Unzertrennlich

Bob (Matt Damon) and Walt (Greg Kinnear) are conjoined twins (joined at their lower trunks--they share a liver) from Massachusetts. They own a burger joint named "Quickie Burger" and Walt has a love of acting. Walt decides to move to California to try his luck at the big time, and although Bob is initially reluctant, he also has a beautiful "Internet pal" in California who he's been talking to for more than three years.

Compared to some of directors Bobby and Peter Farrelly's other films, such as Dumb and Dumber, There's Something About Mary, and Me, Myself And Irene, we could say that the humor in Stuck On You is much more subtle. That fact may be off-putting to viewers who come to Stuck On You primarily as fans of the Farrelly Brothers' previous work. There are still outrageous gags here, but they tend to be funnier if you exercise your intellect a bit, and believe it or not they are more rooted in reality than some other Farrelly Brothers films. If you are familiar with Daisy and Violet Hilton's story, for example--they were infamous sideshow performers who were conjoined twins--you'll note similarities, such as how they approached relationships with persons of the opposite sex.

Like much of the Farrelly Brothers other work, however, Stuck On You is as heartwarming as funny, and on one level, it's primarily a very odd romance film. It also seems that perhaps this is the most personal of their films so far, and it may very well be a depiction of their love for each other as brothers. That also gives Stuck On You a slightly more serious edge, but one that works very well. This is a quality drama in addition to being a comedy leaning towards absurdism. That may sound like a strange combination, but it flowed smoothly for me as a viewer.

The performances by Damon and Kinnear are on target, and their love interests, May (Wen Yann Shih) and April (Eva Mendes) are intriguing and not at all clichéd. The extended cameos by Cher and Meryl Streep, as themselves, are very entertaining, and the supporting cast is excellent.

There's something about this `Stuck on You' that sticks to me after my initial impression that the Farrelly Brothers have created another inane comedy to compete with their equally dubious `Dumb and Dumber' franchise, `Shallow Hal, ' and `There's Something about Mary,' among others. That something is taking a story about goofy conjoined twins (Matt Damon and Greg Kinnear), tossing in bathroom and masturbation jokes, and then seeing a basic metaphor about the loss people feel when separated from another human being with whom they have spent their lives.

I commend the Farrellys because `Stuck on You' does not play for the broadest laughs but gently lampoons pretentious Hollywood and overtly praises the sincere emotions of two linked humans and the New England town that loves them regardless of their disability. I liked the connection of two innocent, loving brothers, who miss each other after separation. I liked botoxed Cher's presence to emphasize the decayed humanity of L.A., which sees clearly the business profit in deformity.

On another allegorical level, the twins could be the projection of the Farrellys themselves, going to Hollywood to exploit its penchant for seizing on the flavor of the month, regardless of its incorrectness or inhumanity and facing their own eventual split (Bobby is considering cutting back on their productions). The Farrellys are not the Coens, whose satire is more Kaufmans' `Adaptation' (Even if the brother is only imagined) than Zuckers' `Airplane.' But the Farrellys' five major motion pictures make them as bankable as any other successful brothers in the business.

Seeing diva Cher make fun of herself and Meryl Streep cutup as co-star with Kinnear in a musical stage production of `Bonnie and Clyde'(Think `Springtime for Hitler') are a couple of reasons to see this film. The best reason, however, is to enjoy the lighthearted interaction of two brothers who learn that nature's cruel marriage of their bodies gave them the best emotional marriage of their lives. The Farrellys have confirmed the Karl Menninger belief that `to know one another well enough should not be to hate one another the more but to love one another the more.'

Even those of us not conjoined could learn about brotherly love from `Stuck on You.'

The Farrelly Brothers' "Stuck On You" is sincere drama with lots of heart -- of course, along with their smart quips and earnest observations not diminishing. I even gone teary-eyed towards the end. Bobby and Peter Farrelly brothers wrote, directed and produced this movie and they are never sloppy. There is much attention to detail and exudes empathy and earnestness. (I'd say their 2001 production of "Shallow Hal," with Jack Black and Gwenyth Paltrow, contained moments of poignancy also.)

