IMDb-BEWERTUNG
7,7/10
25.741
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA villager, Gurukant Desai, arrives in Bombay 1958, and rises from its streets to become the GURU, the biggest tycoon in Indian history.A villager, Gurukant Desai, arrives in Bombay 1958, and rises from its streets to become the GURU, the biggest tycoon in Indian history.A villager, Gurukant Desai, arrives in Bombay 1958, and rises from its streets to become the GURU, the biggest tycoon in Indian history.
- Auszeichnungen
- 18 Gewinne & 38 Nominierungen insgesamt
Aishwarya Rai Bachchan
- Sujata
- (as Aishwarya Rai)
Madhavan
- Shyam Saxena
- (as R. Madhavan)
Anaushka Dantra
- 7 Year Old Baby Anaushka
- (as Baby Anoushka)
Mukesh S. Bhatt
- Ram Lal
- (as Mukesh Bhatt)
Ashoi Dantra
- Twin Baby Ashoi Dantra
- (as Baby Ashoi)
Empfohlene Bewertungen
This movie celebrates Abhishek Bachachan, his father's son. When you are the son of one of the best actors of the world of all times, you have the pressure to step into the shoes of your father. It doesn't happen often that a son matches up to his father in stature.
In this film Abhishek Bahcachan does just that. He gives a performance his old man would've been proud of. Abhishek proves his pedigree. This is a difficult role. Not only because he has to portray a wide range in his character but also because his character has some of the cheesiest lines. But he makes you forget that the lines are out of place here and there. He goes flat out on this one, and gives a performance which is probably the best of this year. Probably matching up to Amitabh's in Black.
About the film. Its a Mani Ratnam film, which raises the expectations immensely and nearly lives up to it. Its a well written story and direction is up to the mark. There is a slight problem with screenplay and the songs and dance sequences break the flow of story telling. A good film nonetheless and a great viewing.
Though Abhishek steals the show; other actors are pretty good too. Mithun proves again why he is 2 times National Award winner. He is a legendary actor who has been wasting his time and talent in crappy movies for a long time now. Hope he would get better roles after this. Ash is good in the second half but her choreography is not up to the mark and she looks bland and unsophisticated while dancing. Vidya Balan is wasted and R Madhvan is good in a small role.
A word about cinematography is necessary. This is one of the best shot movies of last year, with breathtaking views and the last scene with Guru giving his speech to a stadium full of people looks more real than reality itself.
Over all a good movie, best since Munna Bhai 2.
In this film Abhishek Bahcachan does just that. He gives a performance his old man would've been proud of. Abhishek proves his pedigree. This is a difficult role. Not only because he has to portray a wide range in his character but also because his character has some of the cheesiest lines. But he makes you forget that the lines are out of place here and there. He goes flat out on this one, and gives a performance which is probably the best of this year. Probably matching up to Amitabh's in Black.
About the film. Its a Mani Ratnam film, which raises the expectations immensely and nearly lives up to it. Its a well written story and direction is up to the mark. There is a slight problem with screenplay and the songs and dance sequences break the flow of story telling. A good film nonetheless and a great viewing.
Though Abhishek steals the show; other actors are pretty good too. Mithun proves again why he is 2 times National Award winner. He is a legendary actor who has been wasting his time and talent in crappy movies for a long time now. Hope he would get better roles after this. Ash is good in the second half but her choreography is not up to the mark and she looks bland and unsophisticated while dancing. Vidya Balan is wasted and R Madhvan is good in a small role.
A word about cinematography is necessary. This is one of the best shot movies of last year, with breathtaking views and the last scene with Guru giving his speech to a stadium full of people looks more real than reality itself.
Over all a good movie, best since Munna Bhai 2.
10rdig1-1
Just returned from the theatres, now that I am home I feel genuinely very happy that Guru Kanth Desai is still going strong. I am also completely confident he will make Shakthi Corporation the biggest company in the world...by now you must be wondering what I am talking about, this is how many viewers would feel after coming out of watching Maniratnam's Guru.
First of all let me start by mentioning Abhishek Bachan's role, as this is the role that Guru is built upon. If there ever was a movie where one actor dominated so completely I would only compare Kamal Hassan in Nayakudu/Nayakan. Abhishek should be very proud of what he has accomplished in Guru, it is something that some actors haven't or will not achieve in a life time. He is impeccable for the hardest of critic to comment. His histrionics are brilliant and the way he lost and gained weight during different parts of the movie demonstrate how serious Maniratnam and Abhishek were in making this movie. Keep the awards ready please...Abhishek Bachan has his name stamped on them.
