Lust auf Sex

I really enjoyed this film and I agree with the reviewer who said that you can't just put in plot twists for the sake of it. The issue of addiction and its destructive power was dealt with very well and to overplay it or make it more 'sensational' would devalue the issues that were raised within the film.

It was interesting to see an addiction like this from a female point of view for a change, and it was good to see a woman with a life like an advert descend into an addiction that could undo all the work she had put in to having a life that we all supposedly dream of (marriage, 2.4 kids, beautiful house, great career, plenty of money). And in this day and age of product placement, do we really care that they drove Audi cars?

Good start to mid , but it gets stupid and really bad in the end. and i think only END made the movie worse. because its not satisfying . because instead of taking this issue to morality / reality / Logical , it turned into feminism. like woman suffer from desire , she fulfilled her desire in forbidden way , she is a victim , she regret it and she is the winner in the end. so that makes the movie worse.

if there is a logical ending then maybe people would like it. because "Adultery / cheating always ends bad" it destroys any relationship , no matter whats the excuse or reasons. it never repair the trust.

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the worst part in the end was, when she got kicked from house by husband, instead of regret or remorse , she goes for another one night stand, thats a really stupid idea here.

and another idea or flaw in movie. when wife said to husband in hospital" oh yeah i banged many men and every night But i still love and i always have been" wtf is that mean?

that dumb husband should dumb the trash and move on with kids. that would be better ending.

Jonna Luoto (Mi Grönlund) is a successful executive in an advertising agency and has a perfect marriage with the workaholic constructor Niklas Luoto (Nicke Lignell). They live in a comfortable house with their two children and Jonna is very close to her sister, the artist Sanna (Saija Lentonen), who has problematic relationships with her lovers. However, Niklas does not satisfy the sex drive of Joanna that is addicted in sex and she has casual sex with strangers. When Jonna meets the sportsman born in silver spoon Aleksi (Jasper Pääkkönen), she has a love affair with the spoiled man, affecting her personal and professional lives. Meanwhile, her client and TV sex therapist Nora (Amira Khalifa) identifies her problem and offers to help Jonna to control her sex drive. But like any addicted, Jonna believes she can control her sexual impulses and refuses Nora's offer.

"Levottomat 3" is a sensual but never vulgar drama about a woman that has her life destroyed by her sex addiction. The engaging and erotic story has a good screenplay and performances of an unknown cast. The sexy and gorgeous Mi Grönlund is perfect in the role of a nymphomaniac mother and wife that does not recognize her problem and is ashamed to talk with her beloved husband about her sex drive. I bought this DVD a long time ago but the unfair IMDb User Rating had not encouraged me to watch this Finnish film. Yesterday late night I decided to watch it to help me to sleep and on the contrary, I saw "Levottomat 3" until the very last funny scene in the credits. My vote is seven.

Title (Brazil): "Ninfomaníaca – Sexo Sem Culpa" ("Ninphomaniac – Sex without Guilty")

I disagree with the previous reviewer's comments on the script. The film is well written; the dialogue simple, real and without ostentatiousness. It's a personal drama and the script reflects that. It's not the kind of film to throw in twists for the sake of plot interest. It's an exploration of one woman's descent into her addiction: slowly, gradually, and with full knowledge of where she's headed, we watch her life disintegrate. That's what happens with addiction. The low-key nature of this film is what makes it so good. The direction is stylish yet simple, and complements the script very well. How much worse to over-dramatise what is already highly dramatic subject matter?

Kieslowski's colour trilogy must had been some sort of an inspiration to all the unattached trilogies we're having these days. Producer Markus Selin is one of the most influential producers in the Finnish film scene and is often credited as the man who brought Finnish commercial cinema back after some 40 years of absence in late 1990's.

The so called Restless-trilogy was meant to be a series of films directed by young directors about the state of the young adults in Finland. A great subject and a great idea although one could see the commercial aspects of this money-making early 30's demographics shine through.

The first part of the trilogy "Levottomat" (Restless, 1999)can be seen as a huge success for Finnish cinema being controversial, sexy and very much tapped into the moment in time as well as the subject. The second part "Minä ja Morrison" (Me and Morrison, 2001) was slightly dimmer success as for some reason it wasn't marketed as the second part. The film and acting were good, though the story ended a little suddenly and the deeper aspects of modern young adulthood were more absent than in "Levottomat".

The third part i.e. "Levottomat 3" (Restless 3, 2004) was a complete let-down of the trilogy. Huge skin-deep marketing, poor acting, poor dialogue, poor story and safe and "pop" choices in casting made sure that the audience felt sick about the whole trilogy. It is told that screenwriters resigned throughout the project and in the end it was just pure bad luck that the last one's name ended up in the credits. Whereas the earlier parts got their young directors to a beginning of a promising career, this one must had been the worst call-card for the poor director who obviously didn't know what sort of a money-making machinery she was getting into.

Sure I should write something about the film itself. Well, dialogue in "Oxford Finnish" is the first thing to take you of the mood of getting into the story. The story itself about sex-addicted young mother getting de-railed for her ambitions has a certain contemporary touch to it but the solid numb acting between her and his husband and her and the new lover of doom leaves everyone stone cold. The plot shows how things get from bad to worse and then a shimmering happyish ending.

I think the only positive thing in this film was to tie it to the contemporary Helsinki scenery at the time when the nations biggest building project (Kamppi commercial and traffic centre) was being built right in the middle of the city. Well, that's about it.