IMDb-BEWERTUNG
8,0/10
151.152
IHRE BEWERTUNG
Der Filmemacher Michael Moore untersucht die Wurzeln der amerikanischen Vorliebe für Waffengewalt.Der Filmemacher Michael Moore untersucht die Wurzeln der amerikanischen Vorliebe für Waffengewalt.Der Filmemacher Michael Moore untersucht die Wurzeln der amerikanischen Vorliebe für Waffengewalt.
- 1 Oscar gewonnen
- 39 Gewinne & 13 Nominierungen insgesamt
Salvador Allende
- Self - President of Chile
- (Archivfilmmaterial)
Arthur A. Busch
- Self - County Prosecutor: Flint, Michigan
- (as Arthur Busch)
George Bush
- Self
- (Archivfilmmaterial)
George W. Bush
- Self
- (Archivfilmmaterial)
Bill Clinton
- Self
- (Archivfilmmaterial)
Steve Davis
- Self - Deputy Sheriff
- (Archivfilmmaterial)
Ngo Dinh Diem
- Self - President of South Vietnam
- (Archivfilmmaterial)
Joe Farmer
- Self - Superintendent of Schools
- (Archivfilmmaterial)
Barry Glassner
- Self - Author of 'The Culture of Fear'
- (as Prof. Barry Glassner)
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On April 20, 1999 two students opened fire on their classmates at Columbine High School in Littleton, Colorado. It left 13 people dead and many more injured, gravely affecting the lives of those involved and stirring up a very loud gun control debate. In 2001, Michael Moore released Bowling for Columbine, a documentary that takes a look at gun violence in America and the things that make us the nation with, by far, the most gun related deaths per year. Moore examines the culture of America and just how we got this way through fear, paranoia, and vast over compensation to protect ourselves from something that isn't even there.
Michael Moore is obviously very liberal, and this comes through in almost everything he says or does. There is a lot of politics that go into his filmmaking, especially in this film that was released amidst the Bush administration. A lot of personal opinion goes into his filmmaking and he presents a very left wing point of view. Moore also employs plenty of theatrics and some overly dramatic moments in his film to get a point across. However, said point is incredibly important and it is laid out very clearly and very concisely throughout Bowling for Columbine.
Politics play a part in Moore's arguments, but they don't overshadow the basis of what he is trying to prove. In this film, he clearly outlines America's gun crazy culture fueled by paranoia, and if you just take a look around you will know that he has a point. Sure he finds the most ridiculous stories and the greatest examples to push his point, but in the broad generalization of what he is examining you can't say that he's wrong.
Interestingly enough, things haven't changed much in our culture in the eleven years this film has been out. America still thrives on fear, and we still fear the same things we did when this movie was made. It was incredibly interesting watching this film after the recent events in Aurora, Colorado because anything Moore says about Columbine can easily be related to our most recent tragedy. It proves that Moore has, rather unfortunately, made a timeless film that looks at an issue that seems to never go away, instead only getting worse. Moore tackles some disturbingly true topics about gun violence and fear, and he puts it all into his perspective very well in a very high quality documentary. Bowling for Columbine is an excellent film that people in America truly have to watch. Moore points out some sad but very prevalent truths in this film, and there is a lot to be learned from it.
Michael Moore is obviously very liberal, and this comes through in almost everything he says or does. There is a lot of politics that go into his filmmaking, especially in this film that was released amidst the Bush administration. A lot of personal opinion goes into his filmmaking and he presents a very left wing point of view. Moore also employs plenty of theatrics and some overly dramatic moments in his film to get a point across. However, said point is incredibly important and it is laid out very clearly and very concisely throughout Bowling for Columbine.
Politics play a part in Moore's arguments, but they don't overshadow the basis of what he is trying to prove. In this film, he clearly outlines America's gun crazy culture fueled by paranoia, and if you just take a look around you will know that he has a point. Sure he finds the most ridiculous stories and the greatest examples to push his point, but in the broad generalization of what he is examining you can't say that he's wrong.
Interestingly enough, things haven't changed much in our culture in the eleven years this film has been out. America still thrives on fear, and we still fear the same things we did when this movie was made. It was incredibly interesting watching this film after the recent events in Aurora, Colorado because anything Moore says about Columbine can easily be related to our most recent tragedy. It proves that Moore has, rather unfortunately, made a timeless film that looks at an issue that seems to never go away, instead only getting worse. Moore tackles some disturbingly true topics about gun violence and fear, and he puts it all into his perspective very well in a very high quality documentary. Bowling for Columbine is an excellent film that people in America truly have to watch. Moore points out some sad but very prevalent truths in this film, and there is a lot to be learned from it.
