The King oder Das 11. Gebot

The reviews I read prior to seeing "The King" seemed to fault Gael Garcia Bernal's performance for not being "dark" enough. In most portrayals of this sort, the main character is supposed to chill the viewer to the bone by abruptly revealing his true evil self.

That's not how Gael Garcia Bernal plays the protagonist, Elvis Valderez, a young man with an angelic face who has just finished his duty in the Navy. Elvis never reveals any hidden monster. There's no traumatic moment that takes a good man and pushes him over the abyss into madness. The truth is we've been seeing his true nature throughout the movie but were too mesmerized by his handsome features to believe he could be anything but a sweet, lovable guy.

This movie doesn't offer us expansive scenic vistas like "The Motorcycle Diaries", nor Quentin Tarantino-type hyper violence like "Amores Perros". What it does offer is another great movie performance, a unique character that will stay in our memories.

Gael Garcia Bernal is currently my favorite actor, a fact that works against him every time I see one of his movies, because no one should be able to live up to my inflated expectations. I think Johnny Depp and Brendan Frasier are two of the best actors in movies today, but both of them have appeared in at least one movie I didn't care for. So far, Gael Garcia Bernal has surpassed all my expectations.

Probably one of the most F**KED up movies I have ever seen!!! None the less it is a gripping emotional film with a strong message about finding what is really important in your life, and treasuring it.

The persona of the entire church community made me chuckle, because it reminded me so much of my own church community. Secrets hidden within every corner of the church and everyone willing to cast the first stone at a sinner.

I really enjoyed the movie, but when I was walking out of the theater I was depressed more than any other movie has ever depressed me. Bernal gives a stunning performance that just seems to twist your stomach into knots.

Not for the first time, I thank the British Cable/Satellite channels for making available an excellent film that that I would not have noticed at the cinema over here, in fact I don't believe it gained any significant cinema distribution at all. This is another example of the 'small' US movie (modest budget, even more modest marketing, no A-list stars) that is as good as anything produced anywhere in the world. A young fellow leaves the US navy and seeks out his father, who he's never met. He tracks Dad down to find that he's become a pastor in a born-again Christian church and now has a family of his own. I'll not reveal anything of what follows but will say that what develops is unexpected, shocking and totally gripping. OK, you get a sense that it will all end in tears but this is genuinely powerful stuff. Gael García Bernal is excellent (another Martin Sheen?) as is the rest of the cast. William Hurt, his glamorous male lead days behind him, demonstrates once again that he is an actor of real quality and ability – long may he continue to play similar cameo roles. I mentioned Bernals similarity to the young Martin Sheen previously. The King has some comparisons to 'Badlands' which blew me away all those years ago and I believe that this is as good a film. You need a slightly strong stomach but this is a powerful film for adults and I recommend it highly.

A breakthrough film by young director James Marsh. This film had me hanging on with bated breath just wondering where it was going. I was totally unprepared for the end, which was dynamite! Gael García Bernal (Babel, The Motorcycle Diaries) was understated but powerful as a young man just getting out of the Navy and going to look for his father, a pastor played by William Hurt (A History of Violence). Bernal was the product of a sinful life Hurt led before he "found Jesus." He starts a relationship with his half-sister, Pell James (Broken Flowers). You are wondering the entire time about motivation, danger, incest, pregnancy, and the inevitable end. It is not pretty, and it may be difficult for some to take, but I thought it was brilliant.

It was creepy, but Bernal was outstanding in only his second English-language role.

Just saw this film as part of the Seattle International Film Festival and I found it very well made. I go to plenty of festival films and most are truly dreck. This was a nice surprise. While the story goes a couple of steps too far in terms of reality, viewed as old fashioned Greek drama, it was quite exhilarating. The story hits many high points and keeps you on the edge of your seat wondering when characters will catch up with the audience. The acting among the principal players was highly consistent with the characters they set up and were actually believable when circumstances became overly dramatic -- even the daughter's actions made some sense when considering her "place" in the family and how much she was actually marginalized by her father. I would also say that Hurt deserves another nomination after the one he got last year for "The History of Violence" (another true gem). Plus, Bernal gives his most convincing performance yet -- very smart of him NOT to play this character in a very obvious way!