Es ist das Jahr 1968, als ein tüchtiger Mann und Familienvater, der seit Jahren das Ansehen seiner kleinen idyllischen Gemeinde genießt, zusehen muss, wie sein augenscheinlich so perfektes M... Alles lesenEs ist das Jahr 1968, als ein tüchtiger Mann und Familienvater, der seit Jahren das Ansehen seiner kleinen idyllischen Gemeinde genießt, zusehen muss, wie sein augenscheinlich so perfektes Mittelklasseleben durch die politischen Ambitionen seiner Tochter einen Knacks bekommt und ... Alles lesenEs ist das Jahr 1968, als ein tüchtiger Mann und Familienvater, der seit Jahren das Ansehen seiner kleinen idyllischen Gemeinde genießt, zusehen muss, wie sein augenscheinlich so perfektes Mittelklasseleben durch die politischen Ambitionen seiner Tochter einen Knacks bekommt und die Familie Gefahr läuft, auseinanderzubrechen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
- Merry (8 Years Old)
- (as Ocean Nalu James)
Empfohlene Bewertungen
The main issue, is that while Dakota Fanning is a talented actor, the screenplay writing of her part in the film really fails.
In the novel she is a psychopath murdering innocent people in involved with people who think Stalin was a good guy. She is literally the equivalent of a neo-Nazi terrorist but on the extreme left. The film just doesn't delve into that and fails completely as a result. Some of the commentary on this review section shows that people who have not read the novel completely misunderstand this film, given the source material is about the destruction the daughter wreaks on her family and others.
Skip the film and give the novel a read.
The film is based on a novel about a family with a daughter with a speech impediment. She witnesses a traumatic scene of the infamous monk setting himself on fire in television. After this childhood incident Merry (Fanning's character) becomes a radical opponent of war. She starts out vehemently opposing Lyndon Johnson and the war efforts but eventually becomes the culprit in a murder after a bomb goes off. Swede (Ewan McGregor) spends most of the film trying to find his estranged daughter and find out why she is the way she is.
I think the film has strong performances as you would expect from the cast of this caliber. You immediately see the disenchantment of youth in Fanning's character and understand how radical she is in her anti-war stance. Her pained relationship with her mother is stated quite well, and the uncomfortably in it drives her mother mad. I had no problems with the character interactions, however the film cannot escape feeling dull and prolonged. You don't care enough to follow Swede as he tries to find his daughter, and when you finally find her, its just very underwhelming.
Its hard to care for Fanning's character as she's unlikable from the get go. The film doesn't offer much else outside of a quest for a character you'd rather remain lost. The method of storytelling does not always prosper as it goes through periods of stalling and the payoff isn't really entertaining. It gets very lost in an antiwar shuffle and remains shallow despite trying to go deep. I'd say its exciting to see McGregor get behind the camera but his first adaptation does not have enough life.
6/10
First off it's a mixed marriage with Jewish MacGregory marrying a Shiksa in Connelly. They have one child a daughter Dakota Fanning who growing up in the 60s sees what's going on around her and gets into some truly radical politics. Her parents are traditional liberal Democrats.
Something she does makes her a fugitive. The rest of the film is MacGregor and Connelly's agonized family traditions are blown apart. They want to understand their child and want her back. But that can never be.
This film is adapted from a Philip Roth novel and Roth drew his characters well as this was an era he and I both grew up in.
Besides the main characters I would single out Peter Riegert's performance as MacGregor's father and Valerie Curry who has embraced totally Weatherman style radicalism. Her scenes with MacGregor who is trying to find his fugitive daughter just crackle with intensity.
A real portrait of an era in America we're still trying to understand.
Wusstest du schon
- WissenswertesPaul Bettany was cast as Swede, Jennifer Connelly as his wife and Evan Rachel Wood as their daughter. All dropped out in 2004, after the movie spent many years in development. After 10 years, Connelly returned in the lead role, alongside Ewan McGregor.
- PatzerThe newspaper's masthead identifies 1970 as it's "141th Year." Should have been "141st Year."
- Zitate
[last lines]
Nathan Zuckerman: [narrating funeral] You come at people with an open mind, and yet you never fail to get them wrong. You get them wrong while you're with them, or you tell someone about them and get them wrong again. That's how we know we're alive. We are wrong. About the Swede, how life was going to open its arms and shower blessings upon him, I was never more wrong about anyone in my life.
- SoundtracksComes A-Long A-Love
Written by Al Sherman
Performed by Kay Starr
Courtesy of Capitol Records, LLC
under license from Universal Music Enterprises
Top-Auswahl
- How long is American Pastoral?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El fin del sueño americano
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 544.098 $
- Eröffnungswochenende in den USA und in Kanada
- 149.038 $
- 23. Okt. 2016
- Weltweiter Bruttoertrag
- 2.063.436 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1