This movie makes me feel that it is the first time i just remotely understand the American society. Michael Moore explores the darkest side of America - the society built on fear. Fear of terrorists, fear of the coloureds fear of your neighbor. It appears that americans have lost perspective, not noticing the real dangers of life: pollution, traffic, e.t.c. With TV-channels telling stories only about violence and terrorism and populistic politicians scaring people to vote for them Americans trust only in themselves.
Michael Moore tries with this movie to make the Americans consider and think for themselves being rationals, and to tell the rest of the world how the American society works. Really something to think about... See it, its necessary
Michael Moore tries with this movie to make the Americans consider and think for themselves being rationals, and to tell the rest of the world how the American society works. Really something to think about... See it, its necessary
The two high school students made infamous for their rampage at Columbine were rumored to have been at a bowling class at the school the morning of the shooting. It turned out to be urban legend, but Moore kept the catchy title, anyway. There seems to be no in between in regards to the filmmaker. I flat out love his work, all the way back to Roger and Me, and his TV shows, TV Nation and The Awful Truth. Here he takes on the NRA and Charleton Heston, or Moses, as he is best remembered, as he was the chief spokesman for the gun rights organization. As a gun owner, living in a secluded area, even I recognize the need for proper screenings and some restrictions on firearms.
As usual, Moore uses sardonic humor to make his point. At a bank in Colorado, he is given a hunting rifle for purchasing a CD. As he leaves the bank with the weapon, he asks, don't you think it's a little dangerous handing out guns at a bank? The high point is when Moore interviews Heston, asking him about the high level of gun violence, and Chuck answers that the reason is "race mixing" in America. This was seen by some as an ambush; I see it as Moore capturing the actors true feelings, and they are frightening. RIP Charlie boy.
Bowling for Columbine is both informative and entertaining, and Moore is our best documentary filmmaker. Look out, Dittoheads, the truth hurts.
As usual, Moore uses sardonic humor to make his point. At a bank in Colorado, he is given a hunting rifle for purchasing a CD. As he leaves the bank with the weapon, he asks, don't you think it's a little dangerous handing out guns at a bank? The high point is when Moore interviews Heston, asking him about the high level of gun violence, and Chuck answers that the reason is "race mixing" in America. This was seen by some as an ambush; I see it as Moore capturing the actors true feelings, and they are frightening. RIP Charlie boy.
Bowling for Columbine is both informative and entertaining, and Moore is our best documentary filmmaker. Look out, Dittoheads, the truth hurts.
What has become of the United States? Is there any difference from the United States that was formed by Puritans and tried to escape from persecution under the British flag? Has there always been a different mentality for the American than that of any other nationality of individual? After September 11th Michael Moore the director and writer set out to make a documentary that addressed these and other embedded questions that are addressed everyday in our news media, school systems, homes, stores and street corners. Attempting to address all sides of the issues as a person of the media Moore used not only his own experiences, his connection to the NRA, but also other persons opinions that ranged from Charlton Hesston, the well known president of the NRA and famous actor, to the average American that was confronted with the violent acts that resulted from the accessibility of fire arms. This documentary took a new approach to the display of information. Not only was animation used to explain history, American's imbedded fear of their own neighbors, but it also used rock music ( gave a beat or a pulse to the film that progress from slow to fast as the intensity of the issues progressed), sarcasm, interviews, and casual conversations. Moore traveled the country to talk to all those that make up the spectrum of the American society, he traveled to the scenes of some of the more recent American tragedies, made impromptu stops in corporations such as Kmart (where the boys from Columbine bought the ammunition used in the shooting), and traveled to Canada to get an outside or foreign opinion. The idea was to move away from the documentary style of `talking heads'; he wanted a film that would not only touch a chord with the American people but one that would also be readily watched. This idea also made the documentary, that there was too much influence placed on the `words of the professional' or the ` findings of the expert'; that these findings and misleadings flooded the news at night to increase the amount of fear that the average American has as it looked for a scape-goat to blame. The information that Moor presented in his documentary did not technically follow a pre-described narrative, but followed more of a form where the audience was left areas to think and to breakdown the information. Elements of the circular narrative were the foundation of the film, where similar elements in opinions and the common American we continually addressed. Yet, the only problem that could be addressed is one of the ways in which Moore collected some of his data. Some might see a use of trickery or manipulation was used on his part to get the responses and such passion-filled opinions stated. While others would see the same information in the light that no instigation was needed, that people have these strong beliefs, opinions and are willing to talk about them but they lack the examples or understanding of the topic to take a well informed stand on one side or the other. Such a problem is not new in the world of documentaries when controversial data is presented to the public. Moore did a great job of presenting a delicate subject to the American people and was deserving of the Academy Award for the project.
