Davor und danach - Nichts ist, wie es war

The plot of Before And After is a good idea, but is ruined by the trite treatment given here. Liam Neeson (Ben) and Meryl Streep (Carolyn) turn in surprisingly weak acting jobs here. It gets boring real fast. Personally, I was annoyed by the obvious attempts to manipulate viewers into sympathizing with the Ryan family, for instance when Martha (Jacob's girlfriend) was portrayed as selfish and promiscuous, and when Martha's mother was shown as ugly, bitter and snipy in contrast with saintly Carolyn. The postcard device was also confusing and contrived, and the lawyer was too much of a stereotyped caricature. The only character I cared about was Judith (Jacob's sister), as an innocent victim of the rest of the family's panicked stupidity. Too much oversimplified moralizing, not enough character development. A timewaster.

I was pleasantly surprised by this movie. I had put off watching it for a long time because I thought it would fall on standard clichés in the telling of its murder mystery. But there's a lot to like here. For starters, the performances by the lead actors are first rate. Streep and Neeson come across as real people tackling a real problem. I should also add that Alfred Molina also gives a solid performance as the defense attorney. (Though the fact he looks like idiot movie critic Michael Medved gave me a few chuckles at times.)

The script gives most of its characters a fair shake. The parents are sympathetic at times, but sometimes they make decisions we disapprove of. The townspeople and police are not one-note characters, showing off more than one side.

The movie unfolds at a pace that keeps us interested and informed. It's directed with an appropriate bleak look that suits the subject matter.

There is one flaw with the movie, however. I thought that Edward Furlong's character was repulsive, stupid, and hateful. I don't blame Furlong for this, but his direction and his parts of the screenplay. I think a better way the movie could have gone would be to give him a mixed view, neither overly sympathetic or hateful. This would make the viewer think long and hard about him, and wonder if his fate at the end of the movie is correct or not.

'Before and After' is the kind of movie that you expect to be really fantastic. Great actors, good plot. It has huge potential. Unfortunately, the actual script seriously flaws this movie. There stand brilliant actors such as Liam Neeson, Meryl Streep, and Edward Furlong. But the actual words coming out of their mouths were often so silly, it makes you wonder how the same person who wrote 'The Silence of the Lambs' also wrote this screenplay. Overall, despite the script flaws, it has quite a good mystery, and besides the young daughter, a brilliant cast. It is worth a watch, if just for the main casts' beautiful performances.

The locations are pleasing to the eye, and Meryl Streep is effortlessly convincing as the mother. But Liam Neeson's performance doesn't ring true for a moment, Edward Furlong appears to be less shocked by the gruesome events than simply stoned, and the outcome of the plot is awkward and unconvincing. "Before and After" is basically a small-scale family melodrama that belongs on the TV screen; without these high-profile actors, I wonder if it would ever have gotten theatrical distribution. (**1/2)

The shortcomings of the United States' justice system are explored in "Before and After". A youth (Jacob) is fighting with his girlfriend and she accidentally falls on a jack which kills her. The family grapples with whether or not to tell the truth not only the courts but to their own lawyer and police officer who is a family friend. Is it morally right to tell the truth that the girl's death was nothing more than a mere accident and hope that it will be believed or should a story be made up in the hopes that Jacob will be let off since the police have no evidence. (The father, in the interests of protecting his son, wiped the jack clean of the blood).

We learn of course, that everyone is against the mother and son who want to just tell the truth, especially the lawyer who is interested more in getting Jacob off the hook, no matter how much of a story he has to invent, how many lies he has to tell, how many people's characters he has to besmirch. The moral structure behind the criminal justice system in the U.S. is uncovered as not one that seeks what is right or true but what kind of entertaining bi-polar battles between the defense and the prosecution can be unleashed in a furious game of words.

While the theme of the film is compelling, the production standards are low. This seems more like a made-for-TV movie. With big guns like Liam Neeson and Meryl Streep you'd expect better acting. While Streep's performance is okay, Neeson seems like not the best choice for this role. Also, the actor playing the second dark-haired lawyer seems too clownish for his role. Surprisingly, I found that the young actors were the strongest. The actors playing the two children, especially "Jacob" were extremely skilled.