Watching Matt Damon (as Bob) and Greg Kinnear (as Walt) single-handedly flipping burgers and buns in syncopated rhythm -- 'tis an acrobatic act in itself! (The art of 'Quickie Burgers in less than 30 seconds' is such a theme!) The pairing is godsend. Both Damon and Kinnear are talented actors who had many fascinating roles. Kinnear's portrayal of Bob Crane ("Hogan's Heroes") in Paul Schrader's "Auto Focus" 2002 has pretty much established him -- since his debut role in Sydney Pollack's remake of "Sabrina" 1995 and coming through acting opposite Jack Nicholson in Albert Brooks' "As Good As It Gets" 1997 -- as one who can handle roles in depth. Damon, besides his writing quality, has shown his versatile capability in Ed Zwick's "Courage Under Fire" 1996 (psychological/military), John Dahl's "Rounders" 1998 (intense/suspense), Kevin Smith's "Dogma" 1999 (fun/satire), Anthony Minghella's "The Talented Mr. Ripley" 1999 (multiple personality/mystery), Billy Bob Thornton's "All the Pretty Horses" 2000 (romance/western), Doug Liman's "The Bourne Identity" 2002 (action/thriller), Steven Soderbergh's remake of "Ocean Eleven" (ensemble cast/heist), and Gus Van Sant's "Gerry" 2002 (mystical/hypnotic) which Damon scripted and acted with Casey Affleck -- yes, he can handle any role, indeed.

The story introduces, matter of factly, the things these two stuck together brothers do in their everyday life -- it's down to earth and comes across downright normal. The plot evolves when Walt wants to pursue his acting career, just like any Hollywood dreams and Bob wants his brother to succeed. The Farrelly brothers can sure weave a heartwarming story, and here they follow through the emotional curve and happenings (cause and consequences) between these two brothers, and their friends and neighbors along the way. It's a thoughtful and creative script, and the brothers (almost a pun here) manage to include a musical, too. Cher is in a supporting role playing her fun self. The two corresponding girl friend roles are played delightfully by Eva Mendes as April, and tenderly by Wen Yann Shih as May. Veteran actor Seymour Cassel has a riotous time with his wig. There's a heartfelt cameo by Meryl Streep -- it's beyond being brief. The use of songs and lyrics was complementary to the various moods at hand. (Gilbert O'Sullivan's 1970 hit "Alone Again, Naturally" included.) From the production notes, we learned that the conjoint-ness was made possible by a makeup team led by Tony Gardner, special makeup designer, who collaborated with the Farrelly's before -- he enabled Gwenyth Paltrow's 300-lbs physique in "Shallow Hal". Damon and Kinnear were 'stuck together' 14 hours a day for 3 months. It is amazing how Farrelly brothers and their capable filmmaking friends and collaborators realized this genuinely caring human drama-comedy. It's guaranteed enjoyable movie experience for everyone.

This was one of my top films for 2003. In general I am not a fan of the Farelly brothers, but I had enjoyed Shallow Hal, and Stuck on You got good reviews from our local paper, which is rare. One thing that had impressed me about Shallow Hal is that the things that you would think were completely illogical were addressed reasonably. The most obvious thought with the casting was that Matt Damon and Greg Kinnear are not even that close in age. Sure enough, early in the film they explain that Matt's character has most of the liver, so Greg's character is aging faster. I don't know if it is scientifically sound, but it works in the context of the film. That is one thing that is nice about the movie. The film has plenty of sight gags and easy humor, but there are also obscure references and delightful surprises that remind you that the film has a brain. It also has a heart, and Damon and Kinnear have a nice brotherly rapport.

Of the supporting cast, Eva Mendes is easily the most fun, and gets the best lines. There are also enjoyable turns with Meryl Streep, Griffin Dunne, and Cher starts out as her own worst caricature, but ends up showing a heart as well. Many other familiar faces pop up, including people you have seen as bit parts in the directors' other films.

Finally, I have to say I was really impressed with the connection between the two bodies. Very realistic looking make-up job.

To be honest, I am still a little amazed at how much I liked this film. I resisted seeing it for a long time because the concept sounded so offensive. But offensive is the last word I would use to describe this movie. Hilarious would be more accurate. The conjoined twin thing never feels like fodder for cheap jokes. Yes, it plays prominently in the plot, but it just never feels like you are laughing at them, only with them. There is genuine affection for the two main characters, played expertly by Damon and Kinnear, that really shines thru. To be absolutely honest, a lot of what makes this film so incredible is hard (for me, at least) to describe. All I can say is that it's funny, it's touching, it's a bit of Farrelly brothers magic. See it, you won't regret it.