Protégé

I saw this movie in the Hong Kong IFC mall before I got the train to the airport. It is one of the best films I have ever seen. I am a huge Daniel Wu fan anyway, and I related to his relationship with his smack-head neighbour straight away, having lived with a smack-head with a little daughter. Some of the "it's not my fault" statements by the neighbour and her slimy husband seemed very familiar to me. Judging by the reaction of other (Chinese) people in the cinema, it was familiar to them as well. I expect this film to be available soon on DVD. When it does I will buy it instantly. I can recommend it totally to any HK film fan, and to anyone else who appreciates films that make you think.

One of the highly anticipated films of the year, Derek Yee's 'Protege' brings together Andy Lau and Daniel Wu in a tale centred around the world of drug trafficking in Asia.

Nick (Daniel Wu) is a young and ambitious cop who has been working undercover in a drug ring headed by diabetic crime-lord Lai (Andy Lau). During a long course of being undercover, Nick has been able to gain the trust and support of Lai by doing may things against his duty as a policeman - and he is chosen to be his 'protege'. During this he meets Jane (Zhang Jingchu), a young mother who has become an addict due to her husbands' (Louis Koo) actions. While expressing sympathy for Jane's daughter, Jane ends up falling for Nick - but he cannot see past the point that his actions are responsible for people like her becoming addicts. Thus Nick feels the need to reform and do his bit for society.

The film itself resembles Steven Soderbergh's award-winning 'Traffic', the world of drug trafficking is shown in different perspectives. Derek Yee uses detailed character work, exploratory cinematography and visually impeccable locations. Like his previous film 'One Nite In Mongkok' Yee uses the camera and characters to bring the locations to life - highlight being scenes shot at the Golden Triangle - an area of Hong Kong where a lot of the drug-trafficking and production takes place.

Daniel Wu seems to improve with every film he does, this time he plays a rather mixed up man that is guilt ridden by his actions.. where as Andy Lau plays a negative character with ease, looking at the drug trade as pure business: supply and demand. Zhang Jingshu steals the show from everyone as a junkie mother living in a run-down apartment. For instance, the opening shots where she's shown shooting up - no dialogue yet physically expressing her character with such brilliance (her daughter coming into-the shot just touches so deep, hard to not be compelled). Louis Koo proves to be above average as a very unlikeable addict and manages not to overact at times. Support cast such as Anita Yuen and Mei Tan-Hei are underused and represented as one-dimensional characters.

The script is rather tightly wove, that is until the end where it just follows a conventional ending and stating that 'Drugs are bad', which does make the effort seem rushed. But amazing direction, notable performances and a rather interesting point makes 'Protege' a one-of-a-kind Hong Kong movie. There are some action sequences which carry tension,and the chemistry between the main cast carries off as really convincing. This is the kind of movie that a lot of film buffs would love to see: its smart, gritty, intense and shocking. One of the best Hong Kong movies of the year, if not one of the best movies of the year.

Highly recommended.

I saw this last month at the 2008 Palm Springs International Film Festival. The title of this film I believe is Munto not Moon To as listed here on IMDb and this Munto film is not to be confused with the Japanese animee movies of the same name. This is a gangster thriller set in Hong Kong. Nick (Daniel Wu) has spent his entire police career infiltrating a major drug organization led by Kwan (Andy Lau). Nick went straight from the police academy to undercover work and has never worn a uniform or even been inside a police station. For the past seven years he has worked his way up drug lord Kwan's organization that he is in a position to be Kwan's heir to his drug empire. Kwan, in fact, has selected Nick as his heir apparent because he is dying from the long-term results of diabetes. In the meantime Nick has been living in an inner city apartment where his next door neighbor Fan (Zhang Jingchu) is a pretty single mother whose low level drug dealing, heroin addicted husband (Louis Koo) drifts in and out of her and her daughter's life when he isn't in jail to pimp her out. Fan has also become a heroin addict. Nick develops a relationship with Fan and acts as a surrogate father to her little daughter. Nick has also become very close to Kwan. Thius is a good story from writer/director Derek Yee. Within the story line, it takes us to Burma and Thailand and complete with charts and graphs, almost becomes an educational anti-drug documentary on the workings of the Asian heroin trade within the Golden Triangle. Excellent cinematography by Keung Kwok-man and editing by Kwong Chi-Leung. Good production design by Yee Chung-man with Academy Award nominated costume designer/art director Chung Man Yee on board as a consultant. Fast-paced original music score by Peter Kam. This is a good movie and I would give it a 8.0 out of 10 and recommend it.

One of the best films I've seen in years. (The director, Derek Yee, wrote and directed the excellent ONE NIGHT IN MONGKOK)

Watching it was like going into a surreal alternate universe--part horror, part human drama, part cop story.

The plot description does not do it justice, as it sounds like a typical HK action drama, or at best a copycat of INFERNAL AFFAIRS, or TRAFFIC.

This harrowing film is complex and has its own vision. Addiction, despair and betrayal are at its core.

The cop-mole plot is only part of the story. The world of heroin is explored on several levels: poppy growers, "cookers", suppliers, an amazing sequence in Thailand in the heart of the "Golden Triangle", and --best of all-- a look inside the world of a young mother and heroin addict-- which is shot with such a dreamlike but gritty reality you are horrified yet entranced.

The cinematographer and production designer should be commended for creating such a fascinating universe for the actors to inhabit.

The actors all give strong performances, but it's Zhang Jing Chu who is mesmerizing and heartbreaking as Jane, who plays the heroin addict as if she were a "living ghost."

Boosting some of Hong Kong's film industry biggest with producer Peter Chan (Perhaps Love) and director Derek Yee (C'est La Vie and One Night in Mongkok), "Protégé" looks set to become this Hong Kong biggest film this Chinese New Year.

The Protégé here is Nick (Daniel Wu), trained to take over Jong's (Andy Lau) heroin trafficking business, but is in fact a police officer. His inner conflict is between the loyalty towards his 'teacher', and duty towards his job and justice. Things get more complicated when he falls in love with a heroin-addict (Zhang Jingchu), forced to detriment by her husband (Louis Koo).

The story of an undercover police would remind many of "Infernal Affairs", especially when both stars Andy Lau. The difference lies in its subtlety. While there are still police chase scenes and fights, the focus of the film is on the character development more than its actions.

Daniel has proved his acting abilities in One Night In Mongkok. Though he is playing the lead role in "Protégé", his character lacks of a very distinct quality to showcase his acting skills. This is so for Andy Lau's 'baddie' role as well, and you can't put across strongly how you should feel for him. Anita Yuen has very little screen time, perhaps due to the fact she was six months pregnant, and there could be more chemistry between her and Andy Lau.

The scene stealer is the refreshing China actress Zhang Jingchu who breathes an air of vulnerability and frenzy as a woman forced by circumstances. We should expect more from her as she moves on to a Hollywood in Rush Hour 3. Louis Kook, in stained teeth and tattered clothes, changes his image successfully playing her abusive husband.

Starting off slowly, the movie picks up after moving to the Golden Triangle, where audience are treated to the eye-opening sight of heroin plantations and produce.

"Protégé" may not be adrenalin pumping or mass audience entertainment, as director Derek Yee probably wanted to weave in a social message in a subtle and restrained manner. The last scene was enough for me to understand the story, though you wished he had pushed the movie forward a little more.

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