The story is quite simple; it is the narration and the characterisation that makes this movie so unique and interesting. it's about a common mans journey to build India's largest company with the help of its share holders by whatever means possible. In Guru, Guru Kanth Desai is not portrayed as an invincible man rather he is played as a very good business man who can talk and do right things at the right time. The narration of the story is so tight you never flinch. (This applies only to serious movie watchers, not the ones who cannot do without masala and comedy in a film) Maniratnam is one the best story tellers in our country if not the best, and he does that perfectly again. This will rate as one of the best works of Maniratnam; I would take the liberty of putting this Under Nayakudu/Nayakan which rates first on my list of Maniratnam movies.
The music is by A R Rahman, we all know what happens when Maniratnam and A R Rahman team up. Pure magic is created. More than the songs of Guru, the background score impressed me. It is the music in every important scene that brings the scene to life. Rahman is amazing and like Rang De Basanti the songs just blend into the movie. Not to mention Mayya Mayya and Barso re Megha in the first 20 minutes of the movie brighten up the whole theatre.
A word of mention...
Aishwarya Rai has a very strong role in Guru; strong roles are very scarce in Bollywood these days...especially for female artists. Aishwarya stays with Guru throughout the movie and stays on the top of Bollywood by doing that brilliantly.
Mithun & Madhavan are the adamant characters that fight for the right, when I say adamant they really are in the movie and you feel their willingness to stay on the right side of things all through the movie. All the other supporting roles including Vidhya Balan are brilliantly enacted. There is no character that was underplayed or wasn't justified.
Where does this leave us...? Maniratnam has made a wonderful movie full of strong characters, great screen play, brilliant music and marvellous photography by Rajiv Menon. He needs to be commended for this effort. It is no wonder he takes two years to make out one movie, Guru was worth waiting for...so here I am already waiting for his next
First of all let me start by mentioning Abhishek Bachan's role, as this is the role that Guru is built upon. If there ever was a movie where one actor dominated so completely I would only compare Kamal Hassan in Nayakudu/Nayakan. Abhishek should be very proud of what he has accomplished in Guru, it is something that some actors haven't or will not achieve in a life time. He is impeccable for the hardest of critic to comment. His histrionics are brilliant and the way he lost and gained weight during different parts of the movie demonstrate how serious Maniratnam and Abhishek were in making this movie. Keep the awards ready please...Abhishek Bachan has his name stamped on them.
The story is quite simple; it is the narration and the characterisation that makes this movie so unique and interesting. it's about a common mans journey to build India's largest company with the help of its share holders by whatever means possible. In Guru, Guru Kanth Desai is not portrayed as an invincible man rather he is played as a very good business man who can talk and do right things at the right time. The narration of the story is so tight you never flinch. (This applies only to serious movie watchers, not the ones who cannot do without masala and comedy in a film) Maniratnam is one the best story tellers in our country if not the best, and he does that perfectly again. This will rate as one of the best works of Maniratnam; I would take the liberty of putting this Under Nayakudu/Nayakan which rates first on my list of Maniratnam movies.
The music is by A R Rahman, we all know what happens when Maniratnam and A R Rahman team up. Pure magic is created. More than the songs of Guru, the background score impressed me. It is the music in every important scene that brings the scene to life. Rahman is amazing and like Rang De Basanti the songs just blend into the movie. Not to mention Mayya Mayya and Barso re Megha in the first 20 minutes of the movie brighten up the whole theatre.
A word of mention...
Aishwarya Rai has a very strong role in Guru; strong roles are very scarce in Bollywood these days...especially for female artists. Aishwarya stays with Guru throughout the movie and stays on the top of Bollywood by doing that brilliantly.
Mithun & Madhavan are the adamant characters that fight for the right, when I say adamant they really are in the movie and you feel their willingness to stay on the right side of things all through the movie. All the other supporting roles including Vidhya Balan are brilliantly enacted. There is no character that was underplayed or wasn't justified.
Where does this leave us...? Maniratnam has made a wonderful movie full of strong characters, great screen play, brilliant music and marvellous photography by Rajiv Menon. He needs to be commended for this effort. It is no wonder he takes two years to make out one movie, Guru was worth waiting for...so here I am already waiting for his next
***** (5/5 Stars) I'm going to have to disagree with the poster above -- "Guru" is one of the finest Indian/Bollywood films I've seen in a long time. I think identifying with "Guru" is easy to do from the start of the movie. What we have is a young person who wants to "explore" beyond his village and become great one day. The movie is about him trying to accomplish his dream of becoming great; this is surely a story that almost anyone can relate to. Abhishek's performance was absolutely marvelous, without spoiling anything, when you walk out the theater you will have actually felt moved by the last few scenes. No Indian film has managed to move me to tears -- this one did. My eyes got watery watching this character fight through all the struggles that come his way. The music was fantastic and really makes you "think." Indian movies have become clichéd with the 'love-sing-dance' style that has permeated to many movies. Also what you have is Indians copying too much of the American style films. What "Guru" is is a movie that takes pride in being Indian; it is an original story that more Bollywood movies should try to be. Be warned though: it is not a movie that is your typical "razzle-dazzle" entertain -- its a movie that makes you think, that has drama, and has strong acting, and that has a great plot. I loved Guru from the start to the finish; it wasn't a second too long or short. As an American-born with Indian roots, "Guru" fuses the best of both Indian and American cinema to produce a masterpiece. I hope you all enjoy it, Guru is a must-see.
