Nach ihren Flugzeugabstürzen in Alaska werden sechs Ölarbeiter von einem erfahrenen Jäger zum Überleben geführt, aber ein Rudel gnadenloser Wölfe verfolgt jeden Schritt.Nach ihren Flugzeugabstürzen in Alaska werden sechs Ölarbeiter von einem erfahrenen Jäger zum Überleben geführt, aber ein Rudel gnadenloser Wölfe verfolgt jeden Schritt.Nach ihren Flugzeugabstürzen in Alaska werden sechs Ölarbeiter von einem erfahrenen Jäger zum Überleben geführt, aber ein Rudel gnadenloser Wölfe verfolgt jeden Schritt.
- Auszeichnungen
- 2 Gewinne & 8 Nominierungen insgesamt
Ben Hernandez Bray
- Hernandez
- (as Ben Hernandez)
Jonathan Bitonti
- Ottway (5 years old)
- (as Jonathan James Bitonti)
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If you're like me you saw the trailers with Liam Neeson strapping glass bottles to his hands and fighting wolves and thought, "Holy cow! They made Wolf Taken. Violence and wolves!" Well, they didn't. There's really not that much action in the film. The trailers really, really did a dis-service to the film. They were selling an action movie when they really made an intensely somber film about a group of desperate men as they try to survive a plane crash. The film is quietly beautiful.
I saw it in theaters and was hopping mad at how the trailer misled me. People all over the theater fell asleep (my girlfriend included). However, I think if you're looking for a non-action flick, you'll really dig this.
I saw it in theaters and was hopping mad at how the trailer misled me. People all over the theater fell asleep (my girlfriend included). However, I think if you're looking for a non-action flick, you'll really dig this.
Those who Go Into this Liam Neeson Flick Expecting Fisticuffs, Gun-Play, and Action Tropes Leave Mostly Disappointed.
Some Actually Hostile at the "Trailer" for Misdirection and Neeson for Signing-On to this because it's NOT THAT.
It's a Macho-Man-Movie All the way with Females Only Glimpsed through a Few Flashbacks, and Memory Laden Remarks around the Numerous Fires...
Used as Shields Against a Pack of Wolves that Already Attacked and Devoured 1 of the "Human Pack" that have come in Close-Contact to the Wolves Den.
Herein Lies Bones of Contention...
Many "Experts" on Wolves and their Behavior state LOUDLY and Angrily that the Wolf-Pack in this Film do Not in Anyway Behave Like Real-Life Wolf-Packs...
If that's a Fact and You Can Not Suspend Disbelief Enough to Enjoy the Film, and Chalk it Up to "Artistic-License" than Stay Far Far Away from this "Tale".
On the Other Hand, it is a Bleak Psychological Study of Men Under Extreme Threat at the Hands of Ravenous Monsters and the Wrath of Mother Nature.
Images Stripped of Color, Signifying an Unforgiving Atmosphere on the Path to "Hell".
It's Engaging, Suspenseful, "Out-There" Entertainment with an "Edge", that's...
Worth a Watch.
Some Actually Hostile at the "Trailer" for Misdirection and Neeson for Signing-On to this because it's NOT THAT.
It's a Macho-Man-Movie All the way with Females Only Glimpsed through a Few Flashbacks, and Memory Laden Remarks around the Numerous Fires...
Used as Shields Against a Pack of Wolves that Already Attacked and Devoured 1 of the "Human Pack" that have come in Close-Contact to the Wolves Den.
Herein Lies Bones of Contention...
Many "Experts" on Wolves and their Behavior state LOUDLY and Angrily that the Wolf-Pack in this Film do Not in Anyway Behave Like Real-Life Wolf-Packs...
If that's a Fact and You Can Not Suspend Disbelief Enough to Enjoy the Film, and Chalk it Up to "Artistic-License" than Stay Far Far Away from this "Tale".
On the Other Hand, it is a Bleak Psychological Study of Men Under Extreme Threat at the Hands of Ravenous Monsters and the Wrath of Mother Nature.
Images Stripped of Color, Signifying an Unforgiving Atmosphere on the Path to "Hell".
It's Engaging, Suspenseful, "Out-There" Entertainment with an "Edge", that's...
Worth a Watch.
This is a fictional movie. At no point does it state anywhere within the film that it's a true story or that it's based on any true event. The wolves scenario, tracking and attacking them like they do is unrealistic but again that's not what the film is about. This film at its heart is about the human will of survival and what keeps us alive. I don't mean what makes us want to live; but what keeps us alive. These are 2 different things. Liam Neesons character isn't trying to stay alive, he's just trying not to die. He shows us in the first few minutes of the film that he doesn't want to live. Human instinct; to stay alive however is both a blessing and curse in this case. The film captures every aspect of what a person would feel going through a life or death situation; whether it's your life or someone else's. If you look at this from a "realistic" perspective...how could you know this scenario, what to feel and how to act unless you've actually been chased by wolves, post commercial airline crash?
My recommendation is to watch the film as if you've lost something in your life that means so much to you, you'd rather be dead then to have lost it in the first place.
My recommendation is to watch the film as if you've lost something in your life that means so much to you, you'd rather be dead then to have lost it in the first place.
This is a gripping survival thriller that transcends the typical genre conventions. Anchored by Liam Neeson's powerful performance, the film unfolds in the unforgiving Alaskan wilderness, where a group of oil workers must confront both nature's brutality and their own inner demons after a plane crash.
The cinematography is stunning, capturing the harsh beauty of the snow-covered landscapes and creating a palpable sense of isolation. The film skillfully explores themes of survival, loss, and the primal instinct to live against all odds. Neeson's character, Ottway, provides a compelling focal point as he grapples not only with the external threats but also with his own existential struggles.
