Swimming Pool

Makers of erotic thrillers need to be careful, as that is a genre that, if not handled carefully, can quickly fall prey to silliness and excess (think "Fatal Attraction"). "Swimming Pool" is a thriller in the style of "The Deep End," and more than once I was struck by similarities between the two in their respective tones and reliance on water as a recurring visual motif. Also, both films have a middle-aged female as the protagonist who becomes involved in covering up for the actions of a child (in "The Deep End" a literal child, in "Swimming Pool" a figurative one). Also, both films are completely unpredictable. Neither goes the direction in which the viewer thinks it's going to. However, "Swimming Pool" is much more abstract, and its ending leaves you wanting to watch the whole thing over immediately with an entirely different perspective on the action. This gimmick always makes for a memorable ending in movies that employ it, but too often it makes the rest of the movie seem somewhat pale in comparison, and this is the case here. "Swimming Pool" plays tricks with your perceptions, but the finale to which the film builds seems somewhat anti-climactic when it finally comes.

It's a leisurely paced film, and you'll need to have patience with it. You'll also need to have patience with the main character, played by Charlotte Rampling. Rampling gives a fine performance, but her character is really unlikable (intentionally so), and it's always a liability for any story that focuses almost solely on one person to make that person unlikable, or at least sympathetic.

"Swimming Pool," though billed as an erotic thriller, is really about the creative process (I think), and I won't say anymore about that because to do so will give away the ending. It's an interesting idea, imperfectly executed.

Grade: B

Our neighbor Donna has a knack for buying offbeat DVDs, and 'Swimming Pool' is one of the more. She asked us to see it, and explain it to her. Charlotte Rampling plays the central character of Sarah Morton, a writer who seeks new inspiration at her publisher's vacation home in the south of France. All is well and quiet until Julie (pretty and nubile Ludivine Sagnier) shows up, claiming to be the daughter that Sarah's publisher failed to mention. Sarah and Julie are like fire and ice, oil and water, acid and caustic. Everything that Julie is, carefree, bold, and over sexed, Sarah isn't. Then, what we see developing is Sarah using Julie as the inspiration for her writing. Sarah begins to encourage Julie. And Julie provides much inspiration! This isn't a movie for those put off by nudity or the French habits of liberal sleeping around. But for those who like a clever and absorbing story, that will tingle your brain cells when it is over, having you asking "What exactly happened?" , then you will probably enjoy this one.

SPOILERS follow, quit reading if you have not seen 'Swimming Pool.' As the story progresses, Sarah gets less annoyed with Julie's bratty and loose behavior, and actually seems to be inspired to experiment a bit too. Things turn sinister when Julie is putting off the night time poolside advances of one of the men she brought home, and ends up murdering him. Instead of admonishing Julie, Sarah helps her dispose of the body. The next day, when the village-dwelling gardener shows up, threatening to discover the deed, Sarah offers misdirection by stripping and inviting the old gentleman to her room for sex. BIGGEST SPOILER -- when Sarah gets back to London, her publisher's offices, meets 'Julia', the young daughter who looks and acts nothing like 'Julie' of the movie. My best interpretation, which is also based on comments by writer/director Ozon, is the 'movie' in France was in the imagination of Sarah, starting when she opened her window at night, and which was actually the book she was writing. As the movie ends in London, Sarah shows her publisher John the manuscript for 'Swimming Pool', which he doesn't like. Then she gives him a copy of the published book, telling him he knew he wouldn't like it, because it was a parody of him, and had someone else publish it.

Update: Saw it again January 2011 and it is a great movie to re-watch.

