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IMDbPro

Kinsey - Die Wahrheit über Sex

Originaltitel: Kinsey
  • 2004
  • 12
  • 1 Std. 58 Min.
IMDb-BEWERTUNG
7,0/10
52.065
IHRE BEWERTUNG
Liam Neeson in Kinsey - Die Wahrheit über Sex (2004)
Trailer
trailer wiedergeben2:37
4 Videos
99+ Fotos
Zeitraum: DramaBiographieDramaRomanze

Ein Blick auf das Leben von Alfred Kinsey, einem Pionier auf dem Gebiet der Erforschung der menschlichen Sexualität.Ein Blick auf das Leben von Alfred Kinsey, einem Pionier auf dem Gebiet der Erforschung der menschlichen Sexualität.Ein Blick auf das Leben von Alfred Kinsey, einem Pionier auf dem Gebiet der Erforschung der menschlichen Sexualität.

  • Regie
    • Bill Condon
  • Drehbuch
    • Bill Condon
  • Hauptbesetzung
    • Liam Neeson
    • Laura Linney
    • Chris O'Donnell
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    52.065
    IHRE BEWERTUNG
    • Regie
      • Bill Condon
    • Drehbuch
      • Bill Condon
    • Hauptbesetzung
      • Liam Neeson
      • Laura Linney
      • Chris O'Donnell
    • 220Benutzerrezensionen
    • 170Kritische Rezensionen
    • 79Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 17 Gewinne & 51 Nominierungen insgesamt

    Videos4

    Kinsey
    Trailer 2:37
    Kinsey
    Kinsey Scene: You're My Girl
    Clip 2:38
    Kinsey Scene: You're My Girl
    Kinsey Scene: You're My Girl
    Clip 2:38
    Kinsey Scene: You're My Girl
    Kinsey Scene: What Brings You To New York City
    Clip 0:45
    Kinsey Scene: What Brings You To New York City
    Kinsey Scene: Why Offer A Marriage Course?
    Clip 1:27
    Kinsey Scene: Why Offer A Marriage Course?

    Fotos145

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    Topbesetzung90

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    Liam Neeson
    Liam Neeson
    • Alfred Kinsey
    Laura Linney
    Laura Linney
    • Clara McMillen
    Chris O'Donnell
    Chris O'Donnell
    • Wardell Pomeroy
    Peter Sarsgaard
    Peter Sarsgaard
    • Clyde Martin
    Timothy Hutton
    Timothy Hutton
    • Paul Gebhard
    John Lithgow
    John Lithgow
    • Alfred Seguine Kinsey
    Tim Curry
    Tim Curry
    • Thurman Rice
    Oliver Platt
    Oliver Platt
    • Herman Wells
    Dylan Baker
    Dylan Baker
    • Alan Gregg
    Julianne Nicholson
    Julianne Nicholson
    • Alice Martin
    William Sadler
    William Sadler
    • Kenneth Braun
    John McMartin
    John McMartin
    • Huntington Hartford
    Veronica Cartwright
    Veronica Cartwright
    • Sara Kinsey
    Kathleen Chalfant
    Kathleen Chalfant
    • Barbara Merkle
    Heather Goldenhersh
    Heather Goldenhersh
    • Martha Pomeroy
    Dagmara Dominczyk
    Dagmara Dominczyk
    • Agnes Gebhard
    Harley Cross
    Harley Cross
    • Young Man in Gay Bar
    Susan Blommaert
    Susan Blommaert
    • Staff Secretary
    • Regie
      • Bill Condon
    • Drehbuch
      • Bill Condon
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen220

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    Empfohlene Bewertungen

    7NoArrow

    Enjoy the performances of Liam Neeson and Laura Linney

    Liam Neeson is a terrific actor, and Dr. Alfred Kinsey is his character. After seeing "Kinsey" I can't imagine anyone else better for the role. People usually say that, I know, but you couldn't possibly imagine anyone else playing the part, ever. I think Neeson has a strong chance at winning an Oscar this year; as does Laura Linney, playing Kinsey's wife, a terrifically kind, warm woman trying to keep up with Kinsey's life, which moves along pretty fast. Too fast for her at times. These two performances are awesome, two of the actors' best, the Academy, and every other awards show, would have to be insane not to mention them.

