Als eine wenig selbstbewusste junge Frau von einer alten, boshaften Hexe verflucht und in eine Greisin verwandelt wird, sieht sie ihre einzige Hoffnung, den Zauber wieder zu brechen, in eine... Alles lesenAls eine wenig selbstbewusste junge Frau von einer alten, boshaften Hexe verflucht und in eine Greisin verwandelt wird, sieht sie ihre einzige Hoffnung, den Zauber wieder zu brechen, in einem maßlosen, aber unsicheren jungen Zauberer, der mit seinen Gefährten in einem vierbeinige... Alles lesenAls eine wenig selbstbewusste junge Frau von einer alten, boshaften Hexe verflucht und in eine Greisin verwandelt wird, sieht sie ihre einzige Hoffnung, den Zauber wieder zu brechen, in einem maßlosen, aber unsicheren jungen Zauberer, der mit seinen Gefährten in einem vierbeinigem Wanderschloss lebt.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 14 Gewinne & 20 Nominierungen insgesamt
- Sophie
- (Synchronisation)
- Howl
- (Synchronisation)
- Calcifer
- (Synchronisation)
- Witch of the Waste
- (Synchronisation)
- Markl
- (Synchronisation)
- Page
- (Synchronisation)
- Turnip Head
- (Synchronisation)
- …
- King
- (Synchronisation)
- Heen
- (Synchronisation)
- …
- Suliman
- (Synchronisation)
- Grandma Sophie
- (English version)
- (Synchronisation)
- Howl
- (English version)
- (Synchronisation)
- Witch of the Waste
- (English version)
- (Synchronisation)
- Madame Suliman
- (English version)
- (Synchronisation)
- Young Sophie
- (English version)
- (Synchronisation)
- Markl
- (English version)
- (Synchronisation)
- Calcifer
- (English version)
- (Synchronisation)
- Lettie
- (English version)
- (Synchronisation)
Zusammenfassung
Empfohlene Bewertungen
It has all of the classic stunning Miyazaki panoramas, rich settings, exciting and unusual machinery, and brilliantly conceived creatures that are often humorous and fanciful. The characters are all very expertly crafted and developed, but what really enchanted me were their expressions and the subtle but powerful ways that he chose to elaborate on their connections and emotions. It is very difficult to describe, but they come to life in such a powerful way as to seem entirely real and unique.
He achieves this within the medium - not by really imitating or parroting film or live action, but by artfully exploiting the medium to enhance and capture the subtle interactions that make up relationships. He shows his audience what his characters are thinking and feeling by carefully chosen gestures and facial expressions, rather than relying always on dialog, etc. I was completely swept away by this skillful use of animation - I have never anywhere else seen anything that begins to come close to it.
The story is fantastic - I haven't read the novel, but it had all of the elements I have come to enjoy in Miyazaki's work - there is the humour, the lighthearted moments, the strong, insightful, loyal, and honourable characters, the lyrical drama and action sequences. The pace is perfect - it flows nicely and is always exciting, suspenseful - I got very caught up in the characters and their struggles and hopes. The themes were expertly handled with Miyazaki flair - and always richly meaningful and perceptive.
I can hardly wait to see what this brilliant artist creates next!
I was lucky enough to see the world premiere (at Venice Film Festival, September 5, 2004).
Not only the art and animation is breathtaking (with almost no CGI), but the story is also above Miyazaki standards.
The characters are wonderful, each one with his (or her) own personality. Among them the best is for sure Calcifer, the Fire Demon, who is actually an almost all-powerful being, but is often underestimated by the other characters ("If you don't obey, I'll pour water on you!").
The music is one of the best parts of the movie. Even if you don't notice it, it is always there, always conveying the right feeling.
Bottom line: this is an excellent movie. If you liked other movies by Miyazaki (such as Mononoke Hime, Spirited Away, Laputa Castle in the Sky...) you cannot miss it.
I'd never heard of Miyazaki. Then I saw Spirited Away, Princess Mononoke, The Cat Returns, and Kiki's Delivery Service. Wow. I think Ms Jones and Mr. Miyazaki must be kindred souls. His movies share a lot with her novels a whimsical sense of humor, impossible to pigeonhole into a category, magic and mischief, and a firm respect for the audience's intelligence. I began to pace the floor in anticipation of the movie.
I saw the movie today. I was not disappointed. The soul of the story is intact, Sophie and Howl and Calcifer are nearly as I imagined them. Yes, there are some plot adjustments. Think of it as the Series 12C version (for those who have read Ms Jones' Chrestomanci books.) The main elements are there, some re-arranged, some changed, yet with a full understanding of the original. Much like the 2004 version of Peter Pan much was changed, but the soul is the same.
For those who wonder, here are the differences between the movie and the novel. I've tried to phrase them carefully to avoid spoilers for either fans of Ms Jones's work who have yet to see the movie, and those who have seen the movie and have yet to read the book:
Why the witch bespells Sophie
Where the door opens when the dial points to black
Sophie's sister Martha, and the plot line involving sister Lettie are not in the movie Mrs. Pentstemmon, Miss Angorian, Mrs. Fairfax are also missing, but elements of each are woven into other characters in the movie Michael (Markl) is a different age The battles magical and military are quite different (but equally spectacular) The dog appears at a different time, with a different, yet just as mysterious, agenda The scarecrow's relationship with Sophie is different Thelevel of technology is different. (I did miss the 7-league boots)
My advice: go see the movie. It's magical and beautiful and funny. Then, if you are a Diana Wynne Jones fan, check out the rest of Miyazaki's films. Now is a great time, as many of his films are available on home DVD. If you are a Miyazaki fan, hie thee to a library or bookstore try Ms Jones' books. (There is a sequel to Howl's Moving Castle Castle in the Air.)
And enjoy!
Wusstest du schon
- WissenswertesUpon seeing Chihiros Reise ins Zauberland (2001), Christian Bale immediately agreed to play any role in this film. He didn't expect to get the titular role.
- PatzerSophie's top ribbon doesn't always reappear when she transforms back into her younger self.
- Zitate
Howl: I feel terrible, like there's a weight on my chest.
Young Sophie: A heart's a heavy burden.
- VerbindungenEdited into Miyazaki Dreams of Flying (2017)
- SoundtracksSekai no Yakusoku
(Promise of the World)
Lyrics by Shuntarô Tanikawa
Music by Yumi Kimura
Arranged by Joe Hisaishi
Performed by Chieko Baishô
Courtesy of Tokuma Japan Communications
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- El increíble castillo vagabundo
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Box Office
- Budget
- 24.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.173.958 $
- Eröffnungswochenende in den USA und in Kanada
- 427.987 $
- 12. Juni 2005
- Weltweiter Bruttoertrag
- 241.027.570 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1