IMDb-BEWERTUNG
3,4/10
7566
IHRE BEWERTUNG
Ein freiberuflicher Agent muss ein Paket für einen mysteriösen Arbeitgeber transportieren, was ihn in ein Netz von Verrat und Betrug führt.Ein freiberuflicher Agent muss ein Paket für einen mysteriösen Arbeitgeber transportieren, was ihn in ein Netz von Verrat und Betrug führt.Ein freiberuflicher Agent muss ein Paket für einen mysteriösen Arbeitgeber transportieren, was ihn in ein Netz von Verrat und Betrug führt.
Grzegorz Mostowicz-Gerszt
- Assailant
- (as Grzegorz Mostowicz)
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Steven Seagal has starred in some great action flicks down the years but unfortunately this ain't one of em. As other hacks have pointed out on this page, the plot is messy and incoherent and it's difficult most of the time to even work out who are supposed to be the `good guys' and who are supposed to be the `bad guys'. It borrows a major plot element from the movie `Ronin' from a few years back, namely a mysterious package that various mysterious factions are desperate to get their hands on and will walk over corpses in order to do so, and like that movie this one also has a European setting. The plot of `Ronin' was also a bit convoluted and confusing and required the viewer to pay close attention to what was going on. But the `The Foreigner' is far worse. It tries too hard to be intriguing and mysterious and in the process ends up as a complete mess. And then we come to Mr. Seagal himself. Okay, he's the on dark side of 50 now, but that in itself isn't necessarily a barrier to being able to carry off a tough-guy action role. For example, Clint Eastwood was older than Seagal is now when he starred as the hard-as-nails Marine gunnery sergeant in `Heartbreak Ridge' in the mid-1980s, but he carried off that role superbly and convincingly because he was lean, mean and obviously very fit. Seagal on the other hand has quite clearly gone to seed, allowing himself to balloon (as others have also pointed out here) to almost Brando-esque proportions and quite frankly looked laughable here. And then there's that annoying, headache-inducing `fast-motion, slow-motion' camerawork that unfortunately seems to be all the rage with movie-makers right now. Hopefully it's a trend will soon die out (that movie `The Matrix' has got a lot to answer for). In a nutshell sub-standard and very typical `straight-to-video' fare and really only recommended for die-hard Seagal enthusiasts. 3 out of 10 (and I'm being generous).
The movie fascinated me because of the plot, but once it got underway my fascination took a different direction. I think for the only time in my life I laughed at people getting shot. Segall's Dutch accomplice shoots everyone! He himself is shot four different times. The hotel clerk won't give out a room number? Ask her to call and see which number she dials. Then, instead of unobtrusively going to that room, shoot her!
The farce is complete when Segall faces down an opponent holding a gun 20 yards away. He flings a flight recorder CD with a little C4 stuck on like gum at his assailant. We see the disk igniting in mid-air in slow motion. Does the other guy shoot? No, he just stares at a CD coming to blow him away. The CD has the extra fun effect of propelling him backwards and upwards through a conveniently placed 2nd story picture window.
I must admit; I enjoyed this so much that I immediately went out to get another Segall movie to see if it is as ridiculous. I can't explain why this is entertaining, but it is! IT IS!!
The farce is complete when Segall faces down an opponent holding a gun 20 yards away. He flings a flight recorder CD with a little C4 stuck on like gum at his assailant. We see the disk igniting in mid-air in slow motion. Does the other guy shoot? No, he just stares at a CD coming to blow him away. The CD has the extra fun effect of propelling him backwards and upwards through a conveniently placed 2nd story picture window.
I must admit; I enjoyed this so much that I immediately went out to get another Segall movie to see if it is as ridiculous. I can't explain why this is entertaining, but it is! IT IS!!
This is one of those films that makes me wonder about the integrity of a lot of film reviewers. In this very same forum, you will find a guy who talks about all of the Steven Seagal films he has seen that he didn't like. Then why watch his movies? It's as if every action film is supposed to live up to the Godfather movies or something. I just don't get it. This film was a pleasure to see. A very polished and professional production. The movie has some interesting plot twists that no doubt can get the lazy of mind in a twist, waiting for the pieces to come together. But like all good directors, Michael Oblowitz makes you wait to the END of the film to find out the answers. As opposed to the BEGINNING of the film like some of the savant reviewers seem to think it should be. In my opinion Steven Seagal is one of the few action movie people who actually made significant improvement in acting skills as their careers developed. You want to see exceptional acting? Watch Steven in the scene from Glimmer Man, when as Jack Cole he tells his wife that he is going to have to tell his kids that their mother is dead. If you can watch that scene and honestly say that you think he can't act, then maybe you should stick to the Oscars. And even then, just about every actor that has won an Oscar has had their share of stinkers. Seagal makes great action films. Certainly better than most of the Chuck Norris films, most of the Stalone films, and most of the Schwarzenegger films (his comedy is good but Arnolds action acting on his best day isn't as good as Seagals).
