Drei Geschichten drehen sich um das Liebesleben einer ehebrecherischen Frau, einer Kassiererin und einer alleinerziehenden Mutter.Drei Geschichten drehen sich um das Liebesleben einer ehebrecherischen Frau, einer Kassiererin und einer alleinerziehenden Mutter.Drei Geschichten drehen sich um das Liebesleben einer ehebrecherischen Frau, einer Kassiererin und einer alleinerziehenden Mutter.
- Auszeichnungen
- 2 Gewinne & 5 Nominierungen insgesamt
Angelika Niedetzky
- Eva's Colleague
- (as Angelika Nidetzky)
Johannes Thanheiser
- Old Man in Hospital
- (as Hannes Thanheiser)
Empfohlene Bewertungen
First off, the only reason I watched this is because the listing said it was in German (though I think the film is Austrian) and I rarely watch European films that aren't from the U.K. or France. In the first story, everything and everyone is utterly robotic, impersonal, and empty (even the sex). What's the point of even bothering with the sex when it's so meaningless and grimey? I suspect that people are giving this film more credit than it deserves because of the explicit sex in the first story, but they're gross, older people with flat, unimpressive bodies being increasingly weird. In the second story, we have a pair of selfish, co-dependent liars (one of which is constantly unpleasant and insecure) who shouldn't be together and don't actually even seem to be in love. You wonder why they even bother. In the third story, there are more miserable, unlikable people but worse because one is a rude, violent, woman-hating, bigoted sleazeball, and his wife can't manage to keep her doggone door closed to him even though she has no real reason to let him in. She keeps telling him it's over but keeps letting him in--why?? None of it moved me, though I committed to finishing it, but I just couldn't care less about the empty, unlikable shells of people. I can see why it got less favorable reviews by critics elsewhere.
S/N: The daughter's dancing is as emotionless and robotic and awful as her parents' relationship.
S/N: The daughter's dancing is as emotionless and robotic and awful as her parents' relationship.
Antares is one fine example how the accomplished director Götz Spielmann could weave the delicate cobwebs of the intricacies of human emotions so beautifully on the screen. Spielmann possesses the distinct way of story-telling which doesn't require flamboyant camera-tricks or racy scenes to spice up his story. There the characters evolve slowly and steadily but give you opportunity to learn a thing or two about the complexity of human nature. In Antares, the story loosely follows the lives of three women, crossing one another's paths couple of times. One has a fine family and job yet indulges into passionate affair with a secret taciturn lover. Another desperately wants to get married with her boyfriend, but is very insecure about him. While the third one trying hard to get rid of her violent and abusive ex-husband who could yell at her, beat her but couldn't stop seeing her! But in all stories the core theme is passion and ambiguity of human nature. Here the characters are provided with two options of more, but it's never so simple to choose one of them! Antares tries to explore the complexities of relationships and hence the lives of variety of people trapped into their own emotional webs, the urban way of living has to offer! Antares is all about the unflinching passion and endless yearning inherent to human nature. the director manages to stitch the three parallel stories seamlessly and the characters are left echoing in viewer's mind for long after the movie is finished.
Solid believable acting and good production values ...but I couldn't care any less about any of the characters. The plot is jumbled, superficial and not very engaging. Nothing gets resolved and the ending was very disappointing ...but by then; I was glad it was over.
10jonni62
Antares is based on secrets and lies in the classic Austrian style, we know from directors Michael Haneke and Ulrich Seidl. Antares focuses on three women, whose paths cross in a building complex. A married nurse who has a lover that hardly speaks. The lover is only interested in sex and taking nude pictures of her. The sex and pictures are a tad explicit. The other is a young girl who is lying to her boyfriend that she is pregnant. The boyfriend is happy, but that does not stop him from sleeping with the third woman, a divorced woman who has problems getting rid of her ex-husband. The three destinies bond together in a refined way.
Some solid performance and quality for 2004 Austrian cinema. the plot is simple straight forward about 3 stories which are connected to each other. A good movie but ending is not very satisfied / un-finished.
some sex scenes are very hot. seems like unsimulated one.
------------spoilers---------------
the 1st story about couple seems completed, about a cheating wife who lacks passion or desire from husband , so she goes for other man. and in the end. husband wants her back?.... simp..
2nd is not completed , about a gf who faked are pregnancy and her cheating bf. in the end she is ok with bf even she knows he is cheating ? .
3rd story is kinda completed , about abusive husband, karma hit him in end.
some sex scenes are very hot. seems like unsimulated one.
------------spoilers---------------
the 1st story about couple seems completed, about a cheating wife who lacks passion or desire from husband , so she goes for other man. and in the end. husband wants her back?.... simp..
2nd is not completed , about a gf who faked are pregnancy and her cheating bf. in the end she is ok with bf even she knows he is cheating ? .
3rd story is kinda completed , about abusive husband, karma hit him in end.
Wusstest du schon
- WissenswertesAsked about the explicit sex scenes between Petra Morzé and Andreas Patton, director Götz Spielmann said he chose actors in whom he sensed the courage and curiosity necessary for this task. "I told them I wanted them to go as far as possible, without taboos. We'd find out how far that was when we got there. Then for two days we talked through the scenes point by point, in complete detail and without inhibitions, discussed every second of these scenes - completely and candidly. What does the character feel, what gets him/her excited, why? What kind of power relationships are at work? At what point do they change? And so on... What turned out well - and this is what is often the problem in sex scenes - is that the actors were always aware that they were characters, that they were playing the story and sexuality of characters. That gives you protection, lets you take greater risks. Because of this, the shoots were very exciting and sometimes really moving."
- Alternative VersionenThere are three different versions of the film. Runtimes are: "1h 45m (105 min), 1h 59m (119 min) (Switzerland), 1h 55m (115 min) (Hong Kong)".
- SoundtracksPiano Concerto No. 3 in D Minor op.30
Composed by Sergei Rachmaninoff
Performed by St Petersburg Phiharmonic Orchestra
Permission of Boosey and Hawkes
Composer Aleksandr Titov
Piano Aleksey Orloveckiy
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Box Office
- Weltweiter Bruttoertrag
- 64.910 $
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