Unzertrennlich

This was one of my top films for 2003. In general I am not a fan of the Farelly brothers, but I had enjoyed Shallow Hal, and Stuck on You got good reviews from our local paper, which is rare. One thing that had impressed me about Shallow Hal is that the things that you would think were completely illogical were addressed reasonably. The most obvious thought with the casting was that Matt Damon and Greg Kinnear are not even that close in age. Sure enough, early in the film they explain that Matt's character has most of the liver, so Greg's character is aging faster. I don't know if it is scientifically sound, but it works in the context of the film. That is one thing that is nice about the movie. The film has plenty of sight gags and easy humor, but there are also obscure references and delightful surprises that remind you that the film has a brain. It also has a heart, and Damon and Kinnear have a nice brotherly rapport.

Of the supporting cast, Eva Mendes is easily the most fun, and gets the best lines. There are also enjoyable turns with Meryl Streep, Griffin Dunne, and Cher starts out as her own worst caricature, but ends up showing a heart as well. Many other familiar faces pop up, including people you have seen as bit parts in the directors' other films.

Finally, I have to say I was really impressed with the connection between the two bodies. Very realistic looking make-up job.

There's something about this `Stuck on You' that sticks to me after my initial impression that the Farrelly Brothers have created another inane comedy to compete with their equally dubious `Dumb and Dumber' franchise, `Shallow Hal, ' and `There's Something about Mary,' among others. That something is taking a story about goofy conjoined twins (Matt Damon and Greg Kinnear), tossing in bathroom and masturbation jokes, and then seeing a basic metaphor about the loss people feel when separated from another human being with whom they have spent their lives.

I commend the Farrellys because `Stuck on You' does not play for the broadest laughs but gently lampoons pretentious Hollywood and overtly praises the sincere emotions of two linked humans and the New England town that loves them regardless of their disability. I liked the connection of two innocent, loving brothers, who miss each other after separation. I liked botoxed Cher's presence to emphasize the decayed humanity of L.A., which sees clearly the business profit in deformity.

On another allegorical level, the twins could be the projection of the Farrellys themselves, going to Hollywood to exploit its penchant for seizing on the flavor of the month, regardless of its incorrectness or inhumanity and facing their own eventual split (Bobby is considering cutting back on their productions). The Farrellys are not the Coens, whose satire is more Kaufmans' `Adaptation' (Even if the brother is only imagined) than Zuckers' `Airplane.' But the Farrellys' five major motion pictures make them as bankable as any other successful brothers in the business.

Seeing diva Cher make fun of herself and Meryl Streep cutup as co-star with Kinnear in a musical stage production of `Bonnie and Clyde'(Think `Springtime for Hitler') are a couple of reasons to see this film. The best reason, however, is to enjoy the lighthearted interaction of two brothers who learn that nature's cruel marriage of their bodies gave them the best emotional marriage of their lives. The Farrellys have confirmed the Karl Menninger belief that `to know one another well enough should not be to hate one another the more but to love one another the more.'

Even those of us not conjoined could learn about brotherly love from `Stuck on You.'

Bob (Matt Damon) and Walt (Greg Kinnear) are conjoined twins (joined at their lower trunks--they share a liver) from Massachusetts. They own a burger joint named "Quickie Burger" and Walt has a love of acting. Walt decides to move to California to try his luck at the big time, and although Bob is initially reluctant, he also has a beautiful "Internet pal" in California who he's been talking to for more than three years.

Compared to some of directors Bobby and Peter Farrelly's other films, such as Dumb and Dumber, There's Something About Mary, and Me, Myself And Irene, we could say that the humor in Stuck On You is much more subtle. That fact may be off-putting to viewers who come to Stuck On You primarily as fans of the Farrelly Brothers' previous work. There are still outrageous gags here, but they tend to be funnier if you exercise your intellect a bit, and believe it or not they are more rooted in reality than some other Farrelly Brothers films. If you are familiar with Daisy and Violet Hilton's story, for example--they were infamous sideshow performers who were conjoined twins--you'll note similarities, such as how they approached relationships with persons of the opposite sex.

Like much of the Farrelly Brothers other work, however, Stuck On You is as heartwarming as funny, and on one level, it's primarily a very odd romance film. It also seems that perhaps this is the most personal of their films so far, and it may very well be a depiction of their love for each other as brothers. That also gives Stuck On You a slightly more serious edge, but one that works very well. This is a quality drama in addition to being a comedy leaning towards absurdism. That may sound like a strange combination, but it flowed smoothly for me as a viewer.

