IMDb-BEWERTUNG
7,9/10
9690
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe odd biography of a man who has Tourette's Syndrome, chronic bad luck, menial jobs, nudist tendencies, and a book of "fakts" hung around his neck.The odd biography of a man who has Tourette's Syndrome, chronic bad luck, menial jobs, nudist tendencies, and a book of "fakts" hung around his neck.The odd biography of a man who has Tourette's Syndrome, chronic bad luck, menial jobs, nudist tendencies, and a book of "fakts" hung around his neck.
- 1 Oscar gewonnen
- 21 wins total
Geoffrey Rush
- Narrator
- (Synchronisation)
Kamahl
- Statue of Horace
- (Synchronisation)
John Flaus
- Harvie
- (Synchronisation)
Julie Forsyth
- Baby Harvie
- (Synchronisation)
- …
Empfohlene Bewertungen
I came upon this film by accident--the Australian production company approached my company to license music for "Harvie Krumpet", and after looking at Adam's earlier films we agreed. When I received a VHS tape of Harvie, I was thrilled, not just because of our music, (we got paid whether it was good or not) but because I felt a sense of discovery for a very unique talent and world view. Harvie's world of deadly boredom mixed with equal parts of magic and joy sets this film apart. It seems that Adam Elliot has a great mix of talent--an eye for clever animation with a mind for the daily collision of ordinary and extraordinary.
Geoffrey Rush is understated yet still expressive in his narration. But the film belongs to Adam Elliott with his sight gags and "what really is the difference between tragedy and comedy" mindset.
Geoffrey Rush is understated yet still expressive in his narration. But the film belongs to Adam Elliott with his sight gags and "what really is the difference between tragedy and comedy" mindset.
I saw this when it was coming out. I remember it stroke me as incredibly fresh and imaginative. Part of this might be because i was at quite a different stage in my life through films. But now, 7 years later, this still retains a lot of its appeal. It's not been so long, but this still works on all its purposes, humor and visuals.
The skill in the making of this is top notch in every respect, of course. The characters, and such a film is absolutely all about characters are great in how the specificities of clay are used to convey absolutely every emotional nuance.
The story is a good piece of writing, using the always powerful combination of tragedy and comedy, something Chaplin understood so well. I think we cry deeper when we feel we shouldn't be laughing. It's the contrast that creates the power. By taking you to extremes of fun, enabling you to laugh, and suddenly pulling the rug out of your feet, writers leave you in a state of inner shame, which we interpret with uneasiness. Or it's the simple overlapping of comedy bits over a tragic environment. But i go with the first possibility.
Geoffrey Rush is great as an actor, and he brings that subtlety to his voice over.
But what probably caught my mind and makes this last is the clever framing they use. The "Fakts" as they're spelled in the film. Harvie spends his live registering unusual bizarre views of the world, in little sentences he calls (taught by his mother) fakts. These thoughts mirror what goes on happening to him throughout his life, filtered through Harvie's crippled yet beautiful mind. The fun is in how each fakt never reproduces correctly what really happens, and so it becomes a kind of a comment on the story itself. Born from it, but exterior to it, a separate element, clearly represented by the book Harvie carries strapped around his neck always, even when he's naked. Great stuff.
My opinion: 4/5
http://www.7eyes.wordpress.com
The skill in the making of this is top notch in every respect, of course. The characters, and such a film is absolutely all about characters are great in how the specificities of clay are used to convey absolutely every emotional nuance.
The story is a good piece of writing, using the always powerful combination of tragedy and comedy, something Chaplin understood so well. I think we cry deeper when we feel we shouldn't be laughing. It's the contrast that creates the power. By taking you to extremes of fun, enabling you to laugh, and suddenly pulling the rug out of your feet, writers leave you in a state of inner shame, which we interpret with uneasiness. Or it's the simple overlapping of comedy bits over a tragic environment. But i go with the first possibility.
Geoffrey Rush is great as an actor, and he brings that subtlety to his voice over.
But what probably caught my mind and makes this last is the clever framing they use. The "Fakts" as they're spelled in the film. Harvie spends his live registering unusual bizarre views of the world, in little sentences he calls (taught by his mother) fakts. These thoughts mirror what goes on happening to him throughout his life, filtered through Harvie's crippled yet beautiful mind. The fun is in how each fakt never reproduces correctly what really happens, and so it becomes a kind of a comment on the story itself. Born from it, but exterior to it, a separate element, clearly represented by the book Harvie carries strapped around his neck always, even when he's naked. Great stuff.
