Five Corners

It's 1964 The Bronx. Violent Heinz (John Turturro) returns to his neighborhood after getting out of prison for an attempted rape of Linda (Jodie Foster). Harry (Tim Robbins) rescued Linda the first time but has turn pacifist since then. Somebody shoots a teacher with an arrow. Castro and Willie are two kids blowing up a store sign with cherry bombs. They pick up Melanie and Brita who are out of it from sniffing glue. Heinz is after Linda again thinking he's in love with her. Jamie would like to be her boyfriend who protects her.

This movie is split in two. Turturro, Foster and Robbins inhabit one half. Turturro is great as the disturbed rapist. The penguins are weird. The acting is good but the script meanders a bit with a lot of strange turns. The other half has four lesser known actors. The girls are funny. It's odd that it seems to float on the surface of the movie without connecting to the other half. I do find the unknown actors' story interesting especially the elevator scene. I kept wondering what that story has to do with anything. The final reveal satisfied me to some extent. I wish it could have made more connections earlier in the movie.

Some interesting performances from people who went on to bigger and better things. Turturro in particular gives a controlled turn to a role that could easily have been over the top. Many discontinuities mar the script, and there are plot elements which seem to come out of nowhere. But overall it is a movie worth seeing when the cupboard is bare.

Five Corners is a socially relevant film with a unique visual style

and a sense of humor. the cast is superb. Robbins, Foster and

Turturro give hints as to what they would go on to accomplish as

their careers grew. Todd Graff is also awesome but seems to be

having better luck as a screenwriter and producer. The two

females who play the glue sniffers are hilarious in roles that could

have easily be unsympathetic. The two mothers (Chalfant and

Gregorios) carry their weight in smaller but no less significant

roles. The two cops are straight out of the old crime dramas of the

1940's and 50's. There is also a good sense of 'place' in the film. I

got a genuine feel for the neighborhood where these characters

dwelt. I have also had the pleasure of being directed by Tony Bill in

a made for T.V. movie, A Chance of Snow. He's a professional. I

wish that he'd do more along the lines of Five Corners.

The kind of film that doesn't get made anymore in Hollywood. Original story, great atmosphere, wonderful acting. A somewhat quirky but still powerful human drama. Somehow, everything just fits in this film. Given the cast, it's hard to believe it is so little known. One to be re-discovered (hopefully). 8 stars out of 10.

In case you're interested in more underrated masterpieces, here's some of my favorites:

imdb.com/list/ls070242495

Offbeat--to say the least--comedy-drama from director Tony Bill and writer/co-producer John Patrick Shanley combines unforced, unshowy nostalgia with dark (and rather wobbly) comedic undertones. In a troubled Bronx neighborhood in the 1960s, Jodie Foster is a young woman hounded by just-released convict John Turturro, while Tim Robbins is a former classmate reevaluating his priorities based on turbulent world events. Foster has little to work with in a weakly-written role (she's not going to meet this nutcase in the park at night!), but Robbins' quiet sincerity is lovely, and his handsome face and expressive manner keeps the film grounded in reality. Overall, it's much too flighty, with a melodramatic final 30 minutes which doesn't do anything good for anybody--least of all the viewer. However, there is some dryly eccentric humor in Shanley's screenplay, and when director Bill's touch is light the film generally works. **1/2 from ****