The tension is relentless, enhanced by a haunting score that complements the visceral intensity of the narrative. The wolves, both literal and metaphorical, become a symbol of the characters' internal struggles and the inevitability of death. The character dynamics are well-developed, adding emotional depth to the suspenseful plot.
The movie stands out in the survival genre, offering more than just adrenaline-pumping action. It delves into the human psyche, making it a thought-provoking and emotionally resonant cinematic experience. With its evocative storytelling and Neeson's compelling performance, Moreover, it is a gripping exploration of the thin line between life and death.
The cinematography is stunning, capturing the harsh beauty of the snow-covered landscapes and creating a palpable sense of isolation. The film skillfully explores themes of survival, loss, and the primal instinct to live against all odds. Neeson's character, Ottway, provides a compelling focal point as he grapples not only with the external threats but also with his own existential struggles.
The tension is relentless, enhanced by a haunting score that complements the visceral intensity of the narrative. The wolves, both literal and metaphorical, become a symbol of the characters' internal struggles and the inevitability of death. The character dynamics are well-developed, adding emotional depth to the suspenseful plot.
The movie stands out in the survival genre, offering more than just adrenaline-pumping action. It delves into the human psyche, making it a thought-provoking and emotionally resonant cinematic experience. With its evocative storytelling and Neeson's compelling performance, Moreover, it is a gripping exploration of the thin line between life and death.
An airplane loaded with roughneck oilmen crashes in Alaska and the survivors trek through a snow storm to survive while a pack of wolves kill them off one by one.
Some reviewers loved it. Some hated it. Those who loved it saw a competently directed action horror film in a realistic setting filled with real people facing real threats. Those who hated it saw an unrealistic depiction of wildlife behavior and unworkable outdoor skills. People who loved it thought the movie was realistic. People who hated it thought it was ridiculous.
Without giving away the story, let me tell you that this is not a story about actual wolf behavior. This is more like the numerous movies of the produced through the '70s, '80s and '90s about a group of people picked off one by one by unseen creatures lurking in the dark. In the '70s, they were natural animals like sharks, killer whales, reptiles, furry animals and insects. In the '80s they were space aliens and robots. In the '90s they were super assassins. Lately they are vampires and zombies. Now we are back to furry animals. But the overall theme is the same.
It is refreshing to see this theme played out in the Alaskan wilderness rather than on a space ship or an underground city overrun by zombies. In that sense, this movie is realistic. But the furry animals in the movie behave more like space aliens than actual wolves. The "expert hunter" in the movie is not actually giving you wisdom that will be useful in the Alaskan wilderness. He is more of a generic zombie hunter. In that sense, this movie is unrealistic.
So whether you like this movie or not depends entirely on what you are in the mood to see. If you want Discovery Channel, look elsewhere. If you want to see good acting in a scenic backdrop with lots of scary moments, you will like this movie. You don't have to really check in your brain at the door. Like so many Ridley Scott movies, this one is also a meditation on the nature of fate. This movie is a good piece of fiction. Just a bad documentary.
Some reviewers loved it. Some hated it. Those who loved it saw a competently directed action horror film in a realistic setting filled with real people facing real threats. Those who hated it saw an unrealistic depiction of wildlife behavior and unworkable outdoor skills. People who loved it thought the movie was realistic. People who hated it thought it was ridiculous.
Without giving away the story, let me tell you that this is not a story about actual wolf behavior. This is more like the numerous movies of the produced through the '70s, '80s and '90s about a group of people picked off one by one by unseen creatures lurking in the dark. In the '70s, they were natural animals like sharks, killer whales, reptiles, furry animals and insects. In the '80s they were space aliens and robots. In the '90s they were super assassins. Lately they are vampires and zombies. Now we are back to furry animals. But the overall theme is the same.
It is refreshing to see this theme played out in the Alaskan wilderness rather than on a space ship or an underground city overrun by zombies. In that sense, this movie is realistic. But the furry animals in the movie behave more like space aliens than actual wolves. The "expert hunter" in the movie is not actually giving you wisdom that will be useful in the Alaskan wilderness. He is more of a generic zombie hunter. In that sense, this movie is unrealistic.
So whether you like this movie or not depends entirely on what you are in the mood to see. If you want Discovery Channel, look elsewhere. If you want to see good acting in a scenic backdrop with lots of scary moments, you will like this movie. You don't have to really check in your brain at the door. Like so many Ridley Scott movies, this one is also a meditation on the nature of fate. This movie is a good piece of fiction. Just a bad documentary.
Wusstest du schon
- WissenswertesAccording to Liam Neeson's account, the temperatures were as low as -40 degrees Celsius (-40 degrees Fahrenheit) ??? in Smithers, British Columbia, where the film was shot. The snowstorms/scenes were real prevailing weather conditions, and not a cinematic illusion produced with CGI (interview: Folge #20.70 (2012)). The cast wore thermals under their costumes for additional protection.
- PatzerFastening a shotgun shell to a stick does not work as well as depicted. The Mythbusters demonstrated that the human arm simply can't thrust the stick hard enough to set off the shell.
- Crazy CreditsThere's a scene after the end credits.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #20.70 (2012)
- SoundtracksRunning A.D. Part 2
Songwriter Mark Kevin Wilson
Produced by Vintage Masters Music
Performed by Lucian Blaque
Courtesy of Fervor Records Vintage Masters, a division of Wild Whirled Music
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Un Día para Sobrevivir
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 51.580.236 $
- Eröffnungswochenende in den USA und in Kanada
- 19.665.101 $
- 29. Jan. 2012
- Weltweiter Bruttoertrag
- 79.781.695 $
- Laufzeit
- 1 Std. 57 Min.(117 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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