Kapitalismus: Eine Liebesgeschichte

Reading some of the other reviews of Capitalism: A Love Story, it soon becomes clear that those leaving low scores either haven't seen the film or have a particular agenda to smear the movie - one reviewer seems to think Angela Merkel's Germany (a centre right politician!) is 'Socialist'! It is this deliberate dumbing down in America of issues surrounding what capitalism is and does (as opposed to socialism) that enabled the conditions for the banks to exploit the worst off in American society and force the taxpayers to foot the bill by bailing them out - and why Americans are still without a universal free healthcare system. Moore takes great pains, and succeeds, in highlighting how this culture of demonising anything that criticises rampant and unregulated free market economics has been firmly established in US society. He has clearly undertaken a measure of research in the production - numerous sources/interviews and facts are used in the narrative - but the best thing for me was that he still manages to keep the more complicated aspects of banking and loans extremely accessible (I'm hopeless at maths!).

Comments that Moore is a socialist are extremely juvenile - Moore is a socialist in the same way that Ghandi was a terrorist or Jesus was a trouble maker.

All in all a very informative and inspiring documentary that dares to mention the elephant taking a big dump in the room.

Michael Moore has never been objective. No documentary maker ever was. When you chose a subject, you've already taken some kind of position and Moore doesn't try to hide what he thinks.

And he shows us worker's families being driven from their homes and brokers making profit on it. He shows business companies taking life insurances on their employed and taking all the money when the employed dies. He says that the Congress is in the hands of Wall Street and especially Goldman and Sachs. There are more examples.

The interesting question is why Michael Moore is so alone making these kind of films in the US. The answer is probably that the investors don't want him or anybody else to do them. They want to go on, treating the American people in the most terrifying ways. And since money seems to decide so much in that country, such films are very seldom made. But you're not supposed to know.

I wasn't sure what to expect, but I was very impressed with the combination of comedy, tragedy, and historical explanation. Yes, there is a bit (or more) of playing to the camera by Moore himself--however, I enjoyed the grandstanding--kind of an investigative revenge fantasy to physically call attention to one of the biggest crime scenes ever. While the use of 1950s instructional film segments is played for laughs, other historical footage is literally breath-taking. My NY audience was utterly silent when we saw what FDR wanted to do, and might have done, had he lived longer. MY REQUEST, at least for the DVD version, would be to have more labels on the lesser-known political figures, so we could more readily identify the few, brave souls who spoke out in vain. I plan to see it again.

He took on our nation's obsession with guns in BOWLING FOR COLUMBINE. He took on the politics of Bush/Cheney fear mongering in FAHRENHEIT 9/11. He even took on the health care insurance industry in SICKO. And once more, the tenacious rabble-rouser from Flint, Michigan, Michael Moore, takes on the powers-that-be in a cinematic broadside that needs to be seen--CAPITALISM: A LOVE STORY.

In this new opus from the man who has always gotten under the skin of the nattering nabobs of negativity on the Far Right, Moore posits some very chilling questions about our system of Capitalism: Is it really intrinsically evil? Should it be abolished? And he does so with the kind of simmering populist outrage that has been his stock-in-trade since his 1989 breakthrough ROGER AND ME (which is in fact part of the archival footage he uses here). In it, he details how America's financial system got overheated by deregulation and predatory loan practices that struck at the heart of the poor and middle class, the ones who actually make up the heart and soul of America and who are always the most vulnerable, leaving the rich to walk away with billions in taxpayer bailout money. It also shows us how corporate greed, far from enriching our lives, has actually corroded them, and subsequently corroded our political system so that the villains of this whole scheme are the same ones that buy off our elected representatives to sit there and save their sorry behinds.

But for each horror story he tells us (and there are many, make no mistake), there are stirring examples of common people standing up against the faceless corporate bullies and exercising their democratic rights (what a novel concept!): homeowners in Miami who refuse to budge from a foreclosed home; union workers in Chicago who refuse to leave their place of employment, a manufacturer of doors and windows, even after Bank of America has foreclosed; people in Congress who have finally had enough and scream "BULLS**T!" to the corporate interests.

All of this may seem like Moore is going to his usual excessive lengths to make his point, particularly when it comes to the idea of abolishing the capitalist framework altogether--a pipe dream, if ever there was one. But when doing a satirical documentary like this, a little excess can go a long way to expose some hidden truths about our country; and the fact that Moore exposes truths that we either disagree with or don't want to know about inevitably makes him a target for blind followers of the Far Right and the Palin/McCain/Joe The Plumber sect, whom Moore once again is able to skewer with their own words. And he doesn't go so easy on Bill Clinton's administration either, as several members of that administration themselves were involved in setting up the self-fulfilling prophecy that led to the near-complete collapse of the American economy in 2008.

It was Michael Douglas' character Gordon Gekko who, in Oliver Stone's hard-hitting 1987 film WALL STREET, said to the audience at a stockholders' meeting: "Greed, for lack of a better word, is good. Greed works!" Well, as CAPITALISM: A LOVE STORY shows, just the opposite is true. It is unrestrained greed and unrestrained fear that pushed America to the brink of total economic meltdown. And it is those same elements that have led Moore to the conclusion that Capitalism is evil. If he is wrong in his conclusion, then it is unfortunately not by much. And that is why CAPITALISM: A LOVE STORY should be seen. We may not be able to abolish the capitalist system that has kept America a world power, but unless we do fundamental things now to place regulations on those that profit from greed, fear, and predatory behavior, then America may one day in the future go over the edge into the abyss with no hope to recover its lost greatness.

I saw the movie last night at a free screening. The theater was packed and after the movie started you could not hear a sound from the audience for the rest of the two hours besides two or three times when applause errupted.

You could feel that everybody in the audience really got the message.

I only hope that Michael's parting words will come true and everybody will join his fight. As long as we are being led like pigs to the slaughter nothing will change. We have to stand up against the insurance companies, the exploiting employers, the greedy merchants, the predatory lenders. If we all say no, things will change.

I will not be punished again for pre-existent conditions, car accidents caused by somebody else, retributions because somebody stole my wallet and I was punished. I will not fall buy trash anymore which breaks in a short time and cannot be repaired. I will not be talked into buying useless gimmicks which change every few months. etc.etc.

Thank you Michael Moore, without you, I would have lost hope a long time ago.