Trade - Willkommen in Amerika

1 Border patrol does not put Polish people back into Mexico! 2 people do not call in Mexico with 4 digits. 3 there is no web page with such info as shown in movie, 4 Iam tired of idiots who don't portray the real world then no one learns of issue of great importance

5 someone does not get kidnapped in front of police and a page,

6 collect calls to Poland do not happen,

7 I have never seen such stupid acting, stupid direction

this movie was a waste of money.

the scenery was great, but there are freeways even in Mexico and freeways in the USA, that are not depicted. I've never seen such a juvenile story line.

The plight of innocent victims of human trafficking for sex has moved filmmakers enough to make movies addressing the issue. The last two in recent memory that I've watch are Your Name is Justine, and Lilya-4ever, both which put the spotlight specifically on the characters created, highlighting the abuse they receive and exposing some of the tricks that the conmen exploit in order to target and thereafter control their prey. Given that the viewpoint of the entire unfortunate ordeal from the perspective of the victims have been portrayed, and is easy and turning the same wheel if done again, Trade takes on a more macroscopic look, while still maintaining a finger in a more personalized tale, in order to ramp up the human drama and emotions.

While the other two movies mentioned take place primarily in Europe, Trade highlights a more international network involved in the supply chain, where increasing amounts of money get exchanged for women and children to feed the demand by perverts and paedophiles. While having its premise for the demand set in USA, it goes to show that the unfortunate victims come from all over the world, and suggests the use of Mexico as the proxy to get into the USA illegally, no doubt with the help of corrupted authorities. From then on, it's an established hush-hush protocol of transfers and transactions that take place in the most unseeming of places, and naturally technology comes to play in anonymous bidding on the internet.

Primarily, this story is a race against time, following a young Mexican boy, Jorge (Cesar Raoms), in his chase to rescue his sister Adriana (Paulina Gaitan) as she gets abducted randomly off the streets - being a young child, she is set to obtain record prices should she be auctioned off to be deflowered. While Adriana gets to enter USA through already established methods by the syndicate, Jorge has to rely on his street smarts, and unwittingly gets hooked up with US cop Ray Sheridan, played by Kevin Kline, who assists in Jorge's quest under moral circumstances rather than deporting Jorge straightaway for being a stray.

Like a buddy cop movie, Trade also looks at the unlikely partnership between street delinquent and tough nose cop with the heart of gold, as they try and penetrate the system, while leaving room for some clash of cultures and slightly comedic instances. The unfortunate circumstance of the victims are again getting a shiner in order to be subdued, and of course the weapon of choice, rape. And the movie results in you silently cursing the worst for those involved in the trade, and never sympathizing an iota with them when they receive their dues.

Technical wise, someone should tell the filmmakers that password fields are always asterisk, never in clear text, even the dumbest website programmer won't make that mistake. One of my other peeves here was the decision not to mount the camera on a tripod. While it's not the extreme kind of shaky cam like Cloverfield's, it did bring on some queasiness given the very minor movements, all of the time. I don't see the need for this, and wondered if it's because it might look cool and edgy with the fast cuts and all that the tripod was junked, wrongly.

Based on a New York Times Magazine article published on 25 Jan 2004 written by Peter Landesman, Trade offers to strike a balance between painting a picture of sympathy for the victims and disgust for the perpetrators. Unlike the other movies which has come before, Trade managed to spin a somewhat refreshing look at the worldwide sex slavery problem.

I had never heard of this movie and just stumbled on to it by accident. The story was very powerful and meaningful. The acting was absolutely awesome, especially by the two major stars playing the parts of brother and sister, more of the younger girl, but that is not to take anything away from the part of her brother Jorge. He was outstanding. Also, the part of Veronica was superb. She made her scenes gripping. Especially one, and you'll know which one I mean just by watching the movie. Your jaw will drop just like mine did and it will stay with you even after the movie. This is a must see. It is in subtitle and English, so it it easy to follow. Oh yeah, Kevin Kline was an excellent surprise.

Based on Peter Landesman's cover story, the film follows a Texas cop (Kline) and Jorge (Ramos) who are on the trail to save Jorge's sister (Gaitan), a 13-year-old girl from Mexico City who was kidnapped to be sold in the sex-trade. A powerful story, with Kline and Ramos making an interesting duo. The conflict seems to always be easy to overcome, with the two leads never loosing the tail of the kidnappers no matter what the obstacle is. The tragic irony at the end is an eye-roller. The hunt begins to feel far-fetched as the film progresses, and Kline is as dull as usual. The Mexico City setting alone is a plus to this roller-coaster of thrills and yawns.

**½ (out of four)

I attended a screening of "Trade" at the Santa Barbara International Film Festival. All week, films had been relatively disappointing. And then this powerful work came along.

It probably is sufficient to say that its subject is child trafficking, in this case, from Mexico to the US. Audiences will recognize Kevin Kline. The other leads are a 13 year-old girl (Paulina Gaitan) and her 17 year-old brother (Cesar Ramos). The film rests largely on the shoulders of these two innocents, and it's on the basis of their performances, even more than the subject matter, that I consider this a must-see film.

Check out this pedigree. "Trade" was written by Jose Rivera (who wrote "The Motorcycle Diaries"). It is based on a New York Times Magazine article. It was originally supposed to be directed by Roland Emmerich (who wrote, directed, and produced "The Day After Tomorrow"). But Emmerich had a conflict, so he ended up producing it along with Rosilyn Heller (who produced "American Heart," a favorite of mine starring Jeff Bridges and Edward Furlong). In turn Marco Kreutzpaintner was hired to direct, a German filmmaker who had a connection to Emmerich through another producer. It was a fortuitous set of circumstances. It's a $12 million indie backed by German funds, Emmerich's own pockets, and Lions Gate, who will be distributing it.

This is quite a moving film and, although it's easy to argue the case, it does not exploit the kids itself in its effort to expose the horrors of child exploitation. While it has some Hollywood moments thrown in for commercial appeal, it's still as compelling as any film I've seen recently. The acting is frighteningly real. A good part of the film is a bit of a road movie where Kline and the boy bond -- he needs a male role model, Kline's life on the road is a lonely existence, you know the drill. Kline's relationship with the boy reminded me of his pairing with Hayden Christensen in "Life as a House." He's good at it, and it's a casting coup that helps put the icing on the cake. The other part of the film focuses on the harsh reality of child trafficking and follows several victims through their ordeals. But Kreutzpaintner's narrative never loses sight of its heartbreaking subject matter.

Director Kreutzpaintner and producer Heller were there for a Q&A. I asked about the casting. He said the boy and girl were found during auditions in Mexico City. He was just the second one they saw. They kept looking, but eventually came back to him. He had never acted before. The girl had done a bit before, but not much. What an auspicious debut. These are two to watch.

There are many "oh my God" moments. It ultimately is a "message" film in that it exposes the horrors of child trafficking, but it's also made for commercial appeal and should resonate with the larger audience. It's hard to pull off this kind of film and make it work. How does one entertain without hitting the viewer with a sledgehammer? It's a delicate balance, and this one weighs in perfectly.