the film's plot is exactly 86 minutes. It was shot in roughly 10 minute segments then carefully edited to hide the cuts. This was confirmed in an interview by Elizabeth Olsen and the directors.
- PatzerBlood appears on Sarah's chest and blouse in different places, and different patterns.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #20.99 (2012)
- SoundtracksWonder Why
Written by Rob Ritchie
Performed by Maritime Analog
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- La Casa Silenciosa
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.754.783 $
- Eröffnungswochenende in den USA und in Kanada
- 6.661.234 $
- 11. März 2012
- Weltweiter Bruttoertrag
- 16.527.747 $
- Laufzeit
- 1 Std. 26 Min.(86 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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