Zatoichi - Der blinde Samurai

The story of the blind swordsman Zatoichi should be well known to most aficionados of Japanese cinema. I was thrilled when i heard that Takeshi Kitano (of all people) would be making a re-make of the classic series. And i was not disappointed.

The blind masseur/swordsman Zatoichi stumbles upon a lone widow when he comes walking in the countryside. He helps her carry a basket and she tells him of her problems while he is invited to stay with her. The local town is plagued by a war between different criminal factions and the protection rates are constantly going up. Soon two geishas also arrive in town with their own agenda, linked to one of the warring gangs.

Zatoichi is a beautiful film in my opinion. Everything from photography and scenery to music is exceptionally well tuned to the mood of the film. Also the action sequences are very well made, the fencing well choreographed and nicely shot. What distracted me somewhat though is the use of liquid animation for the blood. There is almost no usual fake blood in this movie, rather it's liquid animation-blood spraying when people are stabbed. This looks odd, but it's still a minor distraction.

Zatoichi feels both like a nice tribute to 60's and 70's samurai-films as well as a fresh take on the genre. Both modern and classic, which is one of the finest compliments i feel you can give a movie like this one. I enjoyed it very much and i rate it 7/10.

This is a strange one, a drama/comedy/action film with absurdist overtones. In Japan, Zatoichi is a cult character who was the subject of 26 feature films between 1963 and 1989. Now director "Beat" Takeshi – best known for Hana Bi – introduces Zatoichi to a new generation. Takeshi also stars as Zatoichi, the elderly masseur and dice gambler whose hearing is so acute he can detect which side a die has fallen. He's a master swordsman, too – one slice and you're diced.

Supporting characters include two beautiful geishas avenging their parents' death, a farmer and her drunkard nephew, the gangsters running the town and a masterless samurai (an impressive performance from Tadanobu Asano).

The Blind Swordsman is great fun, although it could do with a tighter structure. And I was shocked by the spectacular tap-dancing finale – in traditional Japanese dress and shoes! ***½/***** stars.

This is the second Zatoichi film I watched after Zatoichi vs the One Armed Swordsman.. it was better than the one I watched earlier.. a lot of scene with added CGI make it better although the CGI might be dodgy or low budget but all it lacks he make it up in acting.. the plot is Zatoichi saves the small village terrorised by two Yakuza clan and the Naruto family vengeance by both brothers and Sisters act as geisha... every character depicted in the movie is interesting from the Ronin to the aunt... initially I was going to rate the movie 8 but the closing act of dancing and the song make me rate it a bit higher.

It's a kind of "what the hell" type of movie, as in "what the hell, let's throw in a dance scene," as in "what the hell, let's play with 50 years of mythology' as in 'what the hell is an action movie really?" I liked it. It had a desert dry humor about it, the action scenes were amazing (yes, the blood is supposed to look fake!) and I just liked the shear audacity of it all. Kitano made a crowd pleasing action film with out sacrificing his art. It isn't the plot that makes this one go, it's Kitano's refusal to play to anyones expectations. It's not a perfect movie, but it's amazing to watch a film maker at the top of his game just showing off for his own selfish pleasure.

Kitano's update on the legacy of one of Japan's most iconic cinematic figures is an exhilarating watch, the more tender moments conflicted by a barrage of bloody violence. Takeshi remains true to his source, undergoing the sedate transformation to play the blind swordsman and part time masseuse Zatoichi himself, as well as co-ordinating the action. His purists will no doubt abhor the witty sense of fun laid on thick in certain characters (a gambling sidekick and an insane neighbour) and the little nuances of irreverent genius (a drum dancing soundtrack and a ho-down finale orchestrated by Japanese dance troupe 'the Stripes'), but this isn't the Yakuza bloodletting of his earlier films, rather a more charming reflection on feudal life, with a distinct post-modern twist. Further confirmation of this is provided by Takeshi's story, which focuses more on the plight of two avenging Geishas (one male) hunting for the prestigious killers of their parents, rather than the motivation for our titular hero, yet Zatoichi does leap into action when he agrees to assist the siblings. Each frame is a Kurosawa-esquire masterstroke. This is Zatoichi for a new era, and with such a breathtaking start, it will be hard for Kitano not to return to his new-found alter ego any time soon.