Well, Maniratnam has proved his worth as a director. To be able to make a hero out of somebody like Dhirubhai requires great skills. Not to mention that he made an excellent movie even with Ms Rai in it. (why did he cast her in that movie - did he lose a bet or was that a contractual thing for casting Mr. Bachan? Or was Tabu unavailable?) At the end of the movie the audience are most likely to come to the following conclusions: 1. Guru is a courageous, in-your-face, kind of entrepreneurial genius. 2. People such as Guru are the key to the success of our country and to the elimination of poverty 3. Guru is a hero of the poor people fighting for them against the club going, golf playing, influenced by the west, rich clique who prevented others from coming into their group with the help of the license raj, 4. People who stand up against corruption are honest, good people but really who are we kidding, do we really need these jokers? and 5. a small side issue is that the role of good women is at the side of their genius husbands even when they are treated as start-up capital. However, these are my questions: 1. If the poor are poor is it really because they are either lazy, or scared, or simply idiots. I wonder what would Mohd. Yunus of Grameen Bank have to say about this? 2. According to the movie people like Guru benefited 30 million people. In a country of 1 billion is 30million that much? It is just 0.3%. Not to mention these "poor people" had to be people who were at least of middle class status and living in cities. 3. Yes, it is true that the license raj did fetter the rise of dynamic capitalists - but will somebody ever talk about those toiling masses of this country who work until death to make this country run and people like Guru trilionaires? 4. And will someone ever say anything against making heroes of not only persons who are geniuses at exploiting others but also those who take dowry? what happened to all that social conscience of ours? It makes me very sad when talented film makers such as Maniratnam make such movies. Miracles can happen and may be Maniratnam will find his conscience....someday....
First forget that its based on whom and what? thats not needed to see this movie. It has every thing a good movie needs to have. Casting, music ,cinematography, above all a great subject, that is still relevant.
Its a story you may or may not think is great. But its a story that was told in great way. Don't try to judge, you can't judge something practical with something that is theory.
If you want a movie that can project life-spectrum in another angle, here it is.
What I can say is DON'T MISS IT.
Its a story you may or may not think is great. But its a story that was told in great way. Don't try to judge, you can't judge something practical with something that is theory.
If you want a movie that can project life-spectrum in another angle, here it is.
What I can say is DON'T MISS IT.
Wusstest du schon
- WissenswertesCertain techniques are slowly changed within the film to mark the passing of time and the growth of Guru as an individual: - When Guru is a young man in Turkey, the camera is handheld and in perpetual motion, giving Guru and that period of his life a racy, edgy feel. As he ages, the camera movements become smoother and towards the end of the film the camera is almost stationary. - The editing closely follows the above concept: the young Guru is shown in quick cuts and as Guru grows older the editing is smoother and becomes less frequent. - Lighting also changes with the times In Turkey, direct and specular lights were initially used to capture the aura of a foreign land, thus producing a sepia-yellow phase. Then the lighting changed to the more directionless soft light seen in the early and middle 1960s. In the late 1960s and early 1970s, tube lights came into style, thus producing a dramatic cyan-green light needed for the climax.
- PatzerIn the scene where Abhishek Bachan is addressing his first AGM in a "pandal", he is seen loosening his tie, but in the next scene his tie is fully knotted. Then again in the next scene, his tie changes length and becomes much shorter.
- Zitate
Gurukant Desai: You gave me five minutes to talk, I finished in four and half minutes, that's 30 seconds profit. PROFIT!
- VerbindungenFeatured in 53rd Filmfare Awards (2008)
- SoundtracksBarso Re
Sung by Shreya Ghoshal and Uday Mazumdar
Composed by A.R. Rahman
Lyrics by Gulzar (as Sampooran Singh Gulzar)
Top-Auswahl
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Details
Box Office
- Budget
- 150.000.000 ₹ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.096.000 $
- Eröffnungswochenende in den USA und in Kanada
- 760.000 $
- 14. Jan. 2007
- Weltweiter Bruttoertrag
- 24.108.727 $
- Laufzeit2 Stunden 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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