The scenes shot in Sarnia, Windsor and Toronto, Canada have provoked much conversation in Canada. These scenes epitomize both the problem and the strength of BFC, that is, the sense is correct but the details often exaggerated. While the received notion that Canada is less violent than the US is accurate, we are catching up in a hurry. And people do lock their doors, at night anyway. In Toronto's current (Nov. 2003) mayoralty election, increasing street violence and crime is a major issue. When Moore asks Heston, "Why do other countries have so much less gun violence than the US?" Did you catch his brief answer? He says, "They will". Whatever is causing the problem, the U.S. is on the leading edge of the curve, but other countries are catching up.
That said, I give Moore credit for provoking conversation, for his humour (in spots). His lack of balance doesn't concern me. I can find my own balance, thank goodness for dissent and free speech. I also think that Moore is restrained in drawing conclusions in the film, which is a great strength of the film, in provoking discussion, and allowing people to express their own opinions.
Finally, Moore is way off on Marilyn Manson. Moore is careful to say that there is no direct causal relationship between Lockheed and the Columbine assassins - it's a mentality thing. Isn't the connection between Manson and teenage suicide/ violence much more palpable than Moore's connection of Lockheed & Columbine.
** UPDATE in Nov. 2005 - regarding Toronto, the score is Heston 1 Moore 0.
That said, I give Moore credit for provoking conversation, for his humour (in spots). His lack of balance doesn't concern me. I can find my own balance, thank goodness for dissent and free speech. I also think that Moore is restrained in drawing conclusions in the film, which is a great strength of the film, in provoking discussion, and allowing people to express their own opinions.
Finally, Moore is way off on Marilyn Manson. Moore is careful to say that there is no direct causal relationship between Lockheed and the Columbine assassins - it's a mentality thing. Isn't the connection between Manson and teenage suicide/ violence much more palpable than Moore's connection of Lockheed & Columbine.
** UPDATE in Nov. 2005 - regarding Toronto, the score is Heston 1 Moore 0.
Wusstest du schon
- WissenswertesBecause the film didn't fit neatly into any established categories at Cannes, the Jury created a special 55th Anniversary Award just for the film.
- PatzerThe film claims that that Eric Harris and Dylan Klebold attended a bowling class on the morning of the massacre. This is incorrect as testified in a judicial review.
- Zitate
Michael Moore: If you were to talk directly to the kids at Columbine or the people in that community, what would you say to them if they were here right now?
Marilyn Manson: I wouldn't say a single word to them. I would listen to what they have to say, and that's what no one did.
- Crazy CreditsIn the credits, there is a thank-you to Mike's Militia--Athens Branch. This does not exist; during his speaking engagement at Ohio University to promote his book "Stupid White Men", Michael Moore screened two versions of the "History of gun control" animated segment, which featured the same animation but different narration. The audience was asked to vote on which of the two versions should be included. After choosing a version, Moore claimed he would include Athens, Ohio and the audience in the credits, but wasn't sure what name to give credit to. Several suggestions were shouted out and Mike Michigan Militia, Athens, Ohio branch was finally chosen.
- Alternative VersionenIn the theatrical release, a caption was inserted into a 1988 Bush-Quayle ad, "Revolving Doors," which read "Willie Horton released. Then kills again." In the DVD release, the caption reads "Willie Horton released. Then rapes a woman." Neither version makes it clear that the text was not part of the original ad.
- VerbindungenEdited from Peasants' Paradise (1931)
- SoundtracksTake the Skinheads Bowling
(1985)
Written by Victor Krummenacher, David Lowery, Christopher Molla, and
Jonathan Segel
Performed by Teenage Fanclub
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Masacre en Columbine
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.576.018 $
- Eröffnungswochenende in den USA und in Kanada
- 209.148 $
- 13. Okt. 2002
- Weltweiter Bruttoertrag
- 58.015.923 $
- Laufzeit2 Stunden
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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