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
Steven Seagal should have got a better agent.After Exit Wounds miraculously went straight to number one at the US box office and temporarily restored his position as a top ranking Hollywood action star,his next step was not to go for a leading role in a film by another big name,Hollywood action director like John Woo or Michael Bay,or even his old aquaintance Andrew Davis,but to go to trashy,sloppy DTV action director Albert Pyun and appear in a supporting role in a Godawful piece of dreck by the name of Ticker.This,did,however,go straight to video (as just about every film Pyun's ever made has) and probably went unnoticed by the cinema going public.However,when the film Half Past Dead was released a year later,in which Mr.Ponytail co starred with gravel voiced rap midget Ja Rule,the gimmick appeared to have worn off,and the film,unlike EW which started the whole Seagal/rappers thing,was a mega flop.Maybe it had something to do with it being released on the same weekend as Harry Potter 2,but nevertheless,flop it was,and now,Seagal appears to have plummeted smack-bang right to the position his career was in five years ago with the straight-to-video action movie The Foreigner,a labourous,over-stylised dud that runs for 92 minutes,but ends up feeling more like 992.
This is probably owed more than anything to a totally incomprehensible plot,with too many thinly plotted twists,turns and red herrings in it to sustain interest.
Seagal's raspy voice has always seemed to prove a hinderance to any movie he's in,but he mumbles so badly at certain stages in this,even the highest pitched dolby pro logic sound system probably couldn't make him sound any more audible.
Aside from this,the movie,especially for a 15 certificate,is full of gratuitous violence,mainly in the form of graphic shootings,especially from the Dunoir character.There are some other rather grisly images too,but the shootings are certainly the most consistent.
Certain scenes have a nice visual flair,and the action's not bad,but overall,this is a ponderous mess that shows clearly the direction in which Seagal's star is falling.**
Steven Seagal should have got a better agent.After Exit Wounds miraculously went straight to number one at the US box office and temporarily restored his position as a top ranking Hollywood action star,his next step was not to go for a leading role in a film by another big name,Hollywood action director like John Woo or Michael Bay,or even his old aquaintance Andrew Davis,but to go to trashy,sloppy DTV action director Albert Pyun and appear in a supporting role in a Godawful piece of dreck by the name of Ticker.This,did,however,go straight to video (as just about every film Pyun's ever made has) and probably went unnoticed by the cinema going public.However,when the film Half Past Dead was released a year later,in which Mr.Ponytail co starred with gravel voiced rap midget Ja Rule,the gimmick appeared to have worn off,and the film,unlike EW which started the whole Seagal/rappers thing,was a mega flop.Maybe it had something to do with it being released on the same weekend as Harry Potter 2,but nevertheless,flop it was,and now,Seagal appears to have plummeted smack-bang right to the position his career was in five years ago with the straight-to-video action movie The Foreigner,a labourous,over-stylised dud that runs for 92 minutes,but ends up feeling more like 992.
This is probably owed more than anything to a totally incomprehensible plot,with too many thinly plotted twists,turns and red herrings in it to sustain interest.
Seagal's raspy voice has always seemed to prove a hinderance to any movie he's in,but he mumbles so badly at certain stages in this,even the highest pitched dolby pro logic sound system probably couldn't make him sound any more audible.
Aside from this,the movie,especially for a 15 certificate,is full of gratuitous violence,mainly in the form of graphic shootings,especially from the Dunoir character.There are some other rather grisly images too,but the shootings are certainly the most consistent.
Certain scenes have a nice visual flair,and the action's not bad,but overall,this is a ponderous mess that shows clearly the direction in which Seagal's star is falling.**
When you watch a Seagal movie, you expect good action. You expect fighting, not just a lot of shooting like in this flick. And: you expect a rather simple story. OK, I can live with a more complex story even though it's a Seagal movie. But this one, this is, I don't know what to say. It's very, very confusing indeed. At the end of the movie, I had major problems figuring out what had happened. And I know I'm not the only one. The story lacks so much information and is so full of plot holes that it's nearly impossible to keep track of what's happening in the movie. There are many people in the movie, people change sides all the time, and it switches locations too often. Terrible. I just don't understand why it looks like Seagal is making a sort of sequel to this one.
Wusstest du schon
- WissenswertesThe opening scene with the soldiers is an actual "change of duty" at the "Grave of an Unnamed Soldier" in Warsaw, Poland - a symbolic tribute to all those killed in the Second World War.
- PatzerIn the scene where the characters exit the burning farmhouse, Steven Segal's stand-in is clearly visible.
- VerbindungenEdited into Foreigner 2: Black Dawn (2005)
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- 16.700.000 $ (geschätzt)
- Laufzeit1 Stunde 35 Minuten
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- 1.85 : 1
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