Infernal Affairs - Abstieg in die achte Hölle

After phenomenal success of "Wu Jian Dao (2002)" (or IA for short), a lot of hypes generated around when next two movies in the series are announced. I tend to ignore them and do not expect anything about IA2. Before I got into the cinema, "how would the screenwriters present this time,and how would they connect the characters between them?". After the movie, I would say I am not disappointed.

Like IA, this is also a drama about clashes of characters, not in the form of breath-taking kung fu / wire-work actions we find in traditional Hong Kong cop movie, but starting from their own desire, intentions, hate and positions. If you are looking for a non-stop action flick, I am afraid IA2 would not fulfill you.

But unlike last year's blockbuster, the main theme of IA2 is about the rise and fall of a great gangster family Ngai, other than about the police. The difficult part in making a prequel lies in the fact that as audiences all know too well the new appearences would drop-out one way or the other and the characters from IA must be okay. So the story does not waste efforts in describing most of the adventures, rather, concentrate on how these events shapes things to come. It is sure to the scriptwrites' credits and this alone casts a strong contrast to prequel movies like "Star Wars: Attack of the Clones" (2002).

Moreover, it is not surprising for many audiences relating this with similar movies like "The Godfather". I am not comparing them here, but rather I would point out that the actor Francis Ng, who plays the new gangster head of Nagi family, runs the show. He plays a young, well-educated, cool,calculating, witted, cruel, cunning -- and unpredictable leader. As some critics say, a CEO-style triad boss. On the other hand, he successfully shows Ngai is actually a passionate man whose family comes first. On the other hand, late gang leader is screened for one shot only (pun intended), his character is only reflected, not by flashbacks, but by short monologues recited by Ng. It is a quite demanding job and I would say Ng has done a really good job here.

Speaking of characters, another drift from IA, and many other traditional movies in the genre, female character actually plays "real" effects. Mary, played by Claudia Lau, is the closest girlfriend of Sam Hung. She is not just a powerless, declorative character. Like many female in the course of human history, she is the ignition point of the whole storm.

If the audiences has not forgotten IA actually hints that Inspector Wong (played by award-winning Anthony Wong) and Sam Hung (played by also award-winning Eric Tsang) have known each other for a long time. IA2 unveils their long-time mutual respects, and how all these change as the story flows along. Anthony Wong still delivers a high standard of acting just like in IA and how he plays the 3 ups-and-downs of Inspector Wong is simply terrific. On the contary, gangster Hung, Wong's arch-enemy in IA, is much lighter and more human. As with Wong, this character experiences changes which shapes of what to be seen in IA. However, I find the last party scene is unnecessary and does not seem to connect with the firece and uncanny Hung we used to know.

Relatively, the other major characters seems week. Mainland actor Jun Wu, plays another inspector who is a close partner with Wong. I could see the actor tries. Unfortunately, Wu's character is just too flat. His friendship and his clashes with Wong could not mark strong impressions among the audiences. I have a (probably false) feeling that this character is created to be destroyed and it is a waste of Wu's talents.

The actors portriating the young Wing-yan Chan (by Shawn Yu) and Kin-ming Lau (by Edison Chan) would be the weakest link in IA2. Except for a few scene, Edison puts up a regular expression of somewhat between arragonce and anger. For example, towards the end of airport scene, Lau would have a mixed feeling of guilt, anger, loss and vengence. This is an important scene for Lau's self-centered character, however, the actor simply fails to convince me.

The same goes to Shawn. He fails to play as someone who is torn between his role as a "policeman" and a triad member, his loyalty and duty. Most of the time, he just plays plain and "flat faced". To be fair, he gets a tad better towards the end of the movie as his character begins to merge with the character in IA.

Nonetheless, young actors weight must less as the others.

Speaking about continuity, IA2 does not fail in providing bits and pieces about the backstory of IA. And it is not hard for anyone to catch the images of other minor characters from IA. However, I have a few issues.

First, in IA, we see Hung was an ambitious and man of vision, that is why he implants many moles in the police department in the first place. However, the initial character of Hung seems too soft and passive. Why does he stand by Ngai in the time of crisis? We could not see his importance rises afterwards. Why didn't he use the chance and take out his opponents or expand his influence in the triad, then? Was he just covering himself for his long-term plan?

Also, why Wing-yan Chan remains in the end, even in light of his well-known ties with the Ngai family? How come does he becomes a subordinate of Keung? In IA, the position of Keung and Yan seems to have switched.

Apart from some goofs (accuracy of shooting from a paper bag, ignorance of emptied handgun and way of corspes could be burnt to ashes), the run of the movie stops rather abruptedly twice as timeline transits from year 1991 to 1995 and from 1995 to 1997. The effects on and changes of characters are not appearent so it leaves the audiences with a lot of imaginations and mental exercises. (Not that I hate mental exercises, it is rare for Hong Kong movies to make me enjoy doing so) I think the director could handle the storytelling a bit better smoother and tighter.

Despite of cliches, IA2 delivers a more powerful drama than the original. The acting, directing and many other technical aspects are top notch. The scriptwriters are very clever in telling from the other side of the theme and breaks away the shadow casted by the successful predecessor.

Looking forward to see the real "final" this December.

8/10

IA2 has lived up to its predecessor's name. Although the supporting actors, Shawn Yue and Edison Chen, paled in comparison to their more experienced and classy leading men, their acting was A.