    Unfortunately, I don't think the rest of the movie is really up to par with the performances. Not to say it's bad, just that it fails to really interest us when Neeson or Linney aren't on screen (which, fortunately, doesn't happen much). The movie is about Alfred Kinsey, who pioneered the research on human sexuality. Neeson shows him as a strong man, but one with as many flaws as the gall wasps he collected, all buried deep beneath his drive and focus.

    Kinsey's studies proved some things, and let a lot of homosexuality and other deviances from the norm at the time out into the open. I'd just like to say that I agree with some of his studies, I like that he unlocked the way uptight supposed "morality" of the masses think that any sexual behavior other than the missionary position is both unhealthy and immoral. How they thought that I don't know, but I admire Kinsey for proving them wrong. Other things I do not agree with, like Kinsey's studies on the time it takes really young children to reach orgasm…and Kinsey's way of thinking that sex on its basic level should have no emotional attachment; I think I can say that these things are ethically wrong without feeling ignorant.

    But I won't be biased against the quality of the film because of this. I will speak of the technique of how it was made: the writing, the directing, etc. I liked how the movie began: with a black and white practice interview between Kinsey, his wife Clara, and their students. It is inter-cut with scenes from Kinsey's youth: Kinsey facing temptation with masturbation, and having trouble with his insanely strict father (John Lithgow).

    Lithgow's first scene, where he speaks of the temptation and evil caused by zippers, electricity and ice cream parlors is the film's first problem. It doesn't show both sides of Kinsey's argument, it merely dismisses Lithgow – and those like him – as a laughing stock, instead of considering any validity in points that they're making.

    This problem is carried throughout the movie, and Lithgow is seen as such a monster that we feel no sympathy for his character in a later scene showing his inner weakness and tragic past, the scene feels thrown in and very foreign to the rest of the movie.

    I think the opening scenes, with Kinsey and Clara first falling for each other, and his proposal and collection of gall wasps, are the movie's best, I believe. Once Kinsey starts his research on sex I think the movie becomes a bit conventional. We get the usual scenes such as Kinsey alienated from his family, Kinsey receiving trouble from his financial backers, Clara feeling alienated from Kinsey, and so on. Of course, most of the time we watch eagerly, because Neeson and Linney are awesome, but we still have that itching feeling that the film isn't as special as Ebert says.

    What I mean is, after decades of biopics, especially this year; a biopic has to be more than conventional. Unless the lead character is amazing and extremely watchable, like in "Ray", the film needs to show us something new. I mean, when you see a biopic, you pretty much know the lead is going be alienated from his family, obsessed with his work and full of inner demons. So give us something else, please.

    Problems also arise with the introduction of Kinsey's staff, including bisexual Clyde Martin (Peter Sarsgaard), Wardell Pomeroy (Chris O'Donnell) and Paul Gebhart (Timothy Hutton). The problem is, we hardly know any of these characters, so we are bored when they get into arguments because we don't feel that we know anything about them. When we find out that Martin is bisexual it comes as a surprise, but we react with a shrug. Sarsgaard's performance is surprisingly flat; that he's getting any buzz for awards surprises me.

    I'm giving the movie a seven simply because of the professionalism Neeson and Linney display on screen. They are the acting pros; they wash the floor with the rest of the cast. The Academy voters will all be struck by lightning if either isn't mentioned. So see it for them, and about the rest, well, shrug.