I first saw this film on HBO in 2005 and now own it. HBO and others continue to run it. It is a very mature, engrossing film with a metaphorical plot. From the opening credits it immediately begs for your attention and once it has you in its grasp, you will find you cannot escape. A successful author of a series of mystery novels but bored with her work, Charlotte Rampling goes to the south of France for looking for fresh ideas for a new book, begins down one avenue and then changes direction. The location, photography and performances are exceptional as is the set design, replete with elegant simplicity that flows past your eyes. You are drawn in so well you can taste the wine and feel the pool's water flowing around you. The actors, especially Rampling and the actress who plays Julie, are impeccable. The Swimming Pool is a totally wonderful experience. Dive in!

This film owes a great deal of gratitude to the second collaboration between Francois Ozon and his leading lady, Charlotte Rampling. They ought to team up more.

As with the previous film, Under the Sand, this is an enigmatic piece of cinema. This film, I believe, has more to do with Sarah Morton's imagination than with the actual story presented to us. There are so many hidden clues within the story that everyone will have a different take in what is presented in the film and what the actual reality is.

Francois Ozon is not a boring director. He will always present an interesting story, fully developed, with many twists to get his viewer into going in different directions trying to interpret it all.

Charlotte Rampling is magnificent as Sarah Morton, the repressed author of mystery novels. Ludivine Sagnier is very good as the mysterious Julie, the alleged daughter of Sarah's publisher, but now, is she really that person?

The ending will baffle the viewer. This is a film that will stay and haunt one's mind for days.

A British mystery novelist called Sarah Morton (Charlote Rampling) is really blocked, so she's bored by her successful series de mysteries and while seeking inspiration for her new book. She then accepts an offer from her publisher John Bosload (Charles Dance) to stay at his home in Luberon, in the South of France. So Sarah arrives in her publisher's home in the South of France, where she eventually finds inspiration. Sarah takes a fine break at thr Provencal holiday home and finds the relaxed paradise creatively stimulating until his teenage daughter (Ludivigne Sagnier) turns up unannounced. Sarah interaction with his unusual daughter sets off some touchy dynamics. Tension coming to a head when the promiscous girl brings home a handsome local waiter (Lamour) the older woman has been slowly befriending. Tired of London and Dive into this summer's sexiest mystery !. On the surface, all is calm !.

An interesting drama in which tensions, jealouses , suspense and nudism developing throughout. For all its many twists which by the end probably become a little perplexing for the inattentive. It's a decent film with colorful cinematography, intriguing score and nice interpretation, but all of them can't compensate for the superficiality of the movie's hackeyed premise. Moreover, some of the scenes in English are clumsily developed and some details are downright implausible. Ozon's movie is derivative and predictable , that's why do blocked crime writers always fantasize themselves into a scenario which will restore creativity. Terrific performances from Charlotte Rampling as the uptight, repressed British mystery author who seeks a wrong place to rest and Ludivigne Segnier as as the tempting and seductive young woman who arouses unspeakable passions.

Yorick Le Saux's sumptuous camerawork succeeds in build a mood of febrile sensuality. Adding a suspenseful and mysterious musical score by Philippe Rombi in the wake of the composer Bernard Herrmann, Hitchcock's regular. The film was professionally directed by Francois Ozon, but turned out to be a bit slow and implausible at times, though definitively engaging the viewer. Ozon is considered to be one of the best French filmmakers. His favorite director is Rainer Werner Fassbinder, that's why he made 'Peter Von Kant'. Ozon considers filmmaking a "parallel world", in which he flees the boring everyday life. Ozon calls actress Romola Garai his muse. Member of the 'Official Competition' jury at the 62nd Berlin International Film Festival in 2012 and he has won several prizes. Ozon is a prolific writer and director who has made all kinds of genres with penchant for comedy and drama, such as: ¨By the Grace of God' , 'Été 85', 'Le Refuge', 'Peter Von Kant', '5x2' , 'Angel', 'Dans la maison', 'Swimming pool' , 'Le temps qui reste', 'Criminal lovers', 'Everything Went Fine', 'Sitcom', among others. And his last one, a crime comedy titled 'Mon crime' (2023). Rating Swimming Pool: 6.5/10. The flick will appeal to Charlotte Rampling fans.