Ich bin immer für dich da!

Great flick that was a blast from start to finish! When the "Red Chillies Entertainment" logo came up at the start, I had no idea this film was going to be such a celluloid party! Farah Khan delivers one mega punch after another. The song "Chale Jaise Hawaien" is priceless -- reminiscent of K2H2 -- but her choice to shoot the song in two long-take sequence shots was phenomenal --> exhibiting some of the best human and camera choreography since Welles's classic opening to Touch of Evil. All the songs shine in the film, but the qawaali "Tumse Milke Dilka Jo Haal" -- coming right after the interval -- is an absolute showstopper; the choreography, set design, and costuming come as close to Hindi cinema perfection as any mere mortal can get! Shah Rukh kicks as an action hero, and ALL the actors play their characters with conviction and just the right amount of tongue-in-cheek! And the comic punch of this film is brilliant --> when Satish Shah first appears on the screen (no spoiler here), I laughed so hard I had tears streaming down my face (appropriate, I guess....). There are also some absolutely amazing digital effects shots, particularly during some of the Shah Rukh-Sunil Shetty fight scenes (I don't think anyone has ever had so much fun lampooning The Matrix [thanks, Farah!]). Finally, Anu Malik delivers what I think must be his absolutely finest pop-Indian soundtrack. The songs are totally addictive and immensely hummable. I am looking forward to snatching up the DVD when it's released so I can hear the songs in a proper surround-sound mix.

Overall, this is an incredibly entertaining mix of all that is wonderful in contemporary Hindi films -- great story (inspired by the Ramayana), terrific choreography and acting, rib-splitting comedy, just the right amount of pathos, stunning cinematography, catchy songs, and dynamite directing. Both thumbs up!

Main Hoon Na is a completely crazy and an extremely entertaining flick. Done with much comedy and funny action (and a little bit of insignificant drama), this one is a film that can be watched again and again and still be an absolute treat. The film has a story, and the greatest thing about it is that it actually does not even matter. This film is made for fun, and succeeds thoroughly for that purpose.

And what does it have to work as much as it did? Well, it has a Shahrukh Khan (sorry, The Shahrukh Khan), two cool youngsters (Zayed Khan and Amrita Rao), a sexy and classy chemistry teacher (Sushmita Sen), a hilarious spit-spraying teacher (Satish Shah), another funny elderly teacher (Bindu), and a motherly, warm Kirron Kher.

Shahrukh is as always great and is fairly restrained in this role, Sushmita is damn too hot to handle, Zayed and Amrita suit their parts, Kirron is lovable as usual, Satish Shah and Bindu will have you floored, and Sunil Shetty will annoy you as he does in most of his films.

The film has an amazing soundtrack with many catchy songs composed by Anu Malik. It has a twisted, messy and senseless story that manages to provide utmost fun and pastime, and it has many great and heart-warming moments. It flows very well throughout with all the nice songs and the rather humorous proceedings.

Films are made mainly to entertain us. This film does not take itself too seriously and it is not to be taken seriously. It has some inexplicable and genuine sense of fun, and as such, can be rightfully called a successful, special and very profound Hindi entertainment.

Amar Akbar Anthony, Naseeb, Sholay etc. Why do we love all these films? Yes, they are extremely entertaining but more so because they have action, romance, comedy, drama - EVERYTHING! In today's time, we don't get films with all that together. Farah Khan's Main Hoon Na doesn't ask you, but tells you to chill, have some popcorn and cola and have the time of your life for the next 3 hours.

Major Ram Prasad Sharma is a tough army officer who plays no games and is very serious about his work. He and his father have a dream, project Milap - to set free all Pakistani prisoners of war to put forward a hand of harmony and friendship towards Pakistan. Due to circumstances, Ram's father Shekhar is killed but before dying, he tells him that he's not his only son and he wants him to re-unite with his family. Ram asks for a temporary leave to fulfill his father's wishes, alongside that, he is asked by General Bakshi to protect his daughter who goes to the same college as Ram's brother. He wants him to protect him from Indian terrorist Raghvan.

So then starts Major Ramm's mission. To find his long lost mother and half brother, to protect Sanjana from Raghvan and to complete Project Milap which is opposed by Raghvan.

The best part of Main Hoon Na is the story, It's refreshing and unique. The viewer knows that Ram will win in the end but the going-ons in the movie are extremely entertaining. Farah Khan, Abbas Tyrewala and group have come up with an excellent plot.

Main Hoon Na has everything in the right place in terms of plot. Thee's action at the right time, songs do not stop the plot, the comedy is perfect.

The film does dip a bit in the second half but that's hardly noticeable. In fact, this is one of the few Indian movies that does not slip completely in the second half. Indian filmmakers usually put so much energy in the first half that the second half starts to fade. Not this time.

As mentioned before, the writing is nearly flawless. Screenplay keeps you awake and dialogues are first rate. Production values, sets, locales etc. All perfect.

The music is out of this world. Anu Malik's best work. All the songs are brilliant and beautifully picturised.

Farah Khan's direction is top stuff. Hard to believe this was her first film and her best. Sorry to say, I liked Om Shanti Om and hated Tees Maar Khan but I do not think Farah will make a better film than this.

Main Hoon Na would be incomplete without Shah Rukh Khan. SRK puts the right energy into the role and is perfect in every frame. The scenes with Kirron Khere, the scenes with Sunil Shetty are all terrific. Even the light scenes are excellent. A superior act!

Another actor that stands out is Sunil Shetty. He's first rate as the baddie. Zayed Khan can't act better than this, seriously. Sushmita Sen, Amrita Rao don't do as much but are efficient. Kirron Kher is terrific. Satish Shah and Boman Irani are hilarious. Kabir Bedi is good. Naseer makes a significant appearance.

On the whole, Main Hoon Na is fun, crazy, and most of all - it isn't the type of film that asks you to lave your brain at home, bring it with you. Recommended!

I am not into Bollywood movies that much, but I really enjoyed watching Main Hoon Na ( I asked my friend, and she said it means "I'll be there for you"). As you would expect from Bollywood movies, there is a mishmash of genres in this movie: romance, drama, comedy, action, political thriller, and the odd musical number now and then. Imagine True Lies meets Grease meets Toy Soldiers meets Never Been Kissed meets Matrix. I know it has been parodied so many times, but that slow-mo back ward flip when Shar Rukh Khan tried to evade the Spitty teacher's bullets ala Matrix really cracks me up! I also liked the characterisation of the female characters in this movie. They really stand their ground against the male leads.They are not clingy and naive as I find some Bollywood movies portrays women... And no wonder... it was directed by a woman. I also enjoyed the soundtrack. Like the movie, it aims to sound contemporary while paying tribute to the traditional styles. With tongue firmly in cheek

Major Ram Prasad Sharma (Shah Rukh Khan) is a straight-laced military man walking in the footsteps of his father, General Shekar Sharma (Naseerudin Shah). When the General is killed by terrorists, he reveals on his deathbed that Major Ram has a half-brother, and gives him a dual mission: to protect a fragile peace initiative with Pakistan, called Project Milap, and to find his estranged brother and heal his fractured family.

Major Ram is assigned to protect the daughter of General Bakshi, the commander in charge of Project Milap, which takes him undercover to St. Paul's College in Darjeeling. By an amazing coincidence that only a true Bollywood fan could swallow, the Major's younger brother Lakshman Prasad (Lucky) Sharma studies at the same college.

After having his career emasculated by Karan Johar, I am happy to see that first time director Farah Khan has made a man of SRK again. How ironic that it took a woman director to give Khan a role he could finally get down and dirty with, after playing the teary-eyed lover-boy for so long.

Main Hoon Naa is a great summer time masala entertainer. It has dollops of action, romance, family angst, and a little medicinal dose of patriotic preaching about peace (estranged brothers Ram and Lakshman neatly symbolize India and Pakistan, separated by the folly of their leaders and elders).

But its greatest strength is that it doesn't take itself too seriously. The action could best be described as The Matrix meets Jackie Chan, with special effects that are one minute thrilling and the next minute laughable. But it's such fun to see SRK back in action, after his much publicized neck troubles, and encouraging to see Hindi filmmakers experimenting with cutting edge special effects technology.

The comedy revolves around the obviously over-aged Major Ram as a returning college student. Shah Rukh plays it just right, and not only neatly parodies his college role in Kuch Kuch Hota Hai, but also does a fantastic job of remaining in character and keeping his ram-rod straight military bearing whether he's doing comedy, drama or action.

Newcomer Zayed Khan (Lucky) has a way to go with his acting craft, but I found that he grew on me as the movie progressed, and he just sort of meshed with the elder Khan. They have a nice chemistry together. Amrita Rao (the general's daughter) is talented and gorgeous, and a great dancer. See her in Masti, where she also sparkles. Suniel Shetty does an excellent job underplaying the villain, and resists the urge to go overboard in his scenes. I loved the way Farah emphasizes his sexy badness by blaring heavy metal music whenever he makes an entrance. It made me chuckle every time.

Unfortunately the classy and sexy Sushmita Sen has little to do, but she and Shah Rukh fairly set the screen on fire in their few scenes together. Her seductive chemistry teacher is the perfect foil for his shy, sexually naive character. I'd love to see them in another film together, where she gets full screen time. She has a strength and maturity about her that plays very well off of his vulnerability and boyishness.

First time director Farah Khan takes the skills and creative genius she has displayed in her choreography (the Chaiyya Chaiyya dance atop a moving train in Dil Se alone has earned her a place in Bollywood legend) and demonstrates an exuberant love for the films of her youth. Main Hoon Naa either parodies or pays tribute to dozens of other Bollywood films, from Sholay to Kuch Kuch Hota Hai. The running gag where Major Ram bursts into uncontrollable singing whenever he sees Ms. Chandni, the chemistry teacher, is hilarious and endearing. And the outrageous chase scene with Ram on a rickshaw in hot pursuit of a jeep is just great. As a relative new-comer to Bollywood myself, I know that a lot of the references were lost on me, but I got a lot of them, too.

If you prefer Karan Johar three hanky tear-jerkers, this isn't for you. But if you want some thrills and comedy and family drama with your romance, then see Main Hoon Naa! Even the closing credits are fun. And Farah's director's commentary in the DVD special features is one of the best I've ever heard.