    7/10
    dataconflossmoor

    Delving into the Taboo

    Sexual intercourse was something that was perfunctory for purposes of procreation, and was left intact under those circumstances until a person named Sigmund Freud came along. Freud's rudimentary experimentation with psycho-analytical behavior relevant to sex, as well as other intense emotions, brought on copious mores of conscious thoughts pertinent to the individual's taboo elements of their constitution such as the libido and the id!! By the late 1920's in America, Freud's elementary findings on sexual behavior motivated Alfred Kinsey to initiate research that purported the yearnings of many people nationwide about exposing their intimate desires concerning sex!! The revelation of such proclivities made Kinsey a phenomenon in sexual research after World War II!! Many people were mesmerized and intrigued by the Kinsey Report!!! Alfred Kinsey, a biologist by trade, was determined in his desire to attain a grass roots recognition of the myriad of actions that were predicated on impetuousness!! This movie's basic plot revealed Kinsey's desire for the exposure of the lewd endeavors and double entendre habits which afflicted many "different" people!! Such a depiction of this individual known as Alfred Kinsey sparked a milestone in sexual knowledge to the mainstream American public!!

    Liam Neeson did a tremendous job of acting as the role of Kinsey!! The entire film evoked a candid admission concerning lustful desires. If there were no such thing as desires about sex with so many people, Kinsey's research would not have been considered a breakthrough!! The film also points out that Kinsey's ideological binges with his research were often times halted by a lack of funding!!! Much of Kinsey's findings resonated to hedonistic wishes, much of them also translated to blatant intimacy!! Novice excursions with sexual deviancy made Kinsey and his wife educationally curious!! Attaining knowledge through various experimentation that both Kinsey and his wife engaged in, transcended infidelity and callous fruition, and relegated the two of them to the precarious plight of the ultimate guinea pigs!! These were emotions that were not sanctioned by love, rather, they were motivated by capricious lust!! Intellectual rumination on the motives of socially adverse carnality invoked a plethora of academic findings for Kinsey!! The end result of such research made Kinsey an unmitigated madman for the acquisition of perverted information!!

    I found this movie to be very consciously significant...It was very socially sensitizing, especially in terms of the comprehension of the dogged tenacity Kinsey had to expose the perplexing facts about sex!!! A critical component to unearthing facts about an issue such as sex was merely to talk about the issue of sex!! This film depicts Kinsey's determination to attain knowledge about the historical importance of research and development germane to human sexual behavior which altered the lifestyle patterns of American living!! The cinema accommodated provision to the movie audience for Kinsey's findings that were in fact revolutionary floodgates that opened the formulation of the attitudes people have today!! The introductory dialog to this film is outstanding, and excellent performances by Liam Neeson and Chris O'Donnell make this film worth watching over and over again!! Bottom line, See this movie at least once!!
    zipperha

    A shallow, meaningless film destined to become the most overrated of the year

    My thoughts of "Kinsey" are completely summed up in the summary.

    It is shallow in that it is almost completely devoid of any analysis, subtlety, or development of its characters; meaningless in that it presents nothing that isn't already known or couldn't be surmised from a documentary; and destined to be the most overrated film of the year in that most critics praise the film, almost blindly, ignoring the stilted dialogue, the almost nauseating depiction of human behavior - devoid of analytical follow-ups, and the very, VERY standard performances. The film includes a below average turn by Liam Neeson, who, despite perhaps giving a good impression of Kinsey, never manages to conceal his accent, and CANNOT handle any drama that needed to be conveyed. His dramatic scenes reminded me of those of Cary Elwes' in "Saw", and if you seen those scenes, you know what I mean.

    "Kinsey" was utterly pointless as a movie. It featured a lot of depicted fact, a lot of graphic sex talk, and lot of graphic images that curiously managed to "sneak" past the MPAA's pocketbooks, I mean, ratings system. It never once attempted to show why "Kinsey" was fascinated by sex, why his constituents were so easily enveloped into his sexually lax world, or why Linney stayed with him. They never developed these characters at all. Their gross actions were never discussed or examined by the director.

