Halb tot

For a man that is not feeling well, this was the perfect no brainer film to help me conquer those sweats and chills. There was unrealistic fighting, a Swiss cheese plot, and characters that we cared nothing for, which allowed me to doze off and still know what was happening. This was a Steven Seagal film, so I wasn't expecting much, but honestly, after several of his film you come to realize that they are all very similar and Seagal has not changed his fighting habits at all over the years. He is still using the same fist moves that made him popular in Above the Law. Why should he change? He is Steven Seagal.

So, take his old-school 1980s fighting techniques and combine it with a modern day rap artist like Ja-Rule (especially after his popularity with DMX in Exit Wounds), and you have the film Half Past Dead. So, let's begin. The fighting was laughable. I think that if a gust of wind hit Ja-Rule he would fly halfway across the room. Also, why did it become increasingly obvious that Ja-Rule was not doing his own fight sequences? Throughout his fighting with Nia Peeples, it is very clear that it is not Ja-Rule. How could a director allow such a blatant error happen in an action film? This is not the only case of action gone wrong. There are several scenes in which bullets defy their projected path and gravity. Also, let us not forget the flying fists of Seagal which had the sounds of some hard hits, but it was very obvious that he was mock fighting with most of the extras. This unrealistic fighting knocked this film from five stars to four stars.

So, let's move past the fighting. What is a good action film without the story to accompany the fighting? Sadly, director Don Michael Paul felt as if there was no story needed. Why bother the audience with a story when we have Ja-Rule and Steven Seagal fighting together on-screen? The plot was riddled with more holes that my high school underwear. It was as if we were not seeing the entire picture, and instead of showing us the director relied on words to tell us. Some examples of what I mean are how Sasha and Nick first met. I needed to see this. Without this story and seeing their trust be born, it became less emotional when it was broken. I didn't care, I needed to know more about them. The side-story about Seagal's wife was just filler. He has these visions of her that help him live after a gun battle, but that is all we know about her. When I first saw this scene, I thought it was going to be a major influence in the film. Sadly, I believe that was the last mention of the wife. The Prisoner's story with the gold was horrible. I didn't know enough about the guy to make me see the evil in his ways. This ultimately led to an unclimactic ending with this Prisoner. Does anyone really know who Morris Chestnut's character was? How did he get the money to finance this operation, and how did he become the inside man? I needed answers of which Don Michael Paul was not willing to provide. The lack of story and weakness of the main characters knocked this film from four stars to two.

Finally, I would like to comment on the title. What does it mean? Was it a reference to the time when Sasha almost died, or is it a reference to the lack of caring about life from Ja-Rule and the inmates (remember his line, 'Tonight is a good time to die'). I don't know. This led me to the ultimate conclusion about this film. The director just didn't care. He was happy to have Seagal and Ja-Rule signed on, so everything else became second fiddle. In the range of action films, this is pretty poor. Unrealistic fighting with an overabundance of clichéd lines only plummeted this film deeper into the world of action. To be brutally honest, Ja-Rule cannot act, and this became a problem in this film. He needed a smaller film to get his feet wet and see if he was ready for the cinema world. Half Past Dead was not the best role for him. This film is the perfect example of a movie made just to get rap artists some screen time and attempt to bring an overweight action start from the 80s into the new generation. Sadly, in Half Past Dead it didn't work.

Grade: * out of *****

"Half Past Dead" is just another crap flick in paunchy Seagal's downward spiral into oblivion. However, unlike his abysmal dramatic follow-up, "The Foreigner", this action flick at least connects with the part of the male brain which turns down the IQ and turns up the testosterone making all the hokey stunts, pyro, combat, etc. seem somehow worth while in a vague sort of mindless way. At least this flick had a hottie in it and showed her navel..about the only thing in the film I hadn't seen before. For action and Seagal diehards only. (C-)

Note - I particularly enjoyed the scene where deep cover FBI op Seagal is asked by a fellow prison inmate if there isn't something more to him than just another inmate whereupon he willingly blows his own cover and admits he's an agent. Exit undercover agent. Enter birdbrain.

I was meant to see this movie when it came out, but there was'nt much time for me. Anyway after renting it and watching the movie, I thought it was a pretty good film. Steven Seagal that he still has a few tricks up his sleeve, though there was'nt much fighting but the action scenes were enough for me to be satisfied. I usually find Ja Rule over rated when it comes to rapping, but as an actor he impressed me and I hope he continues on making more movies, especially kurupt. Morris Chestnut did a fine job playing the villain and Nia peeples was a did great playing Morris' sexy sidekick. However this movie is no match for " Exit wounds", " Glimmer man" and "Cradle 2 the grave", but it is still worth a look. THUMBS UP!

Sometime in the near future that island in San Francisco Bay is being used for what God intended, a federal prison once again. But now it's a high tech new and improved Alcatraz with Tony Plana as the warden. It's still an unbreakable no escape facility, but no one ever counts on someone breaking into prison.

Which is what Morris Chestnut, Nia Peeples and an assorted gang of body armored thugs do when hijacker Bruce Weitz is about to be executed. It seems that Weitz who has cleaned up quite a bit since he portrayed Detective Mick Belker on Hill Street Blues, has gone and buried a small fortune in gold bullion which he robbed back in the day resulting in several Treasury agents being killed. Which is why Weitz is on death row.

But Chestnut's helicopter which is his escape route crashes in a blinding rainstorm, we get a hostage situation which also involves a Supreme Court Justice in the person of Linda Thorson. Back before she got to the high court, Thorson was the judge who tried and sentenced Weitz and she's there as a witness to the execution that gets delayed.

Fortunately for all concerned Steven Segall is in the joint with his criminal buddy Ja Rule and he organizes the cons to resist.

People who go to see Steven Segall movies go for the action and violence and not a coherent and realistic plot. The action is plenty as Segall goes through the film in a style that makes Sylvester Stallone look like John Barrymore.

If that's what your taste in film is, go for it.

Two rules to go by are: Movies made by Franchise Pictures, or distributed by Screen Gems, are movies to avoid. This movie was made by Franchise Pictures AND distributed by Screen Gems! Not only that, but it has Steven Seagal - it's hard to believe that ten years or so ago he was doing so well. It's a shock to see him here, with a puffy face (and torso) and his hair looking lighter. Not surprisingly, his fight scenes are directed with quick cuts and simple martial arts movies that even an amateur could pull off. He seems very disinterested by what's happening, even a little out of it. He shouldn't be surprised that it's his career that's half past dead.

The director, Don Michael Paul, seems to have no ability to direct an action scene, martial art OR weapon-oriented. He uses annoying techniques like slow-motion or fast-motion to try and be "edgy", I guess. He also has problems telling a story, with some notable gaps that filled would have made some plot points more clear. He was working with a tight budget, which explains some things like numerous close-ups and somewhat impoverished sets. (Plus outdoor locations that clearly aren't in the United States, even though the movie is supposed to be taking place there.) Still, the movie moves along with nary a slow spot, and as problem-filled as it is, it's slicker and less annoying than Seagal movies like TICKER and THE FOREIGNER.