I just find it disturbing that in most triad and police movies in HK, the female roles are rather limited. This is in particularly true in IA1 ans IA2, where the female roles were either guest roles or supporting roles. Carina Lau's character should have been given a bit more coverage, esp she's such a fine actress and would be able to handle a much bigger role by herself.

Eric Tsang, Francis Ng and Anthony Wong were in fact the ones who brought their movie characters to life. A good effort to Shawn and Edison but kudos to the older actors! Hopefully, IA3 would be as good as IA and IA2.

The directors mentioned that the reason behind making 'Mou gaan dou II' (aka 'Infernal Affairs II') was that they wanted to provide some background information and history on the first movie so that the viewers understand the situations better. However, having seen the first movie, I don't see why there was a need for a film about what happened before. Why does everything need to be explained? 'Mou gaan dou' was quite straightforward and as a stand alone it's an excellent action thriller. The prequel is a different genre. It's more a crime drama and it lacks the slickness, steady pace and coherency of the first film, not to forget Lau and Leung's strong performances. Most of the first hour painfully drags on. While 'Mou gaan dou' centred around Yan and Ming, 'Mou gaan dou II' is mainly about Sam, Wong and Hau (who play their leaders in the first film). Here Yan and Ming are merely supporting characters. Unlike in 'Mou gaan dou', here most of the performances are passable rather than great. Wong and Tsang do a fine job in the leading roles. In addition Ng does a brilliant job too. Lau's Mary appears to be too sketchy but she does well. Yet, even with the flaws, 'Mou gaan dou II' is not a bad film but rather an okay film because there are some noteworthy sequences especially towards the end where Hau meets his fate and Mary's murder.

Set before events in Wu Jian Dao, the murder of the head of the Ngai family see his son, Hau, stepping up – immediately upsetting the power balance in the region. Small time boss Sam has a close relationship with officer SP Wong both of whom wish to see the Ngai family removed from the scene. Meanwhile, triad Lau Kin Ming is sent to infiltrate the police force and gradually work his way up with help from Sam while Wong sanctions Chen Wing Yan (the half brother of the Hgai family) to infiltrate the triads and work his way up to Hau.

I approached this film wondering what it would do – how would it manage to be interesting given that we already know (from part 1) how it goes. I also expected it to be roughly the same as the first film in terms of being an enjoyable thriller – however this was not the case and it was hard to get into the film for what it was. The story is not really about Yan and Ming so much as it is about the leading figures behind them – this film belongs to Sam, Wong and Hau and this was a bit of a surprise but one I was able to get over quickly and settle into a pretty interesting story where we see the shift of power in the HK crime families – unsurprisingly framed by the shift of political power from Britain to China. However interesting it is the film lacks in several areas. Firstly the praise for the first film seems to have got to the makers' heads and part 2 is a much more overblown affair that injects every scene with a sense of overblown drama that it tries to create as oppose to earn. This is a little tiring as it seems to be forcing us to accept the film as some sort of epic where it would have been much more effective to underplay the story and let it stand on its own. Making this more annoying is the fact that the script doesn't really help the audience much and only the sharpest viewer will make it through the first 20 minutes without struggling to get hold of the story and work out who everybody is.

In stark contrast to the tight thriller of part 1, this film is a much bigger story and, as such, occasionally struggled to keep me emotionally involved. Sure, the politics of crime were interesting and produced plenty of good stuff but only occasionally did I get behind the characters and struggle to know who to support like I had in part 1 – in fact the film could have easily lost Yan and Ming without losing much story. However it is still worth seeing as it does manage as a bit of a twisty crime story (but not a thriller) but even as this it doesn't really stand out as being that great. The loss of the great performances from Lau and Leung is a massive hole that neither Chen or Yue ever get close to filling – the fact that the material gives them no help either is not their fault. As before, Wong and Tsang are both good and they benefit from being the focus of the prequel. Ng is a good addition as Hau and he is suitably professional, cold and has a powerful presence suiting his character – it also helps that he was very easy on the eye too! As with the prequel, the female parts are pretty thin and the potential to use Lau's Mary better is not taken.

Overall this is not a bad film by any means; in fact it is an OK story of crime between the ruling families (as shown by a few individuals) however the film hurts itself by trying to force itself into the shape of a 'sprawling crime epic' when nothing in the material actually justifies this aim. The poor use of Yan and Ming is a problem that is only slightly helped by the increased focus on Sam and SP Wong. An OK film but not a scratch on the original and not even necessary viewing to enjoy that better film.

What a tangled web a studio can weave when they realize they desperately need to make some money off of a sequel to a film that didn't need one. That's not to say that this is bad, but it would strike me as an ordinary film even if I hadn't seen the extraordinary film that came before. This "sequel," despite the number, is actually a prequel, but it doesn't so much fill in the blanks as muddy up the waters; it's often confusing, it's not always clear if some of the new backstory really squares with the depictions we saw in the first one, and some of the more glaring questions are left unanswered (possibly for film number three). The young replacements the mole characters, previously played by Tony Leung and Andy Lau, are certainly not up to the task. Thankfully, the movie works because Anthony Wong and Eric Tsang reprise their roles as the respective cop and mob boss, and it is quite interesting to learn about a relationship between them that, from what I recall, was far from obvious before. I certainly wouldn't recommend watching this before the first one, despite the chronology, but I imagine it is worth satisfying the likely thirst for more that you will most likely have after watching the previous film.