    There is a scene in "Kinsey" that sums up my opinion of the film. In it, a man being interviewed by Kinsey claims he has slept with basically everything. I mean EVERYTHING. Think of something, hes slept with it. He goes into graphic detail about his sex life and demonstrates his ability to obtain an erection and a subsequent self-administered orgasm in 10 seconds, all the while Kinsey just watches sternly, and his partner squirms, and eventually leaves in disgust. Later, the same partner is seen having sex with a much older woman for the purpose of the study, smiling raunchily while watching the grainy video of the deed. Why? Who knows? Is it in is character to be both disgusted by the actions of one man, and obviously enthralled by his own actions? No it isn't. And it seems that the director does not care to elaborate.

    For sure, Condon manages to shock with his film. But by the end, the sex has become so repulsively clinical, that its shock value is lost, and the film really takes on no meaning, becoming just plain boring.

    It tries to slap on a metaphor about men and trees at the end, but its just too quick and dirty to make up for the film's lack of analysis about its subject, or about America.

    Why do critics and film patrons hail the film? It shows what most films aren't allowed to show. Any film that non-chalantly features graphic female and male nudity, frequently, and can still be featured with an R rating at any movie theatre most be an edgy great movie, right? Wrong. (And may I just note that an increasing amount of male nudity has found its way into major theaters through indie, artsy films like "Kinsey" and "Sideways". Its interesting to note that two of the most well-reviewed films of the year both break R-rated bounds frequently within their running times).

    With such a high pedigree in its creative team, it seems almost impossible for the film to be anything other than superb. But for this moviegoer, it, no pun intended, sucked the big one.
    10SomeBlueDevil

    Finally, someone did TALK about it!

    I read some of the reviews on IMDb before I went to see the movie. And I was struck by some of the negative comments it received. Even in this day and age, there is a double-standard on "moral values".

    Hypocrisy vs. common sense. The movie cleverly reveals that Kinsey helped us along the way, to become open about such a basic but non-the-less extremely vital part of our existence. True, some of his subjects were pedophiles or engaged in sex practices that most people would find offensive. However, the knowledge that he as a scientist derived from his studies, is immeasurable - it enables intimate insight into the human psyche, and with that, possible treatments for those that are sexually victimizing others.

    And this is the key point: the law should protect life, the innocent (under-aged and animals) and of course, the non-consenting. Other than that, sex is something between consenting adults and no-one should have the right to outlaw what you do in the bedroom. If you listen closely, the movie will give you the same message.

    My only complaint is perhaps that on the subject of "perversion" they barely scratched the surface on Kinsey's personal response. It was clear that as a scientist, he would continue on the path of knowledge, however dark it may have been. I would probably agree that the movie version of his life and work was toned down to a "pill small enough to swallow" - still, I feel it shows the audience enough to get a picture of who this man was.

    Don't expect "adult entertainment" when going to this movie. There is little that will cause an open-minded, sexually in touch with him-/herself adult embarrassment or even excitement. It's more like a documentary.

    The acting was superb on everybody's part, and Academy Award Nominations will be forth-coming - no doubt. Hopefully they will take some wins home.
    tedg

    The Wrong Interview

    Here's a major problem in drama. You want to deal with big issues, great disembodied, cosmic sweeps of things. Things that people love or make them suffer. This is why people come.

    But the tools we have to display these things are humans, usually. So the dramatist has to invent or find situations that have humans, human behavior and these grandsweeps entangled in some way. And it has to be a particular way so that the engagement with the humans on the screen leads us somehow to those sweeps.

    Sometimes the connection is daft as we equate certain people as surrogates for trends. I had a school teacher that (twice!) showed us "Johnny Tremain" as our main lesson on the Revolutionary War.

    Okay. One of the big things that entices and scars us is sex, and particularly its incomprehensible but overwhelming nature. So what makes more sense to us, who wish to understand it, than a story about a man who dedicated his life to understanding it?

    Well, there are two problems, long before you get to the skill of the thing. The first is that if the character is to bring us to the topic, he has to be fully entangled. The two have to merge in a way that when we see and understand him, we find ourselves incidentally in the clouds of the thing he represents. It doesn't happen.

