Robin Hood

"To be hunted all the days of his life, until his corpse unburied, is carrion for foxes and crows."

A few tips for getting the most enjoyment possible out of Robin Hood:

1. Forget that it's an adaptation of Robin Hood, entirely. Just pretend like it's a middling medieval drama/adventure movie starring Russell Crowe and Cate Blanchett (who's spectacularly underused), with some very vague connections to the Robin Hood legend. Everything is changed about, added too, and embellished beyond recognition. There's nothing wrong with trying to put a fresh spin on an old tale (if it works), but you'll be greatly disappointed if you expect any more than loose connections to the well-known versions of the adventures of Robin Hood and his Merry Men. 

2. Don't expect Gladiator in England. Robin Hood desperately tries to be epic, sweeping, grandiose, and politically involving, but it doesn't come near the heights of the mega-popular, critically beloved Gladiator. It's not a bad movie, and you could enjoy it (if you keep your expectations at a reasonable level), but it's okay at best and deeply flawed at worst. Crowe doesn't put half the heart, passion, or effort into Robin Longstride that he did into Maximus. The characters are one-note and static, and the plot is overly-ambitious and needlessly complex. There is less than zero chemistry between Crowe and Blanchett. Robin's back-story was a contrived mess that added nothing to the movie except empty minutes to the running time. 

The main flaw with Robin Hood is that it's so preoccupied with being serious and deep, that it forgets to be fun. There's nothing wrong with trying to take a story like this in a more realistic direction, but there needs to be a rousing adventure at its heart. That's what's missing from this film. 

Robin Hood is a shadow of Gladiator. It's a shadow of Kingdom of Heaven, to be honest. But there are moments when the battles are raging and you forget that this is supposed to be Robin Hood, when it's an okay movie. My review seems horribly negative and that's not my intention - my expectations for this were just really high. It felt like Ridley Scott really didn't try all that hard, and the cast and crew followed his example.

Technically and aesthetically accomplished, but empty of substance, and full of pretentiousness, this "Robin Hood" is, in my opinion, one absolutely unnecessary revision of the mythical English archer's story.

As it has repeatedly been pointed out, you should not go into this expecting to find one more version of the "prince of thieves" theme. This is rather the (embellished) narration of how Robin Longstride came to be Robin Hood. It presents all the known characters, though many of them are vastly underused, and it describes how they came to know each other and become involved in each other's lives. It is by all practical means a "prequel" to the classic legend of Robin Hood.

So Ridley Scott tried to take a new approach on a well-known story, but the results are not impressive. I was surprised at how boring this movie turned out to be. It is a failed epic, devoid of passion, adventure, or feeling. It is almost inevitable to compare this to "Gladiator", because the latter excels at all the points that "Robin Hood" fails at. Even the battle scenes feel boring, predictable, and not spectacular at all. The heart of the director and of the main actor are just not there, and it shows.

What I liked most about the movie was the revision of Lady Marian's character, well portrayed by Cate Blanchett, but that's about that. I would rather have watched "The adventures of Robin Hood" (1938) or "Robin Hood, prince of thieves" (1991) than waste two and a half hours on this disappointment.

My rating is 3/10.

I enjoyed this movie and was impressed by the amount of detail Ridley Scott puts into his productions.

Yes, it could have been better and I think some of the areas where it failed to meet the excellence of Gladiator were:

* Plot – too convoluted, better to keep it simple and the hate more intense between the goodies and the baddies. * Character development – there was virtually none for the Merry Men. If Little John, Will Scarlet and co are in the movie, please give them something meaningful to say. * Editing - I think the movie fell down in this area and the narrative seemed stunted and disjointed at times. Perhaps the material was not just there in the first place? * A lack of passion – Russell Crowe in particular was too low key in his role but was not the only one. And Russell, I did get confused at times as to what part of old England you came from.

But there were some that put much more into it such as Cate Blanchett and Max Von Sydow (good to see this great old actor can still perform) and the movie did have many good points. It was certainly a lot different to what I expected and some of the sets and scenes were outstanding. Watch for the dazzling credits. Looks from the ending there will be a sequel and with a few improvements, I think it can be great.

Solid is the keyword. From the screenplay, to the cinematography and the performance, the film is based on solid grounding. Indeed, we couldn't imagine less from the people assembled on the project. And the first signs are indeed good, starting as an origin story that traces Robin's steps returning from the Crusades and arriving in Nottingham. The plot is immediately both compelling and fresh with regards to the well known tale.

The first problem we run into is that the film never allows itself to linger. This creates two problems: the sense of purpose it reaches for through urgency has a tendency to be lost to aimlessness, and the characters never have the space to generate real depth of emotion.