My opinion: 4/5
http://www.7eyes.wordpress.com
What a fantastic 20 minutes!! I watched this on SBS the other night, and I was utterly charmed. Its funny, poignant, touching, sad and has a few life lessons we could all take on board. Adam Elliot deservedly won the Oscar for this one. Its charmingly narrated by Geoffrey Rush who has such a wonderful voice, it shows the entire lifetime of a Polish boy who moves to Australia to start a new life when his parents are killed in a tragic accident.
Bad luck seems to plague the lovable character, he lives alone, endures illness, falls in love, has a family and ends up realising some truths about life. I saw an interview with Elliot on Andrew Denton's Enough Rope programme and he is as utterly charming and humble as his little character, everything from his mum knitting Harvie's costumes to being awestruck at the Oscars. He is destined for big things. Dont miss it!
Bad luck seems to plague the lovable character, he lives alone, endures illness, falls in love, has a family and ends up realising some truths about life. I saw an interview with Elliot on Andrew Denton's Enough Rope programme and he is as utterly charming and humble as his little character, everything from his mum knitting Harvie's costumes to being awestruck at the Oscars. He is destined for big things. Dont miss it!
I rented the DVD out last week to watch the film that made Australia proud by winning that shiny gold Oscar.
This movie was short, it was only twenty minutes, but in that twenty minutes you become part of the little soul that is Harvie Krumpet, the animation was done by stop motion/claymation (which is tedious, trust me I study animation). The story is funny and sad at the same time and I promise you, once you watch it they'll be only 'one song' you'll be singing!
And you feel engaged in the film thanks to the great narration done by Geoffrey Rush, he has one of those powerful voices.
I rate this movie 10/10 and recommend it to everyone and anyone studying animation.
Thank you.
This movie was short, it was only twenty minutes, but in that twenty minutes you become part of the little soul that is Harvie Krumpet, the animation was done by stop motion/claymation (which is tedious, trust me I study animation). The story is funny and sad at the same time and I promise you, once you watch it they'll be only 'one song' you'll be singing!
And you feel engaged in the film thanks to the great narration done by Geoffrey Rush, he has one of those powerful voices.
I rate this movie 10/10 and recommend it to everyone and anyone studying animation.
Thank you.
Three words to describe Adam Elliot's (master of clay animation) 22 min and 7 sec film Harvie Krumpet: sardonic and poignant. This Academy Award winning short film follows the title character, a naïve but optimistic Polish who ends up in Australia, and his unlucky life. That is an understatement; he gets struck by lightning, has his testicle removed, is plagued by Tourette's Syndrome, just to name a few. But one single phrase (Carpe diem) causes him to embrace life despite his unfortunate circumstances (hooray for nudist colonies and chickens!). Crafted in both a humorous and distressing manner – you will laugh one moment then sink back into depression out of sympathy for Harvie – and superbly narrated by Geoffrey Rush, this film will make you smile and want to lead a better life. After all, if Harvie Krumpet can do it, you can too.
Wusstest du schon
- WissenswertesThis is the first feature film from writer/director Adam Elliot who previously wrote & directed 3 short films titled: Mein Bruder (2000), Onkel (1996). and Mein Cousin (1999). Adam Elliot would later write & direct his second feature film Mary & Max oder: Schrumpfen Schafe, wenn es regnet? (2009), which would end up being an award winning animated film.
- PatzerHarvie's 65th birthday - and Val's death - should take place in 1987, in accordance with the title card indicating that Harvie was born in 1922, but Val's gravestone states that she died in 1984.
- Zitate
Statue of Horace: Seize the day, Harvie. Seize the day. Carpe Diem.
- VerbindungenFeatured in The 76th Annual Academy Awards (2004)
- SoundtracksCanon in D Major
Written by Johann Pachelbel
Performed by the English Chamber Orchestra
Conducted by Raymond Leppard
Published by Sony Masterworks
Top-Auswahl
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Details
Box Office
- Budget
- 377.000 AU$ (geschätzt)
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