    And part of the reason is the nature of the man himself. Ordinary audiences think of science as a single notion. But it is not. There is the business of noting what is there, but that is the secretarial work of science. Mere accounting. Then there is the business of spinning abstractions, models, theories then insight and understanding. Kinsey was the first and blindly so, in fact he would appear to a full scientist just as Tim Curry's character is to him here.

    Counting is not comprehension. So in real life, this is more of a "Tucker" story than a John Nash one. And it is mighty hard to weave that entanglement if it was never there, and the nature of the thing takes you in the wrong direction.

    What underscores this is that the opposing forces here — religious moralists, pontificating politicians — are stronger and more numerous today when it comes to matters sexual than more than 50 years ago. There's been negative progress, both because Kinsey was off, but also because people like those behind this film actually thought that was the good fight.

    Linney gets it. She's a pleasure in any project. She gets it because she conveys to us the simple tolerance of her man and all that surrounds him, including the film crew and we the audience. She shows us all that she knows we're fooling ourselves about this, and that wisdom and insight is deadly elusive.

    Its going to take more than the Ron Howard school of film-making to make us fly into sexual insights. it is a clever idea to frame the thing as an interview with him, to introduce him as an interviewer. Just not enough.

    There's a very fine bit of acting in this. Almost at the end, in less than three minutes, Lynn Redgrave is an interviewee who tells Kinsey he saved her life. Watch it and believe. Here is an example of how that entanglement can work.

    Ted's Evaluation -- 2 of 3: Has some interesting elements.

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    Handlung

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    • Wissenswertes
      On the DVD commentary, writer and director Bill Condon revealed that he wanted to include, in a montage, a clip from I Love Lucy (1951), in which a character makes a joking reference to Dr. Alfred Kinsey's research. Condon says that he was unable to use the clip because Lucie Arnaz (the daughter of Lucille Ball and Desi Arnaz) denied him the rights, offering very little explanation, aside from claiming that her parents would never allow themselves to be associated with Kinsey.
    • Patzer
      During the credits, the producers thank the "University of Indiana" when it is actually "Indiana University" of which Alfred Kinsey was a part. The university notified director Bill Condon of the mistake. Condon gave his word that it would be taken care of when the film went on general release, but the mistake remains.
    • Zitate

      Alfred Kinsey: [Kinsey is teaching his first class] Who can tell me which part of the human body can enlarge a hundred times. You, miss?

      Female Student: [indignantly] I'm sure I don't know. And you've no right to ask me such a question in a mixed class.

      Alfred Kinsey: [amused] I was referring to the pupil in your eye, young lady.

      [class laughs]

      Alfred Kinsey: And I think I should tell you, you're in for a terrible disappointment.

    • Crazy Credits
      At the end of the film (following the main cast credits), a montage featuring Kinsey Institute footage of the mating habits of various animals is accompanied by "Fever" by Little Willie John.
    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Bridget Jones: The Edge of Reason/Finding Neverland/Kinsey/After the Sunset (2004)
    • Soundtracks
      Etudes, Opus 25
      Written by Frédéric Chopin

      Performed by Idil Biret

      Courtesy of Naxos of North America, Inc.

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    Details

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    • Erscheinungsdatum
      • 24. März 2005 (Deutschland)
    • Herkunftsländer
      • Deutschland
      • Vereinigte Staaten
    • Offizieller Standort
      • Fox Searchlight
    • Sprache
      • Englisch
    • Auch bekannt als
      • Kinsey, el científico del sexo
    • Drehorte
      • Fordham University - 441 E. Fordham Road. Rose Hill, Bronx, New York City, New York, USA
    • Produktionsfirmen
      • Fox Searchlight Pictures
      • Qwerty Films
      • N1 European Film Produktions GmbH & Co. KG
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    Box Office

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    • Budget
      • 11.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 10.254.979 $
    • Eröffnungswochenende in den USA und in Kanada
      • 169.038 $
      • 14. Nov. 2004
    • Weltweiter Bruttoertrag
      • 17.050.017 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 58 Min.(118 min)
    • Farbe
      • Color
      • Black and White
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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