The performances by Damon and Kinnear are on target, and their love interests, May (Wen Yann Shih) and April (Eva Mendes) are intriguing and not at all clichéd. The extended cameos by Cher and Meryl Streep, as themselves, are very entertaining, and the supporting cast is excellent.

I was worried with the 5.6 rating this was going to be average at best but it's so well acted and delivered I can't understand who didn't like it. It avoids cheap jokes at the expense of the brother's conjoined condition yet delivers laugh after laugh in a good-natured and fun way. Damon and Kinnear deliver high quality character depth with warmth and charm, well above midnight double feature level and the star cast nods are icing on the cake. The film is just good fun all the way through. Well worth the time to watch it and it seems it is a somewhat overlooked classy film.

*** out of ****

Well, it had to happen sooner or later. The Farrelly Brothers had to mature (somewhat) at some point and make a film that didn't rely on sex or gross-out jokes. That is apparently the case with Stuck On You, the Farrellys latest and tamest, but it's also one of their sweetest and funniest films to date.

Bob and Walt Tenor (Matt Damon and Greg Kinnear) are conjoined twins who've spent their whole lives in Martha's Vineyard. Bob is the owner of a burger restaurant and Walt is an actor who performs plays for the town's audience, but he has bigger ambitions; he wants to be a Hollywood actor, much to the chagrin of Bob, who suffers from a distinct case of stagefright. But after some discussion and compromise, they agree to move to L.A. and start a new life for themselves.

Upon arrival, Bob and Walt meet the friendly but ditzy April (Eva Mendes), one of their neighbors in the apartment they've just moved into. Bob even meets his internet pen-pal May (Wen Yann Shih), but because he's never told her he has a conjoined twin, he has to "bring" along Walt on their first date together. As for Walt's Hollywood dreams, after some initial lack of success, he's chosen by Cher herself to co-star with her on her new show, "Honey and the Beaze," in an attempt by Cher to sabotage her own series. But the show is an unexpected success thanks to Walt's burgeoning popularity, which puts a crimp in his relationship with Bob.

Reviewing comedies has always been a bit difficult for me, which is why I usually stick to the stuff that I find easier to write about (action/adventure, horror, drama, anything but comedy), but given all the knocks this film has taken (particularly the fact that barely anybody saw it in theaters) I felt a slight sense of obligation to mention that Stuck On You is the funniest and most touching comedy I've seen in recent memory.

This is not to say that the film always had me choking with laughter (though a scene involving a guy in front of his typewriter did get the biggest laugh out of me all year), but rather that it consistently delivered smiles, chuckles, and solid laughs without ever bogging down, no easy feat for a movie that runs for just under two hours.

Aside from the lack of sexual humor, there's a major difference between the style of comedy the Farrellys employ here than in some of their prior films. Whereas many their previous works have often made fun of the people that suffer from certain "disorders," Stuck On You presents us with two friendly, easy-going guys who've grown accustomed to their situation and choose not to see their conjoined liver as a handicap. Rather, the film derives its humor from the way "outsiders" view their condition.

In the film's two lead roles, Matt Damon and Greg Kinnear boast the kind of comic chemistry that most actors can only dream of. Damon, in particular, excels by taking the more "straight man" role, where he's not actually aiming for any laughs but still gets them anyway, maybe even more than the typically hilarious Kinnear. Watching these two guys stuck together reminds me why I find them two of the most likable actors in Hollywood, even when most of Kinnear's characters are generally abrasive losers (but not in this case). It is, in fact, Damon and Kinnear that make the film as wonderfully entertaining as it is. Had not even half of the jokes worked as well as they did, their performances would still warrant this movie a passable recommendation.

Stuck On You doesn't always juggle its various subplots perfectly; while Wen Yann Shih does play well into the film, a lot of brief cameos and a wide assortment of characters aren't meshed in as well. Worst of all is Cher, who's neither funny nor particularly convincing as the "bitch" she's made out to be. I have no idea if this says more about her personality or her acting skills.

Most of the Farrellys comedies generally tend to dissipate in the last half-hour or so, replacing its humor with more sincere attempts at trying to make their irascible and/or "cad-like" protagonists learn a lesson or two. The magic of Stuck On You is that its protagonists are always the same throughout, making no genuine "it's a miracle!" revelations about themselves at the last minute; after all, brotherly love is still brotherly love.

When the last twenty minutes threaten to devolve into sentimental clap-trap, the Farrellys punch in the necessary humor that defuses any of the building sap (spoiler:I think my favorite scene in the whole film is when Bob and Walt re-unite after parting their separate ways, in a scene that's both hilarious and touching), making the film sweet without getting too sweet. The Farrellys have made a lot of funny movies, but this is the first of theirs I can recommend to just about anyone.