Füge eine Handlung in deiner Sprache hinzuThe beautiful world of Gaya is home to a community of creatures, who are much smaller than humans, but who have an uncanny resemblance to them. But the Gayans are facing imminent danger. Som... Alles lesenThe beautiful world of Gaya is home to a community of creatures, who are much smaller than humans, but who have an uncanny resemblance to them. But the Gayans are facing imminent danger. Someone has stolen the magic stone called Dalamite without which this world is doomed. Two Ga... Alles lesenThe beautiful world of Gaya is home to a community of creatures, who are much smaller than humans, but who have an uncanny resemblance to them. But the Gayans are facing imminent danger. Someone has stolen the magic stone called Dalamite without which this world is doomed. Two Gayans named Boo and Zino embark on a dangerous mission to track down and recover the stone.... Alles lesen
- Auszeichnungen
- 2 Nominierungen insgesamt
- Albert Drollinger
- (English version)
- (Synchronisation)
- Alanta
- (English version)
- (Synchronisation)
- Zino
- (English version)
- (Synchronisation)
- Boo
- (English version)
- (Synchronisation)
- Female Gayan
- (English version)
- (Synchronisation)
- …
- Female Gayan
- (English version)
- (Synchronisation)
- …
- Galger
- (English version)
- (Synchronisation)
- Bramph
- (English version)
- (Synchronisation)
- (as Red Pepper)
- Zeck
- (English version)
- (Synchronisation)
- Professor N. Icely
- (English version)
- (Synchronisation)
- E.N.I.A.C.
- (English version)
- (Synchronisation)
- Billy
- (English version)
- (Synchronisation)
- Fred
- (English version)
- (Synchronisation)
- …
- Boo
- (German version)
- (Synchronisation)
- Alanta
- (German version)
- (Synchronisation)
- Zeck
- (German version)
- (Synchronisation)
- Zino
- (German version)
- (Synchronisation)
- (as Torsten Münchow)
Empfohlene Bewertungen
1. technically: the animation is not very good (not a single run cycle seems correct in this movie) 2. the pace: the movie seems to last longer than it is because of bad pacing 3. the jokes: first of all there are too few and second they have a bad timing. Either you know the joke seconds before it is spoken or you miss it because you don't have time to laugh about it
On the other hand BTG is technically very well done (except the animation) has tons of places and objects, is beautiful colored and has a nice music. Everyone that likes CG-movies should see it, it's worth the money... all the other should give Brother Bear a chance - since it is much better than most people think =) Well, give it a try - both of them.
The main positive aspect of the movie is that the makers did not apply the usual scheme of black and white. All the characters have certain strengths and weaknesses which add some shades of grey. The hero is bold but incredibly stupid. His companion is more of a shy guy yet he is quite resourceful.
Especially the introduction of the black haired Gayans teaches the kids that prejudices and discrimination because of certain bodily features are wrong and unfair.
BtG offers colourful family entertainment. It's funny, exciting and it even conveys certain moral values to the viewer.
7 out of 10
I was positively impressed by the global level of detail of scene backgrounds. Where in other CGI movies you get to see, say, a row of buildings with carefully modelled details near the camera, then a lot of empty space behind those, and finally a matte painting of the 'horizon', Back to Gaya shows you whole blocks of buildings, with the next streets showing through the gaps, all in credibly full detail, but without any obvious repetition of similar structures. To me these shots had a sense of realism that I had not seen before in CGI movies.
Along the same vein, when there are open air views, the distant landscape is never a simple background painting, but a detailed model. As far as I can tell, even the clouds in the sky were actual 3D entities instead of the usual flat background painting. This gives the camera a lot more freedom to move large distances and freely look around the scenery. The filmmakers probably overused this freedom somewhat, though, making some scenes hard to follow.
The outstanding level of detail extends to things like vegetation interacting with buildings, like plants growing inbetween and around fenceposts, for example. What I also liked was the general worn and aged look of things, a refreshing change from the polished featureless surfaces that are all too common on CGI movies' background objects.
The character animation in comparison is two classes below that, as the other comments mention. One thing I like about the characters, though, is the courage of the designers to go for the outright bizarre with the 'human' roles. It was interesting to see character design exploring a different direction than the usual either hyperrealistic or more classical comic style.
So, despite its weaknesses, Back to Gaya actually manages to advance the state of the CGI art on a few fronts. I do hope that it will be commercially successful enough that the makers get another chance to apply their talents to a better story.
Wusstest du schon
- WissenswertesThis was Michael Kamen's last score. He died before he could complete it, and his orchestrators filled out the unfinished sketches.
- Crazy CreditsIn a scene during the credits, Galger calls Albert from a cellphone, to give him new ideas for writing further episodes for 'Zeck and Boo'.
- VerbindungenFeatured in Jambareeqi Reviews: Boo, Zino and the Snurks (2013)
- SoundtracksNo Small Wonder
Words by Don Black
Music by Michael Kamen
Performed by Katy Krykant "Lady K", Andy Lewis, Bobby Harrison and Stefan Redtenbacher
Produced, Mixed, and Arranged by Rupert Christie
K-MAN CORP/SONY/ATV MUSIC PUBLISHING LLC (BMI)-50%
Top-Auswahl
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Details
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Box Office
- Weltweiter Bruttoertrag
- 2.844.511 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1