IMDb-BEWERTUNG
7,3/10
9657
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuMichael, Arjun and Lallan, three men from three different strata of society, cross paths one morning in Calcutta and change one another's lives forever.Michael, Arjun and Lallan, three men from three different strata of society, cross paths one morning in Calcutta and change one another's lives forever.Michael, Arjun and Lallan, three men from three different strata of society, cross paths one morning in Calcutta and change one another's lives forever.
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If you like Hindi movies, dont miss YUVA, the latest and best by Mani Ratnam (maker of Roja, Bombay and Dil Se). Yuva is better than all the last three. Although it has all the usual elements dance/song/action etc, direction is superb and the theme of youth revolting against corruption and contributing to society keeps it going. Ajay Devgan is a student leader who stands against threatening politician Om Puri. Vivek Oberoy is a happy go lucky Romeo and is transformed into a rebellion when he meets Ajay Devgan. Abhishek Bachchan is a gangster tapori being exploited by Om Puri. All have excelled in their acting.
Entire movie is made in Calcutta, this is the best depiction of this city. One is left amazed by the beautiful locales of Calcutta, hitherto unknown to outsiders.
This is how the powerful media of cinema can be used to portray optimism of the youth energy. Unfortunately, most of the bollywood is not doing such work.
Entire movie is made in Calcutta, this is the best depiction of this city. One is left amazed by the beautiful locales of Calcutta, hitherto unknown to outsiders.
This is how the powerful media of cinema can be used to portray optimism of the youth energy. Unfortunately, most of the bollywood is not doing such work.
Yuva is a great comeback for Maniratnam as a Hindi film director after the unsuccessful Dil Se. His earlier regional language films like Velu Nayakan, Anjali, Roja, Bombay, Iruvar and many more have been highly successful all over India. Yuva is a thrilling story of three young guns of Calcutta whose stories get connected by a road mishap. The film is based upon college. Ajay Devgan (two time National Award winner) has given a fantastic performance as a college leader along with Vivek Oberoi. The actors are aptly casted and the film is technically very good. Cinematography is just out of this world. But the limelight is stolen by Abhishek Bachchan who has given the performance of a lifetime. His role of a street-side malefactor will surely win him awards. HATS OFF TO YUVA & MANIRATNAM!!!
To be honest, I was a bit let down when I read the reviews on the net from all the possible sites on net. I am great admirer of Mani Rathnam and his style, which is unique by itself - a great master in story-telling. With great reluctance I mustered up my courage to watch the movie - at least for Mani Rathnam's sake (and A R Rahman's songs). All the negative reviews in a way did a good thing - it lowered my expectations. And I did like the movie.
For reason unknown, looks like all the movie critics have joined hands and decided to have a go at Yuva. A lot has been criticised about the movie and to such an extent that Mani had to call for a press conference to ward off the negative publicity the movie was attracting owing to the film critics. From the promos and the songs, the audience were not expecting a movie on politics. Guess that added fuel to the fire.
The story is good - conveys a social message to the youth and its place in the society. Story telling format is quite intelligent - I mean in three independent chapters you will see bits and pieces of other chapters and you say "oh.... it makes sense and explains that bit from earlier chapter".
Abhishek-Rani track steal the show. Great performance from the two.
Vivek-Kareena track is sweet. Okay its not Karan Johar, Sooraj Barjatya or Ghai or Rai types but sensible. We need more of these. Vivek-Anant Nag relationship is portrayed well. Ajay-Eesha track is okay. Eesha should join acting classes.
Om Puri - first class. Vijay Raaz - should have been given more scope.
Its the fault of Indian audience as well who haven't matured yet and seek the same thrash every time. It strongly denotes that every Bollywood film should adhere to the formula or else face the wrath. I mean - seriously how many people have watched 3-Deewarien and Maqbool. I am tired of the positive and 5-star reviews given to movies of Johar's, Barjatya's, Chopra's, Ghai's and Dhawan's for their same old formula stuff.
Believe me folks, as other reviews state here, I reiterate - forget the critics reviews, watch the movie with a open mind and you will not be disappointed.
For reason unknown, looks like all the movie critics have joined hands and decided to have a go at Yuva. A lot has been criticised about the movie and to such an extent that Mani had to call for a press conference to ward off the negative publicity the movie was attracting owing to the film critics. From the promos and the songs, the audience were not expecting a movie on politics. Guess that added fuel to the fire.
The story is good - conveys a social message to the youth and its place in the society. Story telling format is quite intelligent - I mean in three independent chapters you will see bits and pieces of other chapters and you say "oh.... it makes sense and explains that bit from earlier chapter".
Abhishek-Rani track steal the show. Great performance from the two.
Vivek-Kareena track is sweet. Okay its not Karan Johar, Sooraj Barjatya or Ghai or Rai types but sensible. We need more of these. Vivek-Anant Nag relationship is portrayed well. Ajay-Eesha track is okay. Eesha should join acting classes.
Om Puri - first class. Vijay Raaz - should have been given more scope.
Its the fault of Indian audience as well who haven't matured yet and seek the same thrash every time. It strongly denotes that every Bollywood film should adhere to the formula or else face the wrath. I mean - seriously how many people have watched 3-Deewarien and Maqbool. I am tired of the positive and 5-star reviews given to movies of Johar's, Barjatya's, Chopra's, Ghai's and Dhawan's for their same old formula stuff.
Believe me folks, as other reviews state here, I reiterate - forget the critics reviews, watch the movie with a open mind and you will not be disappointed.
The main reasons to watch this film are Mani Ratnam, A.R.Rahman, and Abishek Bachan.
There is not much of a story but the screenplay is awesome. The way Mani shows the three men from different walks of life meet on a bridge three times and their flashbacks is refreshingly new.
I think it should have been publicized well before they released this film. It deserved a hit.
I have also seen the Telugu version, in which Madhavan's performance is outstanding.
All in all, a new cinematic experience.
There is not much of a story but the screenplay is awesome. The way Mani shows the three men from different walks of life meet on a bridge three times and their flashbacks is refreshingly new.
I think it should have been publicized well before they released this film. It deserved a hit.
I have also seen the Telugu version, in which Madhavan's performance is outstanding.
All in all, a new cinematic experience.
I agree to kaushik dave up to some extent that it bears a resemblance with Amores Perros but at one point only and it is that there are three different stories meeting at one point but that is the end.
What impresses me more about this movie is the true depiction of youth's mind (sp. in Pakistan, India and other third world countries). Today's youth is matured but confused, helping but selfish for themselves and above all sentimental yet insensitive. Like Arjun, on the face he is loving, caring and always wants to be with family but inside wants to go to US for good career. Same is true for Lallan, very selfish thinks only for himself and nothing else. But the true high point of the movie is Michael Thinking and approach towards things. He is the one driving force for others.
As per direction, Mani Ratman's movie is always special for its visual feat and that is also true for this movie. And above all AR Rehman Music is true to the story.
What impresses me more about this movie is the true depiction of youth's mind (sp. in Pakistan, India and other third world countries). Today's youth is matured but confused, helping but selfish for themselves and above all sentimental yet insensitive. Like Arjun, on the face he is loving, caring and always wants to be with family but inside wants to go to US for good career. Same is true for Lallan, very selfish thinks only for himself and nothing else. But the true high point of the movie is Michael Thinking and approach towards things. He is the one driving force for others.
As per direction, Mani Ratman's movie is always special for its visual feat and that is also true for this movie. And above all AR Rehman Music is true to the story.
Wusstest du schon
- WissenswertesAnurag Kashyap stated "He is a man of very few words. Mani Sir doesn't gossip. That's the best thing about him. There is no frivolous talk. There is always work. He is always the first one to reach the office. The man wakes up at 5 am, reads the paper, and goes for a one-hour walk and still has that passion for cinema after so many films. He lives and breathes films...Work with Mani Ratnam again? Anytime. I will go down on bended knee [to do so]. I have all of Mani Sir's films on DVD.I have seen Yuva. I have not seen the Tamil version yet. I want to...Yuva has shaped up brilliantly. Technically, they [Mani Ratnam and cinematographer Ravi K Chandran] have done things that give the film a whole new style. He has shot the three different characters in different hues, tones and styles. I want to wait and watch the reaction to Yuva. In form, structure and attempt, it is so far removed from other films. It speaks to the youngsters. It also shows the youngsters to the elders as they are. Mani Sir constantly attempts to go into an area [subject] where no one has gone before. My expectations are very high. I want to be there in the theatre and see how people react to the film and write about it."
- PatzerDuring the song "Badal Jo Aaye", Ajay Devgan's bike changes from a Yamaha Libero to Hero Honda Passion and back to Libero again.
- VerbindungenAlternate-language version of Aayitha Ezhuthu (2004)
- SoundtracksDhakka Laga Bukka
Written by Mehboob
Composed by A.R. Rahman
Performed by A.R. Rahman, Karthik and Mehboob
Courtesy of Venus Records and Tapes Ltd.
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Details
Box Office
- Budget
- 100.000.000 ₹ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 331.166 $
- Eröffnungswochenende in den USA und in Kanada
- 210.000 $
- 23. Mai 2004
- Weltweiter Bruttoertrag
- 567.746 $
- Laufzeit
- 2 Std. 41 Min.(161 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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