Imagine only this: Russel Crowe, Cate Blanchett and William Hurt together have collected three Oscars, and an additional nine nominations. Yet it it's hard to lavish praise on their performances, because they never manage to inspire empathy as well as we might wish. The sense of urgency - of imminent physical danger to their person, of the crucial importance of their quest - never quite strikes home.

The screenplay doesn't always help them. It attempts to give the tale a strong moral foundation, by associating it with burgeoning democratic ideals in feudal Britain, unconvincingly: suspension of disbelief failed this reviewer.

For both these reasons, the epic sense of greatness that saturates Mr. Scott's similar works never works in this one. Indeed, in the anticipated climax of the battle, slow motion shots fall flat, and emotion never reaches an expected high, in spite of the film's competence in the action scenes.

This is a work that strangely echoes others, as well. People will be drawn to comparisons with Gladiator; these aren't particularly relevant beyond Russell Crow's similar (yet less engaging) performance. Rather, Robin's journey from the crusades and through England, in which he prospers on fateful luck and earned respect, copies Ridley Scott's own Kingdom of Heaven. In their themes and ambition these three films are alike, but Robin Hood doesn't thrive from the comparison. Where flaws are shared, what made the other two great is oddly lacking in this latest historical epic from the director.

I'm relieved to see that so many other reviewers felt as I did --- although I also feel for those who participated in this movie and gave their all. I write movies myself, and have been on the receiving end of a lousy review, both from viewers and critics, and it "hoits." Nevertheless, honesty is our best friend, and so I'll add my impressions as a viewer.

I'm an Anglophile (American but majored in English lit and have avidly read British authors and legends from earliest to present day.) I read a version of Robin Hood as a child, as did we all. And what I loved most about Robin and the Merry Men even then was the camaraderie, the rough humor and loyalty to larger ideals. I loved the intimacy and "smallness" of the story in its magnificent forest. It invited the reader in to live with Robin and his band. I believe that this is what has charmed through the ages: Robin was a rebel and a leader --- irreverent and good-humored and fearless; quick to fight and to forgive, a foe of hypocrisy and unfairness. A trustworthy comrade. A marksman par excellence. A risk taker for the fun and hell of it.

This movie delivered none of that. It left me unengaged. And yes, sadly, Russell is far too old to be the youthful rebel that Robin was. And Cate... well she might have been the mother of Maid Marian, but she too, sadly, was miscast in this and we lose her great talent in a role that's unsuitable and drawn with too-broad strokes. A middle-aged woman hurling threats of emasculation, that is such a turn-off and risible as well. Oy, made me cringe and flinch (and I'm female too).

Even as a prequel, I didn't buy the setting. Huge battlefields, castles, large farms... we lose the intimacy and the character. Robin was a forest dweller above all --- he knew forests that are long since sacrificed to the hunger for wood and war. That would have been a fascinating fantasy scenario for Ridley Scott to recreate; those ancient, almost unimaginable first-growth forests... but this movie was not about Robin the forest outlaw. I do understand but still take issue with that strategy.

The movie was structurally difficult to understand, if not downright incomprehensible. That smacks of a script that did not know where it was going and as a result got overworked. For me, creating a a script is like kneading bread dough. You have to stop at just the right moment. If you continue kneading, the dough gets tough, loses its flexibility, rises poorly and the loaf is tough and and heavy. So... throwing in huge battle scenes that the audience really has no investment in was a costly error.

I could not help but compare this to Gladiator, which many others have, apparently: why did that formula work and not this? You still have the misunderstood, heroic but unwilling warrior who would rather make love and plant his fields; the crafty and corrupt ruler and his minions, the betrayal, the battles and carnage; Russell Crowe showing prowess and perfect "fight faces" (that must strike terror into hotel employees worldwide); the love interest, smoldering sensuality plus a good heart...

Well, we all grew up with Robin Hood, whereas Gladiator was a completely fresh plot line. But in trying to make Robin Hood fresh, Scott sacrificed the essence of his hero.

Had I presumed to write this movie, I would have placed the band in the forest, their natural habitat, and told the story of how Robin got there only in brief, sharp and poignant flashbacks that gave insight into who he is now. I would have replaced those tiring battles with the intimate skirmishes that Robin was known for; tests of archery and cudgeling that we loved in the book. I would have beefed upthe roles of the Merry Men we all knew and loved, rather than creating new characters out of whole cloth --- like the blind patriarch whose son's identity "Robin" stole ...what was that about? All that face-feeling and havy-handed declaiming over a character nobody, including Robin or Marian even knew --- that original son... I'd rather have seen more of Friar Tuck or Little John...