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Alexander

  • 2004
  • 12
  • 2 Std. 55 Min.
IMDb-BEWERTUNG
5,6/10
181.103
IHRE BEWERTUNG
BELIEBTHEIT
3.606
57
Colin Farrell in Alexander (2004)
Home Video Trailer from Warner Home Video
trailer wiedergeben0:31
17 Videos
99+ Fotos
Eine TragödieEpischHistorisches EposKrieg, epischSandalenfilmZeitraum: DramaActionBiographieDramaGeschichte

Alexander (Colin Farrell), der König von Mazedonien und einer der größten Armeeführer in der Geschichte der Kriegsführung, erobert einen Großteil der bekannten Welt.Alexander (Colin Farrell), der König von Mazedonien und einer der größten Armeeführer in der Geschichte der Kriegsführung, erobert einen Großteil der bekannten Welt.Alexander (Colin Farrell), der König von Mazedonien und einer der größten Armeeführer in der Geschichte der Kriegsführung, erobert einen Großteil der bekannten Welt.

  • Regie
    • Oliver Stone
  • Drehbuch
    • Oliver Stone
    • Christopher Kyle
    • Laeta Kalogridis
  • Hauptbesetzung
    • Colin Farrell
    • Anthony Hopkins
    • Rosario Dawson
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,6/10
    181.103
    IHRE BEWERTUNG
    BELIEBTHEIT
    3.606
    57
    • Regie
      • Oliver Stone
    • Drehbuch
      • Oliver Stone
      • Christopher Kyle
      • Laeta Kalogridis
    • Hauptbesetzung
      • Colin Farrell
      • Anthony Hopkins
      • Rosario Dawson
    • 1.4KBenutzerrezensionen
    • 179Kritische Rezensionen
    • 40Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 6 Gewinne & 19 Nominierungen insgesamt

    Videos17

    Alexander (2004)
    Trailer 0:31
    Alexander (2004)
    What Roles Has Colin Farrell Been Considered For?
    Clip 3:40
    What Roles Has Colin Farrell Been Considered For?
    What Roles Has Colin Farrell Been Considered For?
    Clip 3:40
    What Roles Has Colin Farrell Been Considered For?
    Alexander Scene: Elephant Army
    Clip 0:55
    Alexander Scene: Elephant Army
    Alexander Scene: This Is Insanity
    Clip 1:07
    Alexander Scene: This Is Insanity
    Alexander Scene: Did You Help Him?
    Clip 0:33
    Alexander Scene: Did You Help Him?
    Alexander Scene: Did You Conquer Asia By Yourself?
    Clip 1:06
    Alexander Scene: Did You Conquer Asia By Yourself?

    Fotos247

    Poster ansehen
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    Topbesetzung89

    Ändern
    Colin Farrell
    Colin Farrell
    • Alexander
    Anthony Hopkins
    Anthony Hopkins
    • Old Ptolemy
    Rosario Dawson
    Rosario Dawson
    • Roxane
    Angelina Jolie
    Angelina Jolie
    • Olympias
    David Bedella
    David Bedella
    • Scribe
    Jessie Kamm
    Jessie Kamm
    • Child Alexander
    Val Kilmer
    Val Kilmer
    • Philip
    Fiona O'Shaughnessy
    Fiona O'Shaughnessy
    • Nurse
    Connor Paolo
    Connor Paolo
    • Young Alexander
    Patrick Carroll
    • Young Hephaistion
    Brian Blessed
    Brian Blessed
    • Wrestling Trainer
    Peter Williamson
    Peter Williamson
    • Young Nearchus
    Morgan Christopher Ferris
    Morgan Christopher Ferris
    • Young Cassander
    Rob Earley
    Rob Earley
    • Young Ptolemy
    • (as Robert Earley)
    Aleczander Gordon
    Aleczander Gordon
    • Young Perdiccas
    Christopher Plummer
    Christopher Plummer
    • Aristotle
    Gary Stretch
    Gary Stretch
    • Cleitus
    John Kavanagh
    John Kavanagh
    • Parmenion
    • Regie
      • Oliver Stone
    • Drehbuch
      • Oliver Stone
      • Christopher Kyle
      • Laeta Kalogridis
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen1.4K

    5,6181.1K
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    Empfohlene Bewertungen

    7topherdrewpg

    Alexander - The Final Cut

    It took Oliver Stone four tries and ten years of edits to get this film right...but he finally does.

    The Final Cut, released in 2014, shuffles the story elements around so the narrative is fast-paced and cohesive. Alexander's bisexuality is explored much more deeply. Those close to Alexander are further explored.

    If you're going to watch Alexander, watch The Final Cut. It's far and away the best version.
    Rick NYC-2

    The movie emphasizes brain over brawn

    Don't go looking for three hours of blood and guts. The Greeks were philosophers and there is lots of talk, about everything from moral virtue to sin, to greed and hubris, friendship and love...you get the idea. People who liked Humanities and Contemporary Civilization in college will like this film a lot more than people whose idea of a good time is three hours of Mel Gibson causing bloody havoc. The battle scenes, while gory, are not as explicit as many blood-and-guts fans might be hoping for. Then, the male-male romance was tough on a lot of young guys on dates with their girlfriends. There were lots of nervous titters from young men. This film is ground-breaking, and for those who haven't come to terms with the fact of our universal innate bisexuality (re-read your Freud), it can be troubling. See this film in a trendy neighborhood with highly educated snobs, especially gay ones. You'll be a lot happier.
    abc-27

    Masterpiece

    The movie shows with excruciating detail the personal drama of one of the most influential characters in world history. Without Alexander there would be no western civilization since the Greeks liked keeping their culture for themselves only.

    This picture is not for the faint of heart since it depicts the flaws of a real person and the way he really lived. As for those who expected to see a Gladiator movie... Well they are not Alexanders... But nations like the American nation were built by founding fathers who had the heart of Alexander the Great.

    Kudos to Stone
    bolender-1

    My take on this

    At first, I didn't feel much of a need to comment on the film, since so many others have written and have said so many things. But I think there are some really important points to made, and I haven't seen anyone make them. So here I am writing.

    In my opinion, almost everyone misunderstood the relationship between Hephaistion and Alexander. In the modern world, especially in the West, two men are either very close to each other, sleep together, and have sex, or they keep a good comfortable distance from each other and, if they're friendly, might punch each other on the arm. In this film, we see a relationship that is hard for most people today to understand, namely a passionate love relationship between two men in which sex is not very important and possibly even absent.

    Aristotle essentially explained the whole film near the beginning when he told the young couple something like the following, as best I can remember it, "When two men lie together in lust, it is over indulgence. But when two men lie together in purity, they can perform wonders." Or something like that. Given what I know of that culture, I am sure that "in purity" means no sex, or at least very little. That's why we never see them kiss. In the film, as in many older films, kissing is a metaphor for sex. Even when Alexander kisses his mother, it refers to the idea of sex. That's why Alexander kisses Bagoas, but not Hephaistion.

    Now I'm not sure if the real historical Aristotle would have made that remark. That's not exactly what he says about homosexuality in the Nicomachean Ethics. But the remark is plausible enough since Alexander could easily have heard such an idea during his youth. Plato (before Aristotle) expressed that idea, and Zeno of Citium (after Aristotle) did too. So even if Aristotle never said this to Alexander, it is plausible enough that the idea was in the air and that Alexander heard it from someone or other.

    Some have complained that the "homosexuality" (assuming that A's relationship with Heph. should even be called that) was thrown in their faces too much. But it's crucial to the plot. Stone is hypothesizing that Hephaistion was essential for what Alexander did. Further, it's a standard Hollywood convention to juxtapose a love story with some great political, military, or otherwise grand event. There are tons of examples. Titanic, Enemy at the Gates, Gone with the Wind, ... the list could go on forever. It really is homophobic to complain about Stone continually going back to this theme, because he has a perfectly good artistic reason to do it.

    A few more details: Alexander's hair. I think that Stone was trying to make Alexander look like Martin Potter in Satyricon -- a nod to Fellini.

    Alexander's accent and soft appearance. Another nod to a great director passed on, this time Stanley Kubrick. Farrel really looks a lot like Ryan O'Neil in Barry Lyndon. In fact, he really looks like a Ryan O'Neill / Martin Potter coalescence. I think it's deliberate.

    The softness of Alexander's personality. In a lot of scenes it made sense. He was gentle enough to know how to approach Bucephalus and tame him without scaring him. He was open minded enough to adopt a lot of Persian culture and encourage intermarriage, while the other more "he-man" folks around him were less comfortable with the idea.

    Yes, if you haven't figured it out by now, I do like the film. People's hatred of the film is hard for me to understand.
    60U

    Alexander

    With such an epic story, you would think someone like Stone would produce an epic film. From the random accents of the characters (specifically, I have no idea what Jolie was trying to do), to some pretty atrocious acting from Farrell-he's capable of much better, but this was at the height of his grandiosity and ego. There are so many moments where it feels like the film is onto something, only to have it stop and spin off into another, pointless direction. Bottom line: a $155 mil film about Alexander the Great should have been iconic, but Alexander falls flat on its face from the weight of the egos involved.

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    Handlung

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    • Wissenswertes
      The biography of Alexander by Oxford University professor Robin Lane Fox was an original inspiration and source of information for writer and director Oliver Stone. As a historical advisor, Professor Fox didn't get on-screen credit. His price for giving his advice was to be allowed to take a place at the head of what is one of the largest cavalry charges ever filmed. Professor Fox was used to riding around the English countryside, but gladly dressed up as a Macedonean cavalry officer to live his dream of charging for Alexander.
    • Patzer
      Ptolemy I is depicted recounting the story of Alexander in 283 B.C. The Lighthouse at Alexandria, seen in the background, was built during the reign of his son Ptolemy II, around 270 B.C.
    • Zitate

      Old Ptolemy: The truth is never simple and yet it is. The truth is we did kill him. By silence we consented... because we couldn't go on. But by Ares, what did we have to look forward to but to be discarded in the end like Cleitus? After all this time, to give away our wealth to Asian sycophants we despised? Mixing the races? Harmony? Oh, he talked of these things. I never believe in his dream. None of us did. That's the truth of his life. The dreamers exhaust us. They must die before they kill us with their blasted dreams.

    • Alternative Versionen
      The Director's Cut is 9 minutes shorter than the 175-minute theatrical version. It is a reworked version although seamless to many. 18 minutes were cut and 9 added. Many of the added or extended sequences involve Val Kilmer and Angelina Jolie's characters. The battle of Gaugamela now starts earlier. Taking a cue from classic movie epics, the opening reel now set up the basic themes with greater economy: Alexander's Oedipal relationship with his parents, Olympias' ambitions for her son, the boy's need to surpass his father, and the entirely natural way in which myth/religion is shown as integral to the ancients' behavior. Oliver Stone reworked the third act, too, juxtaposing events in India and Greece. Jolie's Olympias emerges now more as a genuinely pathetic figure in the whole tragedy. Ptolemy's final scene was edited. Stone also slightly reworked Alexander's death scene because of audience feedback, adding 17 seconds to the scene.
    • Verbindungen
      Featured in Charging for Alexander (2004)

    Top-Auswahl

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    FAQ22

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    Details

    Ändern
    • Erscheinungsdatum
      • 23. Dezember 2004 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Vereinigtes Königreich
      • Deutschland
      • Niederlande
      • Frankreich
      • Italien
      • Marokko
      • Thailand
    • Offizielle Standorte
      • MySpace (United States)
      • Official site (Russia)
    • Sprache
      • Englisch
    • Auch bekannt als
      • Alejandro Magno
    • Drehorte
      • Essaouira, Marokko
    • Produktionsfirmen
      • Warner Bros.
      • Intermedia Films
      • Pacifica Film
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 155.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 34.297.191 $
    • Eröffnungswochenende in den USA und in Kanada
      • 13.687.087 $
      • 28. Nov. 2004
    • Weltweiter Bruttoertrag
      • 167.298.192 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 55 Min.(175 min)
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
      • SDDS
    • Seitenverhältnis